Andrew Taylor - Fallen Angel

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Like an archaeological dig, The Roth Trilogy strips away the past to reveal the menace lurking in the present: ‘Taylor has established a sound reputation for writing tense, clammy novels that perceptively penetrate the human psyche’ – Marcel Berlins, The TimesThe shadow of past evil hangs over the present in Andrew Taylor's Roth Trilogy as he skilfully traces the influences that have come to shape the mind of a psychopath.Beginning, in The Four Last Things, with the abduction of little Lucy Appleyard and a grisly discovery in a London graveyard, the layers of the past are gradually peeled away through The Judgement of Strangers and The Office of the Dead to unearth the dark and twisted roots of a very immediate horror that threatens to explode the serenity of Rosington's peaceful Cathedral Close.

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Eddie picked his way towards the shed, skirting a large clump of nettles and a bald tyre. The shed’s door had parted company with its hinges and fallen outwards. He edged inside. Much more of the roof had gone. Over half of the interior was now filled with the saplings and other vegetation. There were rags, two empty sherry bottles and a scattering of old cigarette ends on the floor; occasionally, it seemed, other people found their way into Carver’s. He looked slowly around, hoping to see the paint tin that he and Alison had used for the Peeing Game, hoping for some correspondence between past and present.

Everything had changed. A sob wrenched its way out of his throat. He squeezed his eyes tightly shut. A tear rolled slowly down his left cheek. Here he was, he thought, a twenty-five-year-old failure. What had he been expecting to find? Alison with the pink ribbon in her hair, Alison twirling like a ballerina and smiling up at him?

Eddie stumbled outside. On his way back to the fence he looked up. To his horror, he saw through the branches of trees, high above the top of the wall, Mrs Reynolds on the balcony of her flat. Something flashed in her hands, a golden dazzle reflecting the setting sun. Eddie ran through the nettles to the fence and flung himself at the hole. A moment later he was back in the garden of 29 Rosington Road. His glasses had fallen off and he had torn a hole in his trousers.

When his breathing was calmer, Eddie forced himself to stroll to the house. At the door he glanced back. Mrs Reynolds was still on her balcony. She was staring over Carver’s through what looked like a pair of field glasses. At least she wasn’t looking at him. Not now. He shivered, and went inside.

Autumn became winter. After Christmas, Stanley caught a cold and the cold, as often happened with him, turned to bronchitis. No one noticed until it was too late that this time the bronchitis was pneumonia. He died early in February, aged seventy-two.

In recent years the trickle of LVs had died away. But until a few days before his death Stanley continued to visit the basement to work on the latest dolls’ house.

Since his retirement he had slowed down, and the quality of his work had also deteriorated. But the last model was nearly complete, a tall Victorian terraced house looking foolish without its fellows on either side. He had been sewing the curtains at the time of his death.

Stanley died in hospital in the early hours of the morning. The following afternoon Eddie found the miniature curtains bundled into the sitting-room wastepaper basket, together with Stanley’s needles and cottons. The discovery brought home to him the reality of his father’s death more than anything else before or later, even the funeral.

This was a secular event. The Graces had never been churchgoers. Eddie’s experience of religion had been limited to the services at school, flat and meaningless affairs.

‘He was an atheist,’ Thelma said firmly when the funeral director tentatively raised the subject of the deceased’s religious preferences. ‘You can keep the vicars out of it, all right? And we don’t want any of those humanists, either.’

His mother’s reaction to Stanley’s death took Eddie by surprise. She showed no outward sign of grief. She gave the impression that death was an irritation and an imposition because of the extra work it entailed. In many ways widowhood seemed to act as a tonic: she was brisker than she had been for years, both physically and mentally.

‘If we can clear out some of your father’s stuff,’ Thelma said as they ate fish and chips in the kitchen on the evening after the funeral, ‘perhaps we can find a lodger.’

Eddie put down his fork. ‘But you wouldn’t want a stranger in the house, would you?’

‘If we want to stay here, we’ve no choice.’

‘But the house is paid for. And haven’t you got a pension from the Paladin?’

‘Call it a pension? Don’t make me laugh. I’ve already talked to them about it. I’ll get a third of what your father got, and that wasn’t much to begin with. It makes me sick. He worked there for over forty years, and you’d think by the way they used to go on that they couldn’t do enough for their staff. They’re sharks. Just like everyone else.’

‘But surely we could manage?’

‘We can’t live on air.’ She stared at him, pursing her lips. ‘When you get another job, perhaps we can think again.’

When. The word hung between them. Eddie knew that his mother meant not when but if. Like his father, she had a low opinion of his capabilities. He thought that she could not have made the point more clearly if she had spoken the word if aloud.

‘So we’re agreed, then,’ Thelma announced.

‘I suppose so.’

She nodded at his plate, at half a portion of cod in greasy batter and a mound of pale, cold chips. ‘Have you finished, then?’

‘Yes.’

‘Well, pass it here.’ Thelma’s appetite, always formidable for such a small person, had increased since she had stopped smoking the previous summer. ‘Waste not, want not.’

‘So we’ll need to clear the back bedroom?’

‘It won’t clear itself, will it?’ said Thelma through a mouthful of Eddie’s supper. ‘And while we’re at it, we might as well sort out the basement. If we have a lodger we’ll need the extra storage space.’

The next few days were very busy. His mother’s haste seemed indecent. The back bedroom had been used as a boxroom for as long as Eddie could remember. Thelma wanted him to throw out most of the contents. She also packed up her husband’s clothes and sent them to a charity shop. One morning she told Eddie to start clearing the basement. Most of the tools and photographic equipment could be sold, she said.

‘It’s not as if you’re that way inclined, after all. You’d better get rid of the photos, too.’

‘What about the dolls’ house?’

‘Leave that for now. But mind you change your trousers. Wear the old jeans, the ones with the hole in the knee.’

Eddie went through the photographs first – the artistic ones in the cupboard, not the ones on the open shelves. The padlock key had vanished. In the end Eddie levered off the hasp with a crowbar.

The photographs had been carefully mounted in albums. The negatives were there too, encased in transparent envelopes and filed in date order in a ring binder. Against each print his father had written a name and a date in his clear, upright hand. Usually he had added a title. ‘Saucy!’ ‘Blowing Bubbles!’ ‘Having the Time of Her Life!’

Eddie leafed slowly through the albums, working backwards. Some of the photographs he thought were quite appealing, and he decided that he would put them to one side to look at more carefully in his bedroom. Most of the girls he recognized. He came across his younger self, too, but did not linger over those photographs. He found the Reynoldses’ daughter, Jenny Wren, and was astonished to see how ugly she had been as a child; memory had been relatively kind to her. Then he found another face he knew, smiling up at him from a photograph with the caption ‘What a Little Tease!’ He stared at the face, his excitement ebbing, leaving a dull sadness behind.

It was Alison. There was no possible room for doubt. Stanley must have taken the photograph at some point during the same summer as the Peeing Game. When else could it have been? Children grew quickly at that age. In the photograph Alison was naked, and just as Eddie remembered her from their games in Carver’s. He even remembered, or thought he did, the ribbon that she wore in her hair.

They had both betrayed him, his father and Alison. Why hadn’t Alison told him? She had been his friend.

After lunch that day his mother sent him out to do some shopping. Eddie was glad of the excuse to escape from the house. He could not stop thinking of Alison. He had not seen her for nearly twenty years, yet her face seen in a photograph still had the power to haunt him.

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