Christopher Tolkien - The Legend of Sigurd and Gudrún

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The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the epic story of the Norse hero, Sigurd, the dragon-slayer, the revenge of his wife, Gudrún, and the Fall of the Nibelungs.“Many years ago, J.R.R. Tolkien composed his own version, now published for the first time, of the great legend of Northern antiquity, in two closely related poems to which he gave the titles The New Lay of the Völsungs and The New Lay of Gudrún.“In the Lay of the Völsungs is told the ancestry of the great hero Sigurd, the slayer of Fáfnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress, mother of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness.“In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrún. In the Lay of Gudrún her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge.“Deriving his version primarily from his close study of the ancient poetry of Norway and Iceland known as the Poetic Edda (and where no old poetry exists, from the later prose work the Völsunga Saga), J.R.R. Tolkien employed a verse-form of short stanzas whose lines embody in English the exacting alliterative rhythms and the concentrated energy of the poems of the Edda.”— Christopher Tolkien

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It is to be borne in mind that this is the draft and record of a spoken lecture to a small audience. No thought of publication could be remotely present. His purpose was to communicate his vision in broad clear strokes. He set the Edda forcibly within a large temporal context, and eloquently conveyed his own conception of this poetry and its place in the history of the North. In other lectures, on particular poems or specific topics, he expressed himself, of course, with caution; but here he could be bold, or even extravagant, not hedging every statement with qualifications in a subject where disagreement over doubtful evidence dogs the steps. Indeed, ‘perhaps’ and ‘probably’, ‘some hold’ and ‘it may be thought’, are notably absent from this account as he wrote it.

My impression is that this was a relatively early writing; and he added later a number of qualifications to his original statements. There survives also an earlier and much rougher draft lecture with the title Elder Edda . This was expressly delivered to a ‘club’, unnamed; but it was the basis of the much developed lecture of which a part is given here. My father treated that first text in a characteristic manner, retaining phrases amid much rewriting and addition, and produced a new manuscript. It can hardly be doubted that the lecture in its earlier form was what he read, with that title, to the Exeter College Essay Society on 17 November 1926. But how long a time elapsed between the two texts it is impossible to say.

It is primarily in order to hear the voice of the author of the poems presented in this book, writing (in order to speak) personally and vitally of the Poetic Edda, on which he has never been heard since he last lectured on Old Norse at Oxford some seventy years ago, that I print it here, in its later form.

The text is rapidly written and not at all points perfectly legible, and it is here slightly edited and somewhat shortened, with a few explanations added in square brackets and a few footnotes.

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