Claire Harman - Robert Louis Stevenson - A Biography

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The most authoritative, comprehensive, perceptive biography of R. L. Stevenson to date, using for the first time his collected correspondence – which has been unavailable to all previous writers.The short life of Robert Louis Stevenson (1850-94) was as adventurous as almost anything in his fiction: his travels, illness, struggles to become a writer, relationships with his volatile wife and step-family, friendships and quarrels have fascinated readers for over a century. In his time he was both engineer and aesthete, dutiful son and reckless lover, Scotsman and South Sea Islander, Covenanter and atheist. Stevenson’s books, including ‘Treasure Island’, ‘The Strange Case of Dr Jekyll and Mr Hyde’ and ‘Kidnapped’, have achieved world fame; others – ‘The Master of Ballantrae’, ‘A Child’s Garden of Verses’, ‘Travels with a Donkey’ – remain all-time favourites. His unique gift for storytelling and dramatic characterisation has meant that some of his characters live in the consciousness even of those who have never read his work: Long John Silver, with his wooden leg and his parrot, is more real to most people than any historical pirate, while ‘Jekyll and Hyde’ has become a universally recognised term for a split personality.No biography has yet done justice to the complex, brilliant and troubled man who was responsible for so many remarkable creations. His interest in psychology, genetics, technology and feminism anticipated the concerns of the next century, while his experiments in narrative technique inspired post-modern innovators such as Borges and Nabokov. Stevenson's recently collected correspondence shows him to have been the least ‘Victorian’ of Victorian writers, a man of humour, resilience and strongly unconventional views. With access to this and much previously unpublished material, Claire Harman, the acclaimed biographer of Sylvia Townsend Warner and Fanny Burney, has written the most authoritative, comprehensive and perceptive portrait of ‘RLS’ to date.

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What am I? What are life, art, letters, the world, but what my Skelt has made them? He stamped himself upon my immaturity. The world was plain before I knew him, a poor penny world; but soon it was all coloured with romance. [ … ] Indeed, out of this cut-and-dry, dull, swaggering, obtrusive and infantile art, I seem to have learned the very spirit of my life’s enjoyment; met there the shadows of the characters I was to read about and love in a late future; got the romance of Der Freischütz long ere I was to hear of Weber or the mighty Formes; acquired a gallery of scenes and characters with which, in the silent theatre of the brain, I might enact all novels and romances[.] 55

The Stevensons and their queer little son, with his unexpressive face and out-of-proportion head, made a close-knit, self-protective trio. Their shared hypochondria became a great comfort to them. When Thomas developed some unspecified complaint and was ordered to take the waters at Homburg in 1862, the family went with him. The next year it was Margaret’s turn to be chief invalid and the destination was the South of France, where they stayed three months, returning through Italy on a splendidly leisurely tour and home via the Alps and the Rhine. All this time Lewis had been off school, but when Margaret was advised to return south for the winter of 1863–64, the Stevenson parents realised that if the boy was ever going to get an education they would have to leave him out of the next health tour. Thomas enrolled him at Burlington Lodge Academy in Isleworth, Surrey, chosen because three Balfour cousins were day boys there, looked after at weekends by the obliging Aunt Jane from her brother’s rented house nearby. It was a well-intentioned scheme, but not a particularly good one. Lewis could only feel the separation from his parents more keenly in a boarding school so far from home (and in a foreign country), however many little Balfours were on hand.

The twelve-year-old’s letters during his first and only term in Isleworth are full of characteristic touches: his stoicism, his distractibility (several times stopping mid-sentence), his mixed interest in and fear of other children. ‘I am getting on very well, but my cheif amusement is when I am in bed then I think of home and the holidays,’ he wrote to his ‘dear Parients’ in September. 56 As the weeks went by, there were signs of education going on – bits of Latin and French, along with devil-may-care touches of sophistication – but the dreaded time was approaching when both parents would leave the country without him, which they did on 6 November. On the eve of his thirteenth birthday the following week, Lewis wrote his mother a letter in demi-French to thank her for the huge cake she had sent him, which, he noted, weighed twelve and a half pounds and cost seventeen shillings. There had been some trouble during the fireworks on Guy Fawkes’ Night when some bad boys (‘les polissons’) ‘entrent dans notre champ et nos feux d’artifice et handkercheifs disappeared quickly but we charged them out of the feild. Je suis presque driven mad par un bruit terrible tous les garcons kik up comme grand un bruit qu’il est possible.’ Writing to his parents this first time truly alone, with only a monstrous cake for company, seems to have been too much for the boy: he ends his letter abruptly and to the point: ‘My dear papa you told me to tell you whenever I was miserable. I do not feel well and I wish to get home. Do take me with you.’ 57

Lewis must have guessed the effect this simple appeal would have: Thomas Stevenson wrote back quickly to comfort the boy with the promise of fetching him out at Christmas, and Lewis’s subsequent letters are crowingly cheerful, looking forward to the prospect of joining them in Menton. When Lewis left Spring Grove at the end of term (the last boy to be picked up, his father being so late that he almost gave up hope) it was for good: he stayed in France until his mother finally left for home in May the next year. Menton was lovely: months of lounging in sunshine, reading, being fussed over by his mother and Cummy (brought out to attend him), being carried up and down the hotel stairs by two waiters when he was feeling weak. The party came back via Rome, Naples, Florence, Venice and the Rhine: a great improvement on Isleworth and the company of les polissons.

Cummy’s diary of this trip, written at the request of (and addressed to) her friend Cashie, nurse to David Stevenson’s children, gives a vivid glimpse of the woman with whom Lewis had spent so much of his time. Cummy had not travelled abroad before, and was appalled at how lost the world was to ‘the Great Adversary’. In London, the sight of barges on the Thames on a Sunday made her lament, ‘God’s Holy Day is dishonoured!’, 58 whereas France, with its sinister-looking priests and perpetual feeling of carnival, was even worse, a land ‘where the man of sin reigns’. 59 She was shy of eating with or associating with Catholics and felt that contact with heathens was in some way eroding her capacity to reach out ‘in deep, heart-felt love to Jesus’. 60 She therefore relished her minor ailments and frustrations as signs of interest from the deity, as this entry, on recovering from a slight sore throat, illustrates:

O how good is my Gracious Heavenly Father to His backsliding, erring child! He knows I need the rod, but O how gently does He apply it! May I be enabled to see that it is all in love when He sends affliction! 61

Cummy was not wholly consistent, of course, and proved susceptible to certain temptations. In Paris, she wrote to Cashie, she had been intrigued by the sight of some specially white and creamy-looking mashed potatoes, of which she sneaked tiny portions whenever the waiter’s back was turned. Although they were French and possibly the work of the Devil, she had to admit, ‘I never tasted anything so good.’ 62

One good thing had come of Lewis’s time at Spring Grove; he had been able to indulge a growing mania for writing. ‘The School Boys Magazine’ ran to just one issue and all four stories were by the editor, but at least he had the possibility of an audience among his schoolfellows and cousins. An opera libretto followed the next year, with the promising title ‘The Baneful Potato’, and a very early version of his melodrama Deacon Brodie was also written at this period, telling the gripping tale of the real-life Deacon of the Wrights who in the 1780s had carried on a notorious double life: respectable alderman by day, thief by night. The Stevensons owned a piece of furniture made by Brodie that stood in Lewis’s bedroom, a tangible reminder of the criminal’s duality. The idea of being an author intrigued the boy, though when one of his heroes, the famous adventure writer R.M. Ballantyne, visited the house of David Stevenson while researching his novel The Lighthouse (about the Bell Rock) and was introduced to the family, Lewis was so awestruck that he couldn’t say a thing.

Stevenson’s relations with his father were never anything other than intense, complex and troubling. Thomas Stevenson had on the one hand unusual sympathy with the child, colluding instantly with his attempts to avoid school, while at the same time being in thrall to the strictest ideas of what it was to be a responsible parent. Lewis was on the whole frightened of being accountable to him, for the response was predictable. Years later he wrote to the mother of a new godson of his this heartfelt advice: ‘let me beg a special grace for this little person: let me ask you not to expect from him a very rigid adherence to the truth, as we peddling elders understand it. This is a point on which I feel keenly that we often go wrong. I was myself repeatedly thrashed for lying when Heaven knows, I had no more design to lie than I had, or was capable of having, a design to tell the truth. I did but talk like a parrot.’ 63

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