John Curran - The Leavenworth Case

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THIS DETECTIVE STORY CLUB CLASSIC is introduced by Dr John Curran, who looks at how Anna Katherine Green was a pioneer who inspired a new generation of crime writers, in particular a young woman named Agatha Christie.When the retired merchant Horatio Leavenworth is found shot dead in his mansion library, suspicion falls on his nieces, Mary and Eleanore, who stand to inherit his vast fortune. Their lawyer, Everett Raymond, infatuated with one of the sisters, is determined that the official investigator, detective Ebenezer Gryce, widens the inquiry to less obvious suspects.The Leavenworth Case, the first detective novel written by a woman, immortalised its author Anna Katharine Green as ‘The Mother of Detective Fiction’. Admired for her careful plotting and legal accuracy, the book enjoyed enormous success both in England and America, and was widely translated. It was republished by The Detective Story Club after Prime Minister Stanley Baldwin, speaking at the 1928 Thanksgiving Day dinner of the American Society in London, remarked: ‘An American woman, a successor of Poe, Anna K. Green, gave us The Leavenworth Case, which I still think one of the best detective stories ever written.’

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‘It is only this, gentlemen. One afternoon, about three weeks since, I had occasion to go to the library at an unusual hour. Crossing over to the mantelpiece for the purpose of procuring a penknife which I had carelessly left there in the morning, I heard a noise in the adjoining room. Knowing that Mr Leavenworth was out, and supposing the ladies to be out also, I took the liberty of ascertaining who the intruder was; when what was my astonishment to come upon Miss Eleanore Leavenworth, standing at the side of her uncle’s bed, with his pistol in her hand. Confused at my indiscretion, I attempted to escape without being observed; but in vain, for just as I was crossing the threshold, she turned and, calling me by name, requested me to explain the pistol to her. Gentlemen, in order to do so, I was obliged to take it in my hand; and that, sirs, is the only other occasion upon which I ever saw or handled the pistol of Mr Leavenworth.’ Drooping his head, he waited in indescribable agitation for the next question.

‘She asked you to explain the pistol to her; what do you mean by that?’

‘I mean,’ he faintly continued, catching his breath in a vain effort to appear calm, ‘how to load, aim, and fire it.’

A flash of awakened feeling shot across the faces of all present. Even the coroner showed sudden signs of emotion, and sat staring at the bowed form and pale countenance of the man before him, with a peculiar look of surprised compassion, which could not fail of producing its effect, not only upon the young man himself, but upon all who saw him.

‘Mr Harwell,’ he at length inquired, ‘have you anything to add to the statement you have just made?’

The secretary sadly shook his head.

‘Mr Gryce,’ I here whispered, clutching that person by the arm and dragging him down to my side; ‘assure me, I entreat you—’ but he would not let me finish.

‘The coroner is about to ask for the young ladies,’ he quickly interposed. ‘If you desire to fulfil your duty towards them, be ready, that’s all.’

Fulfil my duty! The simple words recalled me to myself. What had I been thinking of; was I mad? With nothing more terrible in mind than a tender picture of the lovely cousins bowed in anguish over the remains of one who had been as dear as a father to them, I slowly rose, and upon demand being made for Miss Mary and Miss Eleanore Leavenworth, advanced and said that, as a friend of the family—a petty lie, which I hope will not be laid up against me—I begged the privilege of going for the ladies and escorting them down.

Instantly a dozen eyes flashed upon me, and I experienced the embarrassment of one who, by some unexpected word or action, has drawn upon himself the concentrated attention of a whole room.

But the permission sought being almost immediately accorded, I was speedily enabled to withdraw from my rather trying position, finding myself, almost before I knew it, in the hall, my face aflame, my heart beating with excitement, and these words of Mr Gryce ringing in my ears: ‘Third floor, rear room, first door at the head of the stairs. You will find the young ladies expecting you.’

CHAPTER VI

SIDE-LIGHTS

‘Oh! She has beauty might ensnare

A conqueror’s soul, and make him leave his crown

At random, to be scuffled for by slaves.’

—OTWAY’S ORPHAN

THIRD floor, rear room, first door at the head of the stairs! What was I about to encounter there?

Mounting the lower flight, and shuddering by the library wall, which to my troubled fancy seemed written all over with horrible suggestions, I took my way slowly upstairs, revolving in my mind many things, among which an admonition uttered long ago by my mother occupied a prominent place.

‘My son, remember that a woman with a secret may be a fascinating study, but she can never be a safe, nor even satisfactory, companion.’

A wise saw, no doubt, but totally inapplicable to the present situation; yet it continued to haunt me till the sight of the door to which I had been directed put every other thought to flight save that I was about to meet the stricken nieces of a brutally murdered man.

Pausing only long enough on the threshold to compose myself for the interview, I lifted my hand to knock, when a rich, clear voice rose from within, and I heard distinctly uttered these astounding words: ‘I do not accuse your hand, though I know of none other which would or could have done this deed; but your heart, your head, your will, these I do and must accuse, in my secret mind at least; and it is well that you should know it!’

Struck with horror, I staggered back, my hands to my ears, when a touch fell on my arm, and turning, I saw Mr Gryce standing close beside me, with his finger on his lip, and the last flickering shadow of a flying emotion fading from his steady, almost compassionate countenance.

‘Come, come,’ he exclaimed; ‘I see you don’t begin to know what kind of a world you are living in. Rouse yourself; remember they are waiting down below.’

‘But who is it? Who was it that spoke?’

‘That we shall soon see.’ And without waiting to meet, much less answer, my appealing look, he struck his hand against the door, and flung it wide open.

Instantly a flush of lovely colour burst upon us. Blue curtains, blue carpets, blue walls. It was like a glimpse of heavenly azure in a spot where only darkness and gloom were to be expected. Fascinated by the sight, I stepped impetuously forward, but instantly paused again, overcome and impressed by the exquisite picture I saw before me.

Seated in an easy chair of embroidered satin, but rousing from her half-recumbent position, like one who was in the act of launching a powerful invective, I beheld a glorious woman. Fair, frail, proud, delicate; looking like a lily in the thick creamy-tinted wrapper that alternately clung to and swayed from her finely moulded figure; with her forehead, crowned with the palest of pale tresses, lifted and flashing with power; one quivering hand clasping the arm of her chair, the other outstretched and pointing toward some distant object in the room—her whole appearance was so startling, so extraordinary, that I held my breath in surprise, actually for the moment doubting if it were a living woman I beheld, or some famous pythoness conjured up from ancient story, to express in one tremendous gesture the supreme indignation of outraged womanhood.

‘Miss Mary Leavenworth,’ whispered that ever present voice over my shoulder.

Ah! Mary Leavenworth! What a relief came with this name. This beautiful creature, then, was not the Eleanore who could load, aim, and fire a pistol. Turning my head, I followed the guiding of that uplifted hand, now frozen into its place by a new emotion: the emotion of being interrupted in the midst of a direful and pregnant revelation, and saw—but, no, here description fails me! Eleanore Leavenworth must be painted by other hands than mine. I could sit half the day and dilate upon the subtle grace, the pale magnificence, the perfection of form and feature which make Mary Leavenworth the wonder of all who behold her; but Eleanore—I could as soon paint the beatings of my own heart. Beguiling, terrible, grand, pathetic, that face of faces flashed upon my gaze, and instantly the moonlight loveliness of her cousin faded from my memory, and I saw only Eleanore—only Eleanore from that moment on forever.

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