Val McDermid - The Torment of Others

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The Number One bestselling crime series featuring Tony Hill, hero of TV’s Wire in the Blood, written by the award-winning Val McDermid. This is a psychological thriller – and serial killer – that will keep you up at night.For some, there is nothing so sweet, so thrilling, as the torment of others …A dead girl lies on a blood-soaked mattress, her limbs spread in a parody of ecstasy. The scene matches a series of murders which ended when irrefutable forensic evidence secured the conviction of one Derek Tyler. But Tyler's been locked up in a mental institution for two years, barely speaking a word – except to say that 'the Voice' told him to do it.Top criminal psychologist Dr Tony Hill is prepared to think the unthinkable – this is not a copycat murder but something much stranger. While DCI Carol Jordan and her team mount a desperate and dangerous undercover police operation to trap the murderer, Hill heads towards a terrifying face-off with one of the most perverse killers he has ever encountered…

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‘Then you’ve got the same killer.’ He gave her an apologetic smile and shrugged.

That’s not possible. From what Don says, and from what I’ve read here, there was no doubt on the forensics. And Derek Tyler is behind bars.’

Tony yanked the chair forward and leaned on the desk. His face was inches from hers. ‘What is sexual homicide about?’ he demanded.

Carol knew the answer to this one. The perverted gratification of desire.’

‘Good, good,’ he said, moving even closer. ‘How many lovers have you had?’

Flustered, Carol looked away. ‘What’s that got to do with anything?’

‘More than one, right?’ he continued insistently.

Carol gave in. It was easier than the alternative. ‘More than one,’ she agreed.

‘And have any of them ever behaved identically in bed?’ Tony asked, as if the answer would settle an important argument.

Carol started to see a glimmer of where he was going with this. ‘No.’ Tony’s intense blue eyes were irresistible. In spite of herself, she grew tense at his physical closeness. Whether he recognized that or not, he gave no clue.

His voice dropped, becoming intimate and gentle. ‘My particular needs can only be met by one specific ritualistic process. I need you bound to the bed, I need you clothed, I need your voice stilled by a leather gag, I need you in my power and I need to destroy the manifestation of your sexuality.’ He took a deep breath and pulled back. ‘What are the chances that there are two of us out there who want exactly the same thing?’

Comprehension dawned on Carol. She relaxed now the immediacy of the intimacy had receded. ‘Point taken. But we’re still left with an identical MO. Which is a problem for me.’

Tony leaned back and his voice changed. Carol recognized the shift. Now he was thinking out loud, unformed conclusions bumping into each other. It had taken him a while to be comfortable enough with her to riff like this, but now it was almost as if he saw her as an extension of himself in these moments of verbal reverie. ‘Unless of course someone wanted to get rid of Sandie specifically and thought it would be clever to do it in a way that made us run around like headless chickens looking for an impossible killer.’

‘I suppose that’s conceivable,’ Carol said reluctantly.

‘I mean, if it wasn’t for the history, tying it into past cases, it wouldn’t be that far out of the ordinary. Extreme, but not extraordinary.’

‘Jesus, Tony,’ Carol protested. ‘You think what he did to her wasn’t extraordinary?’

‘Divorce your personal response from your professional one, Carol,’ he said quietly. ‘You’ve seen worse than that. A lot worse. Whoever did this still has a lot to learn about sexual sadism.’

‘I’d forgotten how far from normal you are,’ she said wearily.

‘That’s why you need me,’ he said simply. ‘Probably the only really interesting aspect of it is that she wasn’t undressed. I mean, if you go to the trouble and expense of going back to a room with a hooker, I’d have thought you’d want her to take her clothes off. I know I would. Otherwise, you might as well just do it in the back of the car or up against a wall.’

‘So what does that say to you?’

‘Rape.’ The word hung in the air between them. For months it had been unspoken and unspeakable. But now it was out in the open. Tony raised his shoulders in an apologetic shrug.

Carol struggled to stay in the professional zone. ‘Why do you say that? There’s no sign of a struggle back there. Presumably Sandie agreed to be tied up. Presumably he’d agreed to pay her.’

‘Absolutely. But he wants it to feel like it’s rape. So he doesn’t want his victim undressed. That way he can fool himself that he’s a rapist.’

It was Carol’s turn to look puzzled. ‘He wants to pretend he’s a rapist? And then he kills them? Why can’t he just pretend to be a murderer?’

Tony sighed. ‘I don’t know that yet, Carol.’

It’s ironic, but he’s calmer now the streets are full of cops. It’s what he expected, and it’s always comforting when what he expects happens, even if it’s bad shit. Because at least then he knows it’s not something worse .

He was doing a bit of business in the toilets at Stan’s Café when he saw the blue strobe of their lights through the high frosted-glass window. One set of lights could have been anything, but three together had to be Sandie. And he didn’t panic. He’s proud of that. Before the Voice, he probably would have run, just as a matter of principle. But now he carried on selling rocks to the nervy black kid, acting surprised when he tried to hurry the action along because of the bizzies outside .

The kid had barely walked out the door when the conversation started. ‘They’ve found her,’ the Voice said, warm and caressing. ‘They’re going to be all over Temple Fields tonight. They’re going to want to talk to everybody. They’re going to want to talk to you. And that’s fine. Just fine. You know what you’re going to say, don’t you?’

He gave the door a nervous glance. ‘Yeah. I know.’

‘Humour me. Let me hear it again,’ the Voice coaxed .

‘I was round and about, just like usual. Dropped in at Stan’s, had a couple of beers in the Queen of Hearts. I never saw Sandie all night. I sometimes used to see her down the end of Campion Boulevard, but I never saw her last night.’

‘And if they ask you for alibi names?’

‘I just act thick. Like I can’t tell one night from another. Everybody knows I’m a bit slow, so they won’t think anything of it.’

‘That’s right. Vague is good. Vague is what they expect from you. You did a great job last night. Wonderful footage. When you get home tonight, there’ll be a little reward waiting for you.’

‘You don’t have to do that,’ he protested, meaning it. ‘I’m sorted.’

‘You deserve it. You’re a very special young man.’

He felt a warm glow inside, a warm glow that’s still there. Nobody but the Voice has ever thought anything about him was special, except his educational needs .

So now he’s out there, mooching around like usual. He checks out the cops, a mixture of uniforms and obvious CID. They’re working their way down both sides of the street. He could go back to Stan’s and wait for them to come to him, or he could amble towards them like a fool with nothing to hide .

He recognizes one of the CID from before, when they were all over Temple Fields a couple of years ago. A big Geordie. Geordie didn’t treat you like shit. He changes his angle of approach to come close to Geordie and the woman he’s working with. They’re talking to a punter, but he’s got nothing to say, he can’t wait to be away. He’s probably given them a moody name and address and he wants to skip before they catch him out .

They step back and the punter scuttles off sideways like a crab. The cop looks up and sees him. He’s got that ‘I know you but I can’t put a name to you’ look. He gives Geordie a stupid grin and says hi. Geordie says he’s Detective Inspector Merrick .

He repeats the name a couple of times to fix it good and proper because he knows the Voice will want to know everything. He tells Geordie his name and address almost before he asks and the woman cop writes it down. She’s not bad looking. A bit on the skinny side, but he’s learning to like them like that. The cop asks if he’d heard about Sandie and he says yes, everybody’s talking. And he comes out with the lines that the Voice has carved on his brain. Word perfect .

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