John Curran - The Pit-Prop Syndicate

A STORY OF CRIME

BY

PLUS

‘DANGER IN SHROUDE VALLEY’

WITH AN INTRODUCTION BY

COLLINS CRIME CLUB

an imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by W. Collins Sons & Co. Ltd 1922

‘Danger in Shroude Valley’ first published in

The Golden Book of the Year by Blandford Press 1950

Copyright © Estate of Freeman Wills Crofts 1922, 1950

Cover layout design © HarperCollins Publishers Ltd 2018

Introduction © John Curran 2018

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008190552

Ebook Edition © March 2018 ISBN: 9780008190569

Version: 2018-02-02

Table of Contents

Cover

Title Page

Copyright

The Pit-Prop Syndicate

Introduction

Part I: The Amateurs

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Chapter X

Chapter XI

Part II: The Professionals

Chapter XII

Chapter XIII

Chapter XIV

Chapter XV

Chapter XVI

Chapter XVII

Chapter XVIII

Chapter XIX

Chapter XX

Danger in Shroude Valley

Acknowledgments

The Detective Story Club

About the Publisher

‘THE DETECTIVE STORY CLUB is a clearing house for the best detective and mystery stories chosen for you by a select committee of experts. Only the most ingenious crime stories will be published under the THE DETECTIVE STORY CLUB imprint. A special distinguishing stamp appears on the wrapper and title page of every THE DETECTIVE STORY CLUB book—the Man with the Gun. Always look for the Man with the Gun when buying a Crime book.’

Wm. Collins Sons & Co. Ltd.,1929

Now the Man with the Gun is back in this series of COLLINS CRIME CLUB reprints, and with him the chance to experience the classic books that influenced the Golden Age of crime fiction.

‘MR CROFTS is the master of this austere, unsensational but—to minds who enjoy stubborn but logical reasoning—enthralling type of puzzle fiction.’

This assessment of Freeman Wills Crofts’ output by author and publisher Michael Sadleir in a BBC radio review of an early Crofts title was both accurate and very fair. In fact, it remained true for the rest of Croft’s career; and, indeed, to this day.

To Crofts belongs the shared honour of inaugurating the Golden Age of Detective Fiction. The publication of his first novel, The Cask , in 1920 launched that celebrated era in the history of crime fiction. Christie’s The Mysterious Affair at Styles is usually bracketed alongside it, although, to be strictly accurate, its 1920 publication was only in the US, with UK publication delayed until January 1921.

The Cask , in many ways, created the template for a Crofts detective story: a meticulous investigation carried out with painstaking attention to detail and focusing, for the most part, on alibis and timetables. The reader is at the detective’s side throughout the book as he doggedly pursues even the slightest clue, forcing it to give up its secret. Having achieved considerable success with The Cask , Crofts remained faithful, to a greater or lesser degree, to this type of story for the rest of his writing career. And so it is with The Pit-Prop Syndicate : there is little action, and the only excitement is of the cerebral kind. But this did not prevent Crofts becoming one of the ‘Big Five’ of Golden Age detective fiction, alongside Agatha Christie, Dorothy L. Sayers, R. Austin Freeman and H. C. Bailey. More than half a century after its publication, the author, reviewer and crime fiction historian, Julian Symons, chose The Pit-Prop Syndicate for inclusion in his list of ‘The Hundred Best Crime and Mystery Books’, compiled for The Sunday Times in 1957.

Crofts followed his first novel with a more traditional country house mystery, The Ponson Case in 1921; his third book, The Pit-Prop Syndicate , appeared in 1922, and The Groote Park Murder , set partly in South Africa, followed the year after. In each of his first four books an official police investigator carries out the investigation: Inspector Burnley in The Cask ; Tanner in Ponson ; Willis in Pit-Prop ; Vandam in Groote Park . This experimentation finally brought about the emergence of Crofts’ signature detective, Joseph French, who made his debut in 1925 in Inspector French’s Greatest Case and subsequently appeared in all of his remaining books. The earlier incarnations were not as immortal as Inspector French, although they differ little from the eventual series character.

In a 1932 letter to his publisher Crofts gave a description of French, notable only for its vagueness, which, as we will see, was intentional:

‘… rather stoutish man of slightly below middle height, blue-eyed, with a pleasant, comfortable, cheery expression … not distinguishable in dress from any other civilian … suave and pleasant … dressed in an ordinary lounge suit.’

In clarification he goes on to explain that:

‘I have tried to make French an ordinary man, carrying out his work in an ordinary way. It seemed to me that there were enough “character” detectives, such as Colonel Gethryn, Philo Vance, Poirot, etc. Thus he has no special characteristics except being thorough, painstaking, persistent and a hard worker.’

Much the same traits can be applied to Willis, and indeed to the Inspectors in Crofts’ earlier books. Continuing a pattern he was to follow for the rest of his career, Crofts avoided the use of a Watson character and Inspector Willis carries out most of the Pit-Prop investigation on his own. Usually the Watson character accompanies the detective throughout the investigation, describing all that he (the only female Watson of note being Gladys Mitchell’s Laura Menzies, sidekick to Mrs Bradley) sees and hears; the Watson’s more important role is as reader-substitute, acting as the admiring audience while the Great Detective explains his deductions. Willis—and later French—has little need of such a device, as the detective himself shares his thought processes directly with the reader.

Crofts’ great strength as an author was the painstaking construction of his plots rather than character delineation. In his 1937 essay ‘The Writing of a Detective Novel’ (included in the recent Detective Story Club reprint of The Groote Park Murder ) he notes: