Henry James - The Map of Time and The Turn of the Screw

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An epic, ambitious and page-turning mystery that will appeal to fans of The Shadow of the Wind, Jonathan Strange and Mr Norrell and The Time Traveller’s WifeLondon, 1896. Andrew Harrington is young, wealthy and heartbroken. His lover Marie Kelly was murdered by Jack the Ripper and he longs to turn back the clock and save her.Meanwhile, Claire Haggerty rails against the position of women in Victorian society. Forever being matched with men her family consider suitable, she yearns for a time when she can be free to love whom she choses.But hidden in the attic of popular author – and noted scientific speculator – H.G. Wells is a machine that will change everything.As their quests converge, it becomes clear that time is the problem – to escape it, to change it, might offer them the hope they need…

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That period lasted two or three years, until the pain finally disappeared, giving way to something far worse: emptiness, lethargy, numbness. Marie Kelly’s murder had obliterated his will to live, severed his unique communication with the world, leaving him deaf and dumb, manoeuvring him into a corner of the universe where nothing happened. He had turned into an automaton, a gloomy creature that lived out of habit, without hope, simply because life, real life, had no link to the way he spent his days, but occurred quietly inside him, like a silent miracle, whether he liked it or not. In short, he became a lost soul, shutting himself in his room by day and roaming Hyde Park by night. Even the action of a flower coming into bud seemed rash, futile and pointless.

In the meantime, his cousin Charles had married one of the Keller sisters – Victoria or Madeleine, Andrew could not remember which – and had purchased an elegant house in Elystan Street. This did not stop him visiting Andrew nearly every day, and occasionally dragging him to his favourite brothels on the off-chance that one of the new girls might have the fire between her legs to rekindle his cousin’s dulled spirit. But to no avail: Andrew refused to be pulled out of the hole into which he had dug himself.

To Charles – whose point of view I shall adopt at this juncture, if you will consent to this rather obvious switch of perspective within a paragraph – this showed the resignation of someone who has embraced the role of victim. After all, the world needed martyrs as evidence of the Creator’s cruelly. It was even conceivable that his cousin had come to view what had happened to him as an opportunity to search his soul, to venture into its darkest, most inhospitable regions.

How many people go through life without experiencing pure pain? Andrew had known complete happiness and utter torment; he had used up his soul, so to speak, exhausted it completely. And now, comfortably installed with his pain, like a fakir on a bed of nails, he seemed to await who knew what: perhaps the applause signalling the end of the performance. Charles was certain that if his cousin was still alive it was because he felt compelled to experience that pain to the hilt. It was irrelevant whether this was a practical study of suffering or to atone for his guilt. Once Andrew felt he had achieved this, he would take a last bow and leave the stage for good.

Thus, each time Charles visited the Harrington mansion and found his cousin prone but still breathing, he heaved a sigh of relief. And when he arrived home empty-handed, convinced that anything he could do for Andrew was useless, he reflected on how strange life could be, how flimsy and unpredictable it was if it could be altered so drastically by the mere purchase of a painting. Was it within his power to change his cousin’s life again? Could he alter the path it would take before it was too late? He did not know. The only thing he was certain of was that, given everyone else’s indifference, he had to try.

In the little room on Dorset Street, Andrew opened the cutting and read for the last time, as though it were a prayer, the account of Marie Kelly’s mutilations. Then he folded it and replaced it in his coat pocket. He contemplated the bed, which bore no trace of what had happened there eight years before. But that was the only thing that was different: everything else remained unchanged – the grimy mirror, in which the crime had been immortalised, Marie Kelly’s little perfume bottles, the cupboard where her clothes still hung, even the ashes in the hearth left from the fire the Ripper had lit to make slitting her open cosier. He could think of no better place to take his own life.

He placed the barrel of the revolver under his jaw and crooked his finger around the trigger. Those walls would be splattered with blood once more, and far away, on the distant moon, his soul would at last take up its place in the little hollow awaiting him in Marie Kelly’s bed.

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