Edmund Crispin - The Moving Toyshop

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As inventive as Agatha Christie, as hilarious as P.G. Wodehouse - discover the delightful detective stories of Edmund Crispin. Crime fiction at its quirkiest and best.Richard Cadogan, poet and would-be bon vivant, arrives for what he thinks will be a relaxing holiday in the city of dreaming spires. Late one night, however, he discovers the dead body of an elderly woman lying in a toyshop and is coshed on the head. When he comes to, he finds that the toyshop has disappeared and been replaced with a grocery store. The police are understandably skeptical of this tale but Richard's former schoolmate, Gervase Fen (Oxford professor and amateur detective), knows that truth is stranger than fiction (in fiction, at least). Soon the intrepid duo are careening around town in hot pursuit of clues but just when they think they understand what has happened, the disappearing-toyshop mystery takes a sharp turn…Erudite, eccentric and entirely delightful – Before Morse, Oxford's murders were solved by Gervase Fen, the most unpredictable detective in classic crime fiction.

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Nothing.

The beam of his torch showed the small, conventional interior of a toyshop, with a counter, a cash-register, and toys ranged about it – Meccano sets, engines, dolls and dolls’ houses, painted bricks, and lead soldiers. He moved farther in, cursing his own lunacy, and succeeded in knocking over a box of large balloons (deflated), with a considerable clatter. It sounded in his ears like some vast detonation.

Again he stood stock-still, hardly daring to breathe.

Again, nothing.

Beyond the counter were three wooden steps leading up to a door. He crept through this door and found himself at the bottom of a short flight of bare, steep stairs leading up to the floor above. These he climbed with further inward malediction, kicking the treads, creaking, banging, and stumbling. He arrived, exhausted, and with his nerve practically gone, in a short passage, linoleum-covered, with two doors on either side of it, and one at the end. He now was quite resigned to the appearance of an infuriated householder with a shot-gun, and was engaged in inventing explanations which might pacify him. After all, it was reasonable that anyone finding a shop door open should come in to make sure nothing was amiss…though not, perhaps, with such elaborate and futile attempts at silence.

But yet again, there was no sound.

This is ridiculous, Cadogan told himself severely. The front rooms are probably the living-rooms. You will enter one of these and make certain nothing is wrong. After that, honour will be satisfied, and you can beat a retreat as quickly as may be.

Nerving himself, he crept forward and turned the knob of one of the doors. The small white circle of his torch played on tightly closed curtains, a cheap lacquered sideboard, a wireless set, a table, uncomfortable leather armchairs with big, garish, mauve and orange cushions in satin; there were no pictures on the papered walls. A living-room, certainly. But there was something more, which caused him to breathe an audible sigh of relief and relax a little. The musty smell and the dust which lay thick on everything, showed that the flat had not been occupied for some time. He stepped forward, tripped on something, and shone his torch down on it. Then he whistled softly and said ‘Well, well,’ several times.

For what lay on the floor was the body of an elderly woman, and there was no doubt that she was very dead indeed.

He was curiously unsurprised: the spectre had been laid, the mysterious attraction of the deserted toyshop exorcized and explained. Then he checked himself; the appearance of the body which lay there was no occasion for random analyses. Becoming conscious that the torch was an encumbrance, he stepped back and tried the light switch by the door, but no light resulted, for the bulb was not in place under its cheap frilly shade. Hadn’t he seen a candle on the table in the passage? Yes, it was still there, and it was the work of a moment to light it. He left his torch on the table and returned to the living-room, setting the candle down by the woman’s body.

It lay on the right side, with the left arm flung backwards beneath the table, and the legs stretched out. A woman of near sixty, he judged, for the hair was almost wholly grey and the skin of the hands wrinkled and brown. She was dressed in a tweed coat and skirt and a white blouse, which emphasized her plumpness, with rough wool stockings and brown shoes. There was no ring on her left hand, and the flatness of her breasts had already suggested that she was unmarried. Near her, in the shadow of the table, lay something white. Cadogan picked it up, and found it was a scrap of paper with a number pencilled on it in a sloping feminine hand. This paper, after a brief glance, he slipped in his pocket. Then he looked back at the woman’s face.

It was not a pleasant sight, since it was discoloured a blackish purple, as were her finger-nails. There was froth at the corner of her mouth, which hung open, showing a gold stopping which winked in the candlelight. In her neck was embedded a thin cord, tied fast behind. It had sunk so deep that the flesh which closed over it made it almost invisible. There was a pool of dried blood on the floor by the head, and Cadogan found the reason for it in a sharp contusion just below the crown. He felt the bone of the skull, but as far as he could tell it was not fractured.

Up to now he had experienced only the passionless curiosity of a child, but the action of touching her brought a sudden revulsion of feeling. He wiped the blood quickly from his fingers and stood up. He must get to the police as quickly as possible. Anything else to be observed? Ah, yes, a gold pince-nez, broken, on the floor nearby…And then, abruptly he stiffened, his nerves tingling like charged electric wires.

There had been a sound in the passage outside.

It was a small sound, an indefinite sound, but it made his heart beat violently and his hand tremble. Oddly enough, it had not previously occurred to him that the person who had killed this woman might be still in the house. Turning his head, he looked steadily out of the half-open door into the darkness beyond, and waited, absolutely motionless. The sound did not recur. In that dead stillness the watch on his wrist sounded as loud as a kitchen alarm-clock. He realized that if anyone were there it was going to be a matter of endurance and nerves: whichever moved first would give the other the advantage. The minutes passed – three, five, seven, nine – like aeons of cosmic time. And reason began officiously to interfere. A sound? Well, what of it? The house, like Prospero’s isle, was full of noises. And in any case, what purpose was being served by standing in an unnatural attitude like a waxwork? The aching muscles added their cry, and at last he moved, taking the candle from the table and peering, with infinite precautions, into the passage.

It was empty. The other doors were still shut. His torch stood on the table where he had left it. In any case, the thing to do was to get out of this detestable house as quickly as possible, and so on to the police station. He picked up his torch, blew out the candle, and put it down. A flick of the button, and…

No light came.

Savagely, uselessly, Cadogan wrestled for perhaps half a minute with the switch, until at last he realized what was the matter: the thing weighed too light in his hand. With a sick premonition he unscrewed the end and felt for the battery. It had gone.

Trapped in the pitch blackness of that musty-smelling passage, his self-control suddenly failed. He knew there was a soft, padding step coming towards him. He knew that he threw the empty torch blindly, and heard it strike the wall. And he sensed, rather than saw, the blazing beam of light which shone out from behind. Then there was a dull, enormous concussion, his head seemed to explode in a flare of blinding scarlet, and there was nothing but a high screaming like the wind in wires and a bright green globe that fell twisting and diminishing, to annihilation in inky darkness.

He awoke with his head aching and a dry, foul mouth, and after a moment staggered to his feet. There was a rush of nausea and he clung to the wall, muttering stupidly to himself. In a little while his head cleared and he was able to look about him. The room was small, scarcely more than a closet, and contained a miscellaneous collection of cleaning things – a pail, a rag mop, brushes, and a tin of polish. A faint light glowing through the small window made him look at his watch. Half past five: unconscious four hours, and now it was nearly dawn. Feeling a little better, he cautiously tried the door. It was locked. But the window – he stared – the window was not only unlocked, but open. With difficulty he climbed on to a packing-case and looked out. He was on the ground floor, and beyond him was a deserted and neglected strip of garden, with creosoted wooden fences running down on either side and a gate, standing ajar, at the bottom. Even in his weakened condition it was easy to climb out. Once outside the gate the nausea seized him again, the saliva flowed into his mouth, and he was violently sick. But he felt better for it.

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