Elizabeth Day - Home Fires

‘Oh . . . fine.’ Caroline turns away. She glances at the rosy wash of the linen curtains held up against the fading evening light. There is a tap-tap-tapping sound against the window like pebbles scattering across glass. ‘Is it raining?’

‘Yes, I think so,’ Andrew replies. ‘It might even be hail by the sounds of it.’ He clears his throat. ‘Anyway, Mrs Carswell said that she’s not sure how much longer the current arrangement will be . . .’ he pauses, searching for the right word, ‘viable.’

‘Oh?’

‘She was very nice about it but she doesn’t think she can offer Mummy the necessary level of care. She seemed to think that Mummy might need someone with her on a more permanent basis and she suggested . . .’

Too late, Caroline can see where this was going. A scratchy panic rises up her gullet and lodges itself there.

‘Well, she suggested that maybe Mummy could come and live here,’ Andrew finishes, speaking the words quickly so that the damage is done as quickly as possible. ‘After all, we’ve got the room.’

She doesn’t say anything but the thought of looking after anyone else, of having to plan what to make for dinner, of having to exist on a day-to-day basis, of continuing normal life, of picking it up where they had left off as if she were picking up a fallen stitch in a piece of knitting . . . the thought of it overcomes her and seems to press the breath out of her lungs.

‘I know that the timing isn’t ideal,’ says Andrew. ‘But she is my mother, after all, and I feel I owe this to her.’

His voice is firmer now, less apologetic. He has a streak of steeled strength buried underneath all those layers of politeness and good-humoured kindness and a strong sense of right and wrong. It is part of the reason she used to love him so much.

‘Andrew, I don’t know if I can . . .’

‘Darling, I know you feel very weak at the moment –’ She looks at him, disbelieving. Does he honestly believe that is all it is? Weakness? ‘But maybe, just maybe, having someone else in the house might alleviate the pressure a bit.’

‘You think I’m wallowing, that I’m being self-indulgent.’

‘No, no,’ he insists. ‘I think you are having a terrible time, of course you are, but you can’t go on like this. At some point, you, we, both of us, we’ll have to get on with our lives . . .’

‘And forget Max ever existed?’

Andrew looks taken aback. ‘Neither of us will ever, ever do that,’ he says quietly. ‘But it’s been four months now –’

‘Three-and-a-half.’

‘OK, three-and-a-half months and I’m worried about you. I’m worried about these things –’ he takes the bottle of pills that is on the bedside table and rattles it in his hand. ‘You need to start living again. And part of that is being able to look outwards, to think about other people.’

She doesn’t say anything. She knows that this is Andrew’s way of coping: always doing things, thinking about the next thing, losing himself in involvement.

‘I’m not suggesting we move Mummy in immediately, but I do want her to come and stay with us. I know it’s an awful lot to ask but she’s old and fragile and she needs our help.’ He looks at her cautiously.

Caroline closes her eyes. After a while, she feels Andrew stand up and hears him walk out of the room, his footsteps going down the stairs. There is the sound of plates clashing as he loads the dishwasher. She is angry at that, at the resumption of normal service in the kitchen below, and she reaches, without thinking, for the pills, pressing down on the white lid of the bottle so that the catch releases as she twists. Caroline puts one in her mouth and swallows it with a sip of water from the glass on the bedside table. Within seconds, she eases into the familiar fog. Her thoughts relax. Her mind unclenches and fills slowly with the whiteness of space. The image of Andrew, washing plates, dissipates and his face is rubbed out, slowly, bit by bit, until there is nothing of him left and she falls into a state of numbness that is not quite sleep but near enough.

If she casts her mind back, she can remember the first time she met Elsa. The image comes to her completely intact: she is in the passenger seat of Andrew’s car, feeling the sticky rub of leather against her bare legs, and they have turned into a short gravel driveway and parked underneath the bending branches of a yellow-green willow. She has to be careful opening the door so that it does not scratch against the tree trunk and then she must squeeze herself out, shimmying through the narrow space, making sure her skirt doesn’t ride up her thighs as she manoeuvres herself upright and out of the car.

The house is medium-sized with latticed windows and a rambling rose climbing up the façade towards the tiled roof. The walls are painted the pink of iced cakes and there is a double garage with wooden doors to one side. Caroline has never seen a double garage.

‘Do they have two cars, your parents?’ she asks.

‘What?’ he says and then he notices her looking at the garage. ‘Oh, I see, no, only the one. They use the garage for storage mostly. Actually, there’s still some of my stuff in there.’

‘What kind of stuff?’

‘University stuff, old boxes of clothes, you know,’ he says. She nods her head as if the idea of university is unremarkable but inside she is impressed. She likes the fact that he is clever and more educated than she is. Caroline had never done well at school. Her father had always said she’d never amount to anything and, after a while, she began to think he was right and stopped making the effort. If her Dad could see her now, she thinks to herself, about to go for lunch with her boyfriend in a house with a double garage. That would make him stop and think.

She is nervous as she walks to the front door, her arm linked through Andrew’s. Sensing her unease, he smiles at her and pats her hand.

‘It’ll be fine,’ he says and a lock of hair falls forward over his left eyebrow. Caroline likes the way his hair does this. It was one of the first things she had noticed about him.

‘You’ll be wonderful,’ Andrew is saying.

She does not believe his reassurance, but she knows the appearance of confidence is important. She feels so lucky to be Andrew’s girlfriend, so surprised and flattered that he would choose to be with her that she is constantly on guard in case she does something wrong, in case she says something that will make him see who she really is.

The front door opens and a woman emerges, arms crossed over the front of her oatmeal-coloured cardigan, a small, precise smile on her face.

‘Andrew,’ the woman says and she leans forward, bending from her waist so that she does not step out beyond the doorframe, and then she brushes Andrew’s cheek against hers and kisses him but the kiss does not make contact so that all that is left is the suggestion of it.

Andrew’s mother is slender and elegant and taller than Caroline expected. She is wearing a tweed skirt that stops just above the calf, belted tightly around her small waist. Her hair is grey but she does not look old, even though Caroline knows that she is in her sixties.

She glances down at Elsa’s shoes. She has found that you can learn a lot about someone from their shoes. Elsa’s are made from expensive leather, buffed to a gleaming black patency, and Caroline is surprised to notice they are high-heeled, with a flat gold circular button on each toe. The shoes are beautiful but impractical, especially in the middle of the Cambridgeshire countryside. Caroline finds herself wondering whether Elsa has different, outdoors shoes that she keeps by the front porch or whether she has put these heels on because she feels the need to dress for the occasion. She makes a mental note of this, storing it for later.