Lauren Child - Catch Your Death

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Ruby Redfort: Undercover agent, code-cracker and thirteen-year-old genius – there’s nothing average about her. Only this time it’s an adventure in the wild, and it’ll take all Ruby’s got just to survive…The third book in the ice-cool Ruby Redfort series, by multi-million-copy bestselling author Lauren Child.This time, tigers are roaming the streets of Twinford, and it looks like someone has deliberately released some very rare and very dangerous animals. Things are going to get wild – and Ruby is going to get badly lost in the wilderness. The question is: will she ever make it out alive? Well, as always, you wouldn’t want to bet against her…

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Copyright

First published in hardback in Great Britain by HarperCollins Children’s Books 2013

First published in paperback by HarperCollins Children’s Books 2015 This electronic edition published in Great Britain by HarperCollins Children’s Books 2015 HarperCollins Children’s Books is a division of HarperCollins Publishers Ltd, HarperCollins Publishers 1 London Bridge Street London SE1 9GF

The HarperCollins Children’s Books website address is www.harpercollins.co.uk

Visit Lauren Child on the web at

www.milkmonitor.com www.rubyredfort.com

Text copyright © Lauren Child 2013

Cover design © HarperCollins Publishers Ltd 2015, Cover photography © Sandro Sodano

Lauren Child asserts the moral right to be identified as the author of this work

Based on an original series design by David Mackintosh

Inside illustrations by David Mackintosh

Find out more about HarperCollins and the environment at www.harpercollins.co.uk/green

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this eBook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins eBooks

Source ISBN: 9780007334117

Ebook Edition © SEPTEMBER 2013 ISBN: 9780007523337

Version: 2017-01-26

Rave Reviews for Ruby Redfort

“Redfort is one of the best things to happen to ten-plus British fiction… these are modern classics.” The Times

“Lauren Child has put imagination and fun back into the real worlds of childhood.” Julia Eccleshare, Guardian

“Clues, gadgets, secret HQs, a heist, explosions… T-shirts with cool slogans and a supply of jelly doughnuts. What more could adventure-loving girls want?” Nicolette Jones, The Sunday Times

“Cool, punchy, stylish.” Sun

“I like the way Ruby is not a girlie girl and has lots of adventures.” Amazon

“Totally amazing… a book you can’t put down!” www.goodreads.com

Dedication

For Peps

Contents

Cover

Titlepage

Copyright

Dedication

The Abandoned One

An Ordinary kid

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

A little silver key

All as it should be

The lost perfume of Marie

The rare animals

A note on Lorelei von Leyden’s perfume code

Read More from Ruby Redfort

Acknowlegments

About the Author

About the Publisher

‘Smell is one of the most powerful triggers of the human memory.

An odour is a portal to the past, instantly transporting the smeller back to some long forgotten time. The conscious mind might be unaware of the memory, but, just as smelling salts can rouse a person from a dead faint, so smell rouses the subconscious and awakens the dormant memory.’

DR DAVIDSON WALTER F MACKINTOSH PHD CBE , Ulwin University, co-writer of the highly regarded textbook, Nasal Passages

THE GIRL OPENED HER EYES AND BLINKED UP AT THE SKY. From where she lay, curled on the pine-needle floor, she could see pure blue, vivid behind a latticework of black branches. Sensing that she was alone, the girl sat up and looked around. She listened for footsteps, voices, but heard no human sound at all, just the hot lazy birds and insects buzzing and zithering. The picnic things were still laid out and a chain of ants was busy deconstructing the leftovers. She picked up the novel which lay where her father had sat, The Abandoned One – A Thriller , and she began to read.

But an hour later and almost halfway through, her parents still had not returned. Had there been some emergency? Was her father looking for help? Her mother waving at passing planes? Had they both been devoured by bears or some other wild thing – some terrible beast that lurked in the faraway forest? Or had they simply forgotten her, left her here? Her four-year-old imagination began to run wild, egged on by the pages of the book.

She calmed herself, took deep breaths, inhaling the forest aroma. The scent of the pine was a comfort, reassuring and familiar, and her common sense drifted back to her. She was aware that the most likely explanation was probably the actual one: her parents had gone to the river to fetch water and had got sidetracked.

She waited, stayed exactly where she was, remembering this was the advice given by the yellow survival manual that sat on top of her father’s bureau. But time ticked on and night began to fall and no one came back. She stood up and pushed her feet into her boots, tying them carefully, doubling the knot so they would not come undone.

She pulled on her red waterproof mac with its sensible hood, just in case the weather broke – in the wilderness you could never be sure. She took the winding path down to where the river must certainly be, and as she walked she breathed deeply, filling her tiny lungs with pure forest air, and as she inhaled she smelled a smell so delicious, so like perfume, she couldn’t help but follow where her nose wanted to lead her.

She left the path and twisted through the dark trees and the tangles of briars and fallen branches, and came to a place where the moon could reach if only the cloud would let it. Ahead of her was deathly dark, and so it was with great caution that she stepped into black. As she did so, she felt her coat snag on something sharp; she pulled, but it pulled back – the tiny girl now caged in thorns.

Trapped.

She sensed something ahead of her, quite near. Something alive, something dangerous, something bad. The cloud moved, the moon shone and the girl gasped. For barely three feet away, staring at her with the palest blue eyes and the sharpest glistening teeth, was a wolf.

The girl stood very still, watching the beast, its gaze fixed upon her. She waited; she closed her eyes to block it out. Her heart beating fast and her breathing shallow and unsteady. She listened to the creature and heard the same sound, the same panic, the child and the wolf both locked in fear.

Slowly, the girl began to unpick herself from the brambles, pulling the thorns one by one from her legs, twisting out of her little hooded coat until it was all the briars could claim. She stepped out of the thicket and saw what held the wolf; it was trapped in an ugly mouth of iron teeth. Her four-year-old instinct took hold: it told her to free the desperate wild thing and so, picking up a rock, she struck the trap over and over until it gave, and the bleeding paw of the wolf was released.

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