Paula Byrne - Mad World - Evelyn Waugh and the Secrets of Brideshead

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A terrifically engaging and original biography about one of England’s greatest novelists, and the glamorous, eccentric, debauched and ultimately tragic family that provided him with the most significant friendships of his life and inspired his masterpiece, ‘Brideshead Revisited’.Evelyn Waugh was already famous when ‘Brideshead Revisited’ was published in 1945. Written at the height of the war, the novel was, he admitted, of no ‘immediate propaganda value’. Instead, it was the story of a household, a family and a journey of religious faith – an elegy, in many ways, for a vanishing world and a testimony to a family he had fallen in love with a decade earlier.The Lygons of Madresfield were every bit as glamorous, eccentric and compelling as their counterparts in ‘Brideshead Revisited’. In this engrossing biography, Paula Byrne takes an innovative approach to her subject, setting out to capture Waugh through those friendships that mattered most to him. Far from the snobbish misanthropist of popular caricature, she uncovers a man as loving and complex as the family that inspired him – a family deeply traumatised when their father was revealed as a homosexual and forced to flee the country.This brilliantly original biography unlocks for the first time the extent to which Waugh’s great novel encoded and transformed his own experiences. In so doing, it illuminates the loves and obsessions that shaped his life, and brings us inevitably to a secret that dared not speak its name.

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David was soon to marry and in short order divorce Babe McGustie, the gold-digging stepdaughter of a prominent bookie. Richard fascinated Evelyn with his eccentricities and his tinge of melancholy. He was piratical in appearance, sporting earrings and a cravat, while smoking strong, dark tobacco. Evelyn described him as ‘good with boats’ and passionate in the way he threw himself into everything: ‘he brought to the purchase of a pipe or a necktie the concentration of a collector’. One moment he would be a connoisseur of wine, the next a racing motorist, then a jazz lover, and before long an aspiring writer of detective fiction. But he was never a bore with his passions. He brought to each new hobby ‘the infectious absorption of an adolescent’. Not a bore and always amusing: for Evelyn, this was the highest praise.

Evelyn’s admiration of the handsome Plunket Greene brothers in his Oxford years transferred itself into infatuation with their sister, Olivia. He lacked the experience and ‘force of purpose’ to conduct a proper courtship, so the relationship became instead an ‘intimate friendship’ of a kind that established a pattern for a succession of future liaisons with upper-class, sexually unavailable women. The pattern was always the same: ‘doting but unaspiring on my part, astringent on hers’. One cannot help but think of the adventures in unrequited love of Bertie Wooster’s friend Bingo Little.

Harold Acton said that Olivia had ‘minute pursed lips and great goo-goo eyes’. Evelyn considered this description unfair. She was not a conventional beauty (which her mother was), but she was fashionable and graceful, dressing in black and heavily made up with cosmetics that enhanced her enormous eyes in a pixie-like face. Evelyn loved her personality. He thought that she combined ‘the elegance of David with the concentration of Richard’. What drew him to her was the very quality that had drawn him to her brothers: her capacity for passionate but short-lived enthusiasms. She lived every moment to the full.

Some saw a mad streak in her, though for Evelyn this was always tempered by her essential delicacy and fundamental shyness. She did not seek others out: people were drawn to her. Evelyn accepted that she could be a nag and a bully, that she suffered from ‘morbid self-consciousness’ and was ‘incapable of the ordinary arts of pleasing’. Perhaps he loved her because these deficiencies were also his own. ‘A little crazy; truth loving and in the end holy’, she was his first true heterosexual love. But she made him miserable.

Fiercely loyal to those he loved, Evelyn withheld from his autobiography the information that Olivia went on to have a very unhappy life. She became an alcoholic and died a recluse, unmarried. It was no coincidence or mere ill fortune that so many of Evelyn’s friends fell victim to alcoholism: the art of heavy drinking was virtually a prerequisite for his friendship. In sharp contrast to his first male love, Richard Pares, Olivia could hold as much liquor as Evelyn. Like him, she lost her inhibitions when under the influence. Her aura of melancholy made her more like Hugh and Alastair: it added lustre to her beauty, but its corollary was alcoholic dependency and despair.

They met at pubs for lunch and spent days at Underhill. Once he turned up to see her, already drunk, carrying three bottles of champagne under his arm, which they proceeded to consume out of teacups and various pots and other china receptacles that they found around the place. He liked her extremes, her melancholy and wild excesses. They got drunk together, they quarrelled, they read Browning, Plato and Dostoyevsky. She teased him, she loved his intelligence, but she did not want to go to bed with him (even though she was highly sexed, rating her lovers on their performance and counting Paul Robeson among her conquests). ‘A ghost with a glass of gin in her hand’, she was also in love with religion – to a degree that later became maniacal. She once wrote Evelyn a ‘raving sixteen page letter describing a recent visit to heaven’.

Evelyn acknowledged in his autobiography that his feelings for Olivia were a projection of his love for all the Plunket Greenes, who were so different from the Waughs: ‘I had in fact fallen in love with a whole family, and, rather as Mr E. M. Forster describes in Howards End , had focused the sentiment upon the only appropriate member, an eighteen-year-old daughter.’

Harry Greene, whom Evelyn described as a ‘very handsome Irishman’, was only occasionally on the scene, having left to live with his mistress. The person who truly cast a spell over him was the matriarch of this magnetic though flawed family, Gwen Plunket Greene. Evelyn encountered her on New Year’s Day in 1925. He wrote in his diary: ‘I met Mrs Greene for the first time and loved her.’ She was a first draft for the magnificent but monstrous Lady Marchmain. Gwen exerted a magic spell over him with her beauty, poise and humour. He later realised that her serenity was a consequence of a ‘hidden life of prayer’. She would later convert to Roman Catholicism and was already heading in that direction.

Evelyn’s diary records countless invitations to tea, dinner parties and family holidays with the Plunket Greenes. They were unsettled and moved house five times in ten years – ‘during which’, noted Evelyn, ‘I was practically a member of the family’. That the family was on the point of converting to Catholicism may have been an additional attraction.

Richard Plunket Greene was in the same position as Evelyn: ‘workless and penurious’. In his case, the position was aggravated by his desire to get married. His decision to apply for a position as a schoolmaster had prompted Evelyn to follow suit. It was the obvious option. As Evelyn once wrote to his school friend, Dudley Carew, ‘no one in our class need ever starve because he can always go as a prep school master, not a pleasant job but all roads lead to Sodom’.

The usual route was to sign up with the scholastic agency Gabbitas and Thring (W. H. Auden nicknamed them ‘Rabbitarse and String’). Evelyn Waugh, John Betjeman, Graham Greene and the fictional Paul Penny-feather of Decline and Fall all passed through its door. Greene said that to do so was to ‘pawn yourself instead of your watch’.

In early January 1925, Evelyn was interviewed by the headmaster of the prep school Arnold House. The name may have been evocative of the great Thomas Arnold of Rugby, but the location was less promising: it was in Denbighshire in North Wales, which could hardly have been further from Oxford.

Mr Banks, the head, ‘a tall old man with stupid eyes’, offered the post forthwith. He was desperate and, if Evelyn is to be believed (he is probably not to be), only one question was asked: ‘Did he possess a dinner jacket?’ This was necessary to entertain the wealthier parents. With only a couple of weeks to go before the start of term, Evelyn threw himself into a farewell whirl of socialising with the Plunket Greenes.

There was a disastrous evening at the Café Royal, where champagne cocktails were drunk, followed by oysters and chablis. Olivia disgraced herself. A few days later Evelyn noted in his diary that he had attended a dinner party of his brother Alec’s that was ‘almost wholly spoiled by the abominable manners of the Greene family, who arrived fifty minutes late’. After dinner they went to the theatre and then on to a nightclub where, drunk again, Olivia began kissing a handsome fellow called Tony Bushell. Evelyn tried unsuccessfully to get equally drunk himself. He was very rude to Olivia, but she was in no condition to take offence. The next day, ‘with a glowing resentment against the Greene family’, he sent word that he was leaving ‘for the country’. But that evening he spoiled his gesture by getting drunk and calling at the Plunket Greenes’ in the early hours of the morning, accompanied by two friends. He said that he would not leave until Olivia knelt down and apologised to him. She declined and he broke a gramophone record. A version of the episode was later incorporated into his novel A Handful of Dust .

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