Erica Hayes - Scorched

"Shut up!" My voice is rusty, too, like I've forgotten it or screamed too long. "Give me my files."

"I can't divulge personal information."

I fling out my hand, palm outwards, and an invisible force rams her against the wall. My hands quiver in memory of everything she's done to me, the machines, the voltage jerking my muscles tight, the agony chewing in my skull as she tortured me. I'm sweating, shaking. My breath's on fire. My power is starved and vengeful, hungry for prey. A bad person would squeeze the life from her.

I ease up, just a fraction. "Give me the goddamn file before I crush your throat."

"Okay." Mengele's voice strangles. Her face gleams bloodless. She believes me. "On the shelf, white document box. Just let me go."

I let her go and tear the box from the shelf. It's empty but for a single pink slip of paper, duplicate to a form headed INPATIENT ADMISSION. The carbon-copy handwriting is dusty and black. I blink stinging eyes, confused. I don't recognize the name or birthdates. My thoughts swirl and tangle, sinking into chaos…

No . I grit my teeth. I know who I am. I'm Verity Fortune. I'm thirty-one years old. These details are fake. They just don't want anyone to find me.

Date of admission: October 2nd. Must be what, three weeks ago now? Addresses, phone numbers, none of which I recognize. Ten square boxes for my fingerprints, but the ink doesn't show on this copy. A scrawled signature at the bottom that I can't read. The space for Discharge Date is blank.

My knuckles crack white, and the paper crushes in my fist. It's not enough. I need details. Proof. Once I'm gone, they'll deny everything. "Where's the rest of it?" I demand.

Mengele swallows. She's stalling. "It's digital. That's the only paper copy."

"Then download it—"

The door implodes, and her heavies pile in. Six of them, armed with batons and capsicum spray and hissing tasers. One of them's holding an iron-ribbed strait jacket.

Fine. Screw details, if that's the way they want it.

I stuff the paper into my itchy gray scrubs—no pockets—and fight.

Ten minutes later, I'm done. Outside, on the mountainside, it's nighttime, the wispy fog drifting though fragrant eucalyptus trees. It's warm for October, and in the valley, Sapphire City's towers glitter like frosted flames. Smoke roughens my throat. Shadows flicker, and behind me, someone screams.

I leap the fence and run into the forest. The dirt feels good under my bare feet.

Before I left, I opened all the doors and set the asylum on fire.

By the time I reached the city, it was long past midnight. Behind me, fog wreathed the tree-lined hills, grasping wispy fingers down into the valley. Stars wheeled overhead, their constellations strange and lopsided. Street lights burned oddly bright. Even the air smelled weird. Freedom. I never wanted to forget it again.

I stole some clothes from a hobo's shopping cart in some alley off Castro Street. Distant sirens howled. A painted mural rainbowed the wall where the hobo slept, and he muttered and rolled over, wrapping himself in his greasy jacket and a mist of stale rotgut whiskey. Rats scuttled under a trashpile as I rifled the cart. It was very warm for October, and shorts and a T-shirt would have done. But I needed to stay hidden, so I chose a dirty black hoodie, grimy jeans and a pair of flip-flops, and threw my piss-stinking hospital gear in the dumpster.

A discarded pizza box lay half crushed in the gutter, a rat poking his long nose inside. My stomach grumbled, but I left it alone. Not quite that desperate, yet.

Clothes sorted. Nothing I could do about my beaten-up face, or the ragged state of my hair. I looked exactly like an escaped mental patient. I stank like one, too, and my head ached like… well, like I'd had a metal helmet bolted to my skull for three weeks. But I couldn't go home. His goons would be hunting me. I had no cell phone, no cash, not even a dollar for a phone call.

And truth was, I felt naked and helpless without my mask. Sure, that foul helmet was gone, and I was strong again, but these days you couldn't just flash your powers around in Sapphire City and expect to avoid attention. There's a reason we augmented folks have secret identities.

In the real world, we're called augmented , see. Life isn't a comic book. I'm not from another planet, and I didn't get bitten by a mutant spider or drown in toxic waste only to be resurrected with super powers. I was just born this way. It didn't make me good or evil. That's a choice we all make, one way or another.

But wielding powers attracted unwanted attention, whether from the villains, the lynch mob or the press, all equally dangerous in different ways. That's why we wear masks and costumes to work: what we do isn't safe. And without my mask—or any idea of what had been going on since I'd somehow pissed the villains off enough to get locked in some prehistoric loony bin—I was trapped like a bug in a jar inside my own cover story. Hi, I'm Verity Fortune, freelance journalist. Who's that, you say? The Seeker? Black vinyl catsuit and mask? Fights crime? She's just a rumor, friend. She's not real. Trust me, I'm a reporter. If she was real, I'd know, wouldn't I?

No, I had to stay incognito until I got a grip on the situation. For the moment, I was just plain Verity, but I still had villains on my trail who'd happily carve my brain into cat food, or worse. Which meant I needed to see my father, and pronto.

My father was Thomas Fortune, owner and chairman of Fortune Corporation, a multi-million-dollar company specializing in security and weapons technology. By night, he was Blackstrike, Sapphire City's best-loved crime-fighter, wielding his dark mastery of shadow to defeat the Gallery, our local gang of villains. Only our family knew that Tom Fortune was Blackstrike (for a guy his age, I've gotta say, Dad still looks rockin' in that black trench coat) and that FortuneCorp was just a front for the real family business: fighting evil.

Augmentation came with the Fortune blood: me, my two brothers, my sister, my uncles, our cousins. Though we didn't always get along—big sister, in particular, had the mother of bad attitudes—Dad kept us in line, and he didn't risk unmasking himself without good reason. Still, the bad guys had just benched me for three weeks in the middle of a cease-fire, and FortuneCorp couldn't take a hit like that without fighting back. Dad would know what to do.

But my wits spun in drunken circles, and my vision blurred with fatigue. I couldn't remember Dad's phone number. And I couldn't just turn up at FortuneCorp HQ without being sure I wasn't followed. I'd just have to stick with what I did remember.

I tugged my hood forward as far as it would go, and walked on.

Broken glass littered the sidewalk on Market Street, where galleries and colorful boutiques squeezed in beside restaurants and crowded bars. Garbage piled in the gutter, spilling onto the street, and a few pale people in shapeless clothes picked through it for food. Yellow hybrid taxi cabs cruised for customers, amongst zipping traffic, bicycle couriers, rattling painted trolley cars.

I passed some drunken guys in suits, a gang of teenagers riding skateboards, and prostitutes, the expensive ones in thigh boots and fishnets, as well as their poorer, more desperate sisters, wearing whatever skimpy clothes they could scrounge. Homeless dudes harangued passers-by for change or booze. Graffiti on the brick alley walls read U.S. OUT OF IRAN and SAVE OUR CHILDREN: VOTE NO TO PROP 101 and GOD HATES AUGMENTS, but one phrase in particular stood out…

It was everywhere. Scrawled in chalk on the broken sidewalk. Spray-painted in fat scarlet letters like blood-soaked balloons. Etched on a window with bold, sharp strokes beneath a blotch of melted glass: