Anna Trewin - Amazing Composers - A2-B1

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The inspiring stories of 6 people who changed history.Contents:Johann Sebastian Bach who wrote the Brandenburg ConcertosWolfgang Amadeus Mozart, the child geniusGiuseppe Verdi who wrote the operas Aida and La TraviataJohann Strauss, ‘The Waltz King’Pyotr Ilyich Tchaikovsky who wrote the ballet Swan LakeIrving Berlin who wrote There’s No Business Like Show BusinessBRITISH ENGLISHWord count: 8,344Headword count: 723Visit www.collinselt.com/readers for videos, teacher resources and self-study materials.This book is Level 2 in the Collins ELT Readers series.Level 2 is equivalent to CEF level A2-B1.About the Amazing People series:A unique opportunity for learners of English to read about the exceptional lives and incredible abilities of some of the most insightful people the world has seen.Each book contains six short stories, told by the characters themselves, as if in their own words. The stories explain the most significant parts of each character’s life, giving an insight into how they came to be such an important historic figure.After each story, a timeline presents the most major events in their life in a clear and succinct fashion. The timeline is ideal for checking comprehension or as a basis for project work or further research.Created in association with The Amazing People Club.About Collins ELT Readers:Collins ELT Readers are divided into four levels:Level 1 - elementary (A2)Level 2 - pre-intermediate (A2–B1)Level 3 - intermediate (B1)Level 4 - upper intermediate (B2)Each level is carefully graded to ensure that the learner both enjoys and benefits from their reading experience.

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When I arrived at Saint Michael’s, I was asked to join the school choir. This was an honour because the choir only accepted the most talented students. At weekends, I visited churches and listened to the finest German organ music.

After I left Saint Michael’s in 1703, I got a job in Weimar as a court musician, but the work was boring. However, I still gave performances in churches and people told me that I was a very good organist. As a result, I was soon employed as an organist for the people of Arnstadt. This position gave me a regular salary and I had time to compose my own music. Arnstadt was also close to my home town.

But I knew I needed to develop my talents. So I decided to leave Arnstadt for a short time to study with the famous organist Dieterich Buxtehude, in Lübeck. While I was there, I used the time to hear Buxtehude play as much as possible. I went to the evening concerts where his cantatas were performed.

When I arrived back in Arnstadt, I had a lot of new ideas which I started writing into my music. During this time, I also fell in love with a lady called Maria Barbara. We spent many hours together and soon we decided to marry.

I needed to earn more money because I wanted to get married and have children. So in 1707, I accepted a job as organist in Mühlhausen. There, I started making a collection of the best organ music. I also trained the choir and started a new orchestra. Our first performance, Gott ist mein König (God is my king), was given for the new Town Council.

A year later, I was asked by the Duke of Weimar to join his court chamber musicians. I accepted the job, and Maria and I moved to Weimar.

In 1714, the Duke appointed me as Director of Music. I had a good salary and my wife was happy in our new home. We decided to start a family, but unfortunately only four of our seven children survived infancy.

I made many good friends at Weimar. They included the scholar Johann Matthias Gesner. During this very busy and very creative time, I began to love Italian music. I spent many hours listening to the music of Vivaldi, Corelli and Torelli. I also wrote The Little Organ Book to help students who were learning to play the organ.

In 1717, I was offered the job of Director of Music by Leopold, Prince of Anhalt-Cöthen. I decided to accept the job and I told the Duke of Weimar I was leaving. But the Duke wasn’t happy and we argued. As a result, I was sent to prison for a month. It was a very cold and unhappy experience.

But I knew that I’d made the right decision. I was in charge of an orchestra of 18 men and I was paid a good salary at Cöthen. I also had time to compose music. The prince was a talented musician and we enjoyed playing together.

During my time in Cöthen I wrote the Brandenburg Concertos and wrote six works - фото 8

During my time in Cöthen, I wrote the Brandenburg Concertos and wrote six works for the cello. Life was good and the Prince often asked his orchestra to join him on his long journeys. But while I was travelling abroad with him I received some terrible news. My wife had died suddenly from an illness. I grieved for Maria Barbara very much and I was very unhappy. I also had to look after my children alone, so I didn’t have much time for my music.

The next year, Prince Leopold asked me to compose some cantatas to celebrate his birthday. Singers from nearby courts were invited to perform these works. One of them was a talented singer called Anna Magdalena, who was 19 years old. We fell in love, so I asked her to marry me. With Anna Magdalena I had thirteen more children, but only six of them survived infancy. I was lucky because Anna Magdalena was a wonderful mother to all my children.

In 1723, I was offered a new position as Director of Music at St Thomas’s School in Leipzig. I became Director of Music for the churches in the town, too. It was my job for the next 27 years. As well as teaching school subjects, I had to organize music for the town. I also had to teach students how to play instruments so they could perform in the orchestra. But there was still enough time to compose my music. During my time in Leipzig, I wrote my cantata cycles, violin and harpsichord concertos, and many other works.

In 1729, I was appointed Director of the Leipzig Collegium Musicum . Our group performed twice a week at Zimmermann’s Coffee House on Catherine Street. I continued to write music and wrote many of my masterpieces. These included the Canonic Variations and the Musical Offering and my Mass in B Minor . My last great work used all the skills I had learned as a composer – it was called The Art of the Fugue .

By now, I was becoming an old man. My hair had become grey and my eyesight was weak from working in bad light. I had two operations on my eyes. While I was recovering, I spent my last two months in a dark room. I used this time to finish a last Chorale Prelude . On 27 thJuly 1750, I woke up and I could see well again. But later that day, I suffered a stroke and I died that evening.

The Life of Johann Sebastian Bach

1685 Johann Sebastian Bach was born in Eisenach, Germany. He was the youngest of eight children.
1694 Johann Sebastian’s mother died when he was 9 years old.
1695 His father died soon after his mother. Johann Sebastian left Eisenach to live with his brother, Johann Christoph, in Ohrdruf. During that time, he studied, performed, copied music, and learned to play the harpsichord.
1700 Johann Sebastian, aged 14, won a scholarship to study at Saint Michael’s School in Lüneburg.
1703 Johann Sebastian graduated from Saint Michael’s School in Lüneburg and was appointed court musician in Weimar. After that, he worked as an organist in Arnstadt.
1705 He went to study with the famous organist Dieterich Buxtehude, in Lübeck. He came back to Arnstadt the following February.
1707 He married Maria Barbara Bach. They had seven children but only four of them survived infancy. Johann Sebastian accepted the position of organist in Mühlhausen.
1708 He worked as organist and chamber musician for the Duke of Weimar.
1714 Johann Sebastian was made Director of Music at Weimar. He began writing The Little Organ Book . He never finished it.
1717 Johann Sebastian became Director of Music to Prince Leopold, at Cöthen. As a result of leaving his job with the Duke of Weimar, he was sent to prison for a month.
1720 Johann Sebastian’s wife died while he was travelling with Prince Leopold.
1721 He wrote the Brandenburg Concertos . Johann Sebastian also met and married Anna Magdalena Wilcke, a talented singer, at Cöthen.
1723 Johann Sebastian was made Director of Choir and Music in the town of Leipzig. It was his job for the next 27 years.
1727 He performed the St Matthew Passion and the Trauer Ode in the Thomaskirche.
1729 Johann Sebastian became the Director of the Collegium Musicum.
1733 He composed part of the Mass in B Minor .
1747–1749 He began writing The Art of the Fugue , and also composed the Canonic Variations and the Musical Offering . His health and eyesight began to fail.

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