Warwick Cairns - In Praise of Savagery

Здесь есть возможность читать онлайн «Warwick Cairns - In Praise of Savagery» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

In Praise of Savagery: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «In Praise of Savagery»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

One man’s journey in the footsteps of a great explorer into the heart of Africa.As a young man, Warwick Cairns met the then elderly explorer Wilfred Thesiger and the two men struck up an unlikely friendship. Invited to visit him at his African home, Cairns decides to make a bit of an adventure of it and do some of the journey on foot.When he himself was a young man, Thesiger led an expedition to explore the course of the Awash river in Ethiopia. Every westerner that had gone before him had been killed by local tribesmen. Needless to say, he survived.Alternating chapters chart Warwick’s journey with that of Thesiger creating a captivating dual narrative that is part travel book, part biography, part autobiography, part history with fair doses of philosophy and humour thrown in for good measure.In Praise of Savagery is a highly original book that defies classification but is always effortlessly readable.

In Praise of Savagery — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «In Praise of Savagery», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

WARWICK CAIRNS

In Praise of Savagery

For Susan

Tho’ it were ten thousand mile.

Yet they were a cheerful, happy people despite the incessant killing, and certainly not afflicted by the boredom which weighs so heavily today on our own young urban civilization.

Wilfred Thesiger, 1934

Contents

Title Page WARWICK CAIRNS In Praise of Savagery

A Man Between Two Worlds

Cheques and Balances

Sultan of Aussa

Harlow New Town

The Emperor’s Gift

Don’t Tell Others

The Clinic

Preparations

The Awash Station

Aeroflot

Raiders of the Dressing-up Box

You Can Run But You Can’t Hide

An Interrupted Journey

The River-Plain of Bahdu

A Letter

To the North

Kibiriti

Upon the Etiquette of Massacre

Preparations

The Worst Restaurant in the World

Addis Ababa

Chukana is Indisposed

The Water-Song and the Camel-Men

Upon Human Nature, and Goats

A Question of Responsibility

The Great Explorer

A Blessing

The Hangadaala Takes a Walk

Deep Water

In the Midday Sun

A Collective Decision

Built for Miserable Weather

The Wells at Intahe

Four Days at Gewani

Elsewhere

Incidents on the Slopes of Mount Kulal

Upon Sleep, Pleasure and Duty

Into Hostile Territory

Telling the Sheep from the Goats

The Silver Baton of Command

Playing British Bulldog for a Bride

The Sultan’s Vizier

A Magnificent Bearded Loon

A Fish Supper

The Still Point of the Turning World

A Surfeit of Shoes

The Giving and Receiving of Gifts

The Anticipation of Fruit

Through the Land of Aussa

The Oasis

Fulfilment’s Desolate Attic

Back to Maralal

Civilisation

The Years in Between

The Old Man, Up There

Life

To the Modern World

What Is Your Tribe?

Our Dead Through Whom We Live

Acknowledgements

About the Author

Also by Warwick Cairns

Copyright

About the Publisher

A Man Between Two Worlds

This was a man, you’ll understand, who had killed—who had personally killed, as it were—so many people, over the years, that he’d lost count. Or rather, a man who’d killed so many people that he’d not even bothered to keep count in the first place. Not that he’d have been able to keep count, as it happens, even if he’d wanted to, what with the darkness, and the adrenaline-rush, and the pandemonium and the screaming, and the roar of the engines and all, and who could blame him for not keeping, for not being able to keep, an accurate tally?

Not me, I’m sure.

‘What we did, you see,’ he said, ‘what we did was to park the Jeep. Park it behind a sand-dune or under some trees or bushes or scrub, if we found some, and then we’d cover it up with branches. Camouflage it, you understand. And then we’d wait.’

He eyed up my glass.

I’d not drunk anything yet.

‘Cheers,’ I said.

There was a sword hanging on the wall.

It was a golden sword, a great curved thing, sheathed in heavy gold, all carved and tooled and etched about, and encrusted with rubies and sapphires, and it hung from an elaborately wrought chain beside the fireplace. It was a bit of a monster, if the truth be told; like something that you’d see the pot-bellied genie carrying in an over-the-top am-dram production of Ali Baba , tucked into the sash holding up his pantaloons. And it is, I suppose, possible—just possible—that it was simply that: a theatrical prop, all gilt and paste, something that he’d picked up from a fancy-dress-hire shop on a whim, perhaps, as an amusing quelque-chose . Somehow I doubt it, though. He really wasn’t the type.

I took a big sip from the glass.

‘Delicious,’ I said.

And, indeed, it would have been delicious, if I’d actually liked sherry in any shape or form. It would have been more than delicious, even, if I’d liked thick, dark ‘cooking sherry’ of the kind that your grandmother, perhaps, used to serve up to your parents at Christmas. But I didn’t, as it happens, and don’t, and never have.

It’s not just sherry, either, but alcohol generally.

I don’t know what it is about it, or about me, but I’ve never been able to get on with any of it. I just don’t like the taste of it, I suppose. Sweet drinks I can sort of take, in small doses, liqueurs and the like, and advocaat; but even then I find myself wishing I’d had a glass of Coke or something, after a few sips.

‘I’ve never been a great lover of Jeeps,’ he continued, ‘or any motor-car for that matter. The internal combustion engine has driven all of the silence out of the world.’

A clock ticked on the mantelpiece.

‘It has brought nothing but noise and misery and dissatisfaction,’ he said. ‘I couldn’t drive when I joined the Unit—did you know that? Couldn’t drive at all. Didn’t know where to put the key to start the engine. Didn’t even know which way to turn a spanner to unscrew a wheel-nut. That amused the others no end. Now, with an animal—with a horse, say, or with a camel—well, you know where you are with them; and at least when they go wrong you can always eat them, if all else fails. But motorcars, no—they’ve never been my thing. But in the desert, when we found a camp we’d park our car, and hide it, and we’d wait until it got dark. And then we’d watch the lights in the tents until they went out, and we’d give them time to get off to sleep properly. Then, when it was all quiet, we’d jump into the car—me in the back with the machine-gun, driver up front, and we’d drive right through the middle of their camp and I’d blast away at the tents on both sides, and we’d be off before they knew what hit them.’

Shelley Court, Tite Street, Chelsea. The London home of Major Sir Wilfred Patrick Thesiger, KBE, DSO, honorary fellow of Magdalen College, Oxford, and holder of the Star of Ethiopia (Third Class).

He was a mountain of a man, Thesiger, even then, for all his eighty years, in his antique tweed three-piece suit with his pocket-watch on a chain and his handmade shoes; and he was a man who, in his lifetime, had done and seen extraordinary things.

In the dying days of the age when there were still blank spaces on the world’s maps, and when there were still places from which no traveller had ever returned, he had set off into unexplored lands and crossed the territories of savage and murderous tribes, against all advice and in defiance of all reasonable expectation of survival, and yet he had lived to tell the tale.

In the years of war, he had led the small battalion that captured the Italian garrison of Agibar and all its 2,500 troops; and later, with the SAS in the Western Desert, when almost all of his unit had been captured or killed, he had gone in pursuit of Rommel’s Afrika Korps, tanks and all, and had narrowly escaped being captured by the Field-Marshal himself.

In the years after, when others went back to their lives and families, he had sought out wild and comfortless places, living and travelling with the Bedouin of Arabia, with whom he crossed the ‘uncrossable’ sands of the Rub’ al Khali, or Empty Quarter, hovering on the brink of death from lack of food and water.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «In Praise of Savagery»

Представляем Вашему вниманию похожие книги на «In Praise of Savagery» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Khaled Khalifa - In Praise of Hatred
Khaled Khalifa
Edward Marston - The Foxes of Warwick
Edward Marston
Justin Cairns - Little Red
Justin Cairns
libcat.ru: книга без обложки
Bertrand Russell
Louise Warwick-Booth - Contemporary Health Studies
Louise Warwick-Booth
Dionigi Cristian Lentini - PraiseENG - A Praise Of The Engineer
Dionigi Cristian Lentini
Massimo Recalcati - In Praise of Forgiveness
Massimo Recalcati
Warwick Collins - Gents
Warwick Collins
Warwick Collins - The Sonnets
Warwick Collins
Desiderius Erasmus - The Praise of Folly
Desiderius Erasmus
Desiderius Erasmus - In Praise of Folly
Desiderius Erasmus
Отзывы о книге «In Praise of Savagery»

Обсуждение, отзывы о книге «In Praise of Savagery» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x