DEBBIE JOHNSON
A division of HarperCollins Publishers
www.harpercollins.co.uk
Published by Avon an imprint of HarperCollins Publishers Ltd
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperCollins Publishers 2014
Copyright © Debbie Johnson 2014
Cover illustration © Lisa Horton 2014
Debbie Johnson asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Digital eFirst: Automatically produced by Atomik ePublisher from Easypress.
Ebook Edition © October 2014 ISBN: 9780008121945
Version: 2016-03-23
Contents
Cover
Title Page FEAR NO EVIL DEBBIE JOHNSON A division of HarperCollins Publishers www.harpercollins.co.uk
Copyright Published by Avon an imprint of HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published in Great Britain by HarperCollins Publishers 2014 Copyright © Debbie Johnson 2014 Cover illustration © Lisa Horton 2014 Debbie Johnson asserts the moral right to be identified as the author of this work. A catalogue record for this book is available from the British Library. This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Digital eFirst: Automatically produced by Atomik ePublisher from Easypress. Ebook Edition © October 2014 ISBN: 9780008121945 Version: 2016-03-23
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
About the Author
Also by This Author
Avon Social Media Ad
About the Publisher
‘So, I says to him, “Who do the friggin’ knickers belong to, then, Dave? Your fancy piece?” I was thinking all sorts, obviously – mainly he was shagging someone else. Someone with an effin’ huge arse, mind. And he says to me – get this – he says to me, “They’re mine, love…I’ve been meaning to talk to you about this for a while.” Can you believe it? Married seventeen years and I’ve only just found out he’s a bloody cross-dresser!’
Dawn McGinty pauses in her rant, standing next to her friend Pat as they pull cigarette packets from the pockets of their overalls. They produce their packs – one Mayfair, one Benson and Hedges – at exactly the same time, as though linked by a psychic smoke ring. Their hands, knuckles red and scraped raw from a lifetime of hard labour and vaguely toxic cleaning products, come up to form protective shields around the flame as Pat flicks the flint on her lighter.
It’s not a warm day, just after 8 a.m. in June.The wind whipping up off the Mersey is still harsh enough to feel like a slap on the cheeks at the right angle, and certainly enough to douse the flickering flame of a five-for-a-quid lighter.
They both inhale, then pause, silently appreciating that first rush of nicotine to the brain.
‘Best of the day, this one,’ says Pat, her voice like gravel. ‘On the way home from work – leaving one shithole and heading for the next…Bernie’ll be waiting there now, expecting me to come in and do his bleedin’ bacon and eggs after I’ve been cleaning offices for two hours, whinging and moaning about his bad back while he picks his bloody horses for the day.’
‘At least yours won’t be wearing a thong and Wonderbra set while he reads the Racing Post,’ replies Dawn, as she pulls in another drag. She doesn’t really care about Dave being a tranny. In fact she’s enjoying sharing the story with Pat, in the same way they’ve been sharing stories on the walk home from work for the last eight years. As long as he doesn’t start picking the kids up from school in a feather boa or anything, she’ll cope. There are far worse habits a husband could have, she knows.
‘So, what size is he then?’ asks Pat, getting into the swing of things. ‘Big fella, your Dave. Have you got him a copy of the Evans catalogue?’
Dawn starts to answer, some quip about him having bigger tits than her, but the words die on her lips as she looks up. Something catches her eye up a few floors in that ugly old building they’re going past. The one with the students in it. The one that’s always kind of given her the creeps, with its blood-red brick and fake castle towers at the top. Looks like something you’d keep nutters locked up in, she reckons.
It was usually quiet at this time of day, but she could see a window banging open up there. Slamming backwards and forwards, the glass jarring in the frame, snot green curtain blowing out into the sky like a cloud of flying puke. And…hair. Brown hair, dangling out in the breeze, like someone was sitting on the window ledge, leaning backwards…
‘Pat,’ she says, pulling the ciggie from her mouth. ‘Can you see that?’
‘What, love?’ asks Pat, following her gaze upwards. ‘I can’t see anything. Must be going blind as well as daft.’
‘That window up there – there’s someone leaning right out of it—‘
Pat looks. She sees. Stares as the body tumbles from the window ledge like a ball of laundry, skirt flapping and hair whirling as it plummets. She sees it rotate, and sees its arms fly out to the side like a child playing aeroplanes, and sees the mouth form into the soundless ‘O’ of an unheard scream. She sees one shoe dislodge from a flailing foot and smash down to the grass, where its stiletto heel lodges firmly in the dewy earth. She sees the hands grasping at empty air; the way the head dips down to greet the ground, hair wrapped around the face like clinging seaweed.
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