Lynn Brock - The Deductions of Colonel Gore

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This brand new edition of the first novel to feature the officer and gentleman detective Colonel Wickham Gore includes the first ever reprint of the only Colonel Gore novella, Too Much Imagination.Colonel Gore is reunited with old friends at a dinner party to mark his return from service in Africa, but is shocked to discover that one of them has fallen victim to a callous blackmailer. When the antagonist is found dead, Gore finds that civilian life can be as challenging as anything in the army, especially when one of your friends may have become a killer . . . but which one?Once famous in the West End and on Broadway for plays written as ‘Anthony Wharton’, Dublin-born Alexander McAllister had become a publican in Surrey when, as ‘Lynn Brock’, his writing career took off again with the creation of country detective Colonel Wickham Gore. Described by Rose Mcaulay as ‘a very clever writer: a gift for drawing life-like people and a lively sense of dramatic incident’, Brock became a pillar of the Golden Age with his Colonel Gore whodunits and pioneering psychological novels including the lurid Nightmare.This Detective Club classic is introduced by Rob Reef, author of the John Stableford mysteries, and for the first time reprints the only Colonel Gore novella, Too Much Imagination, a country house murder story from a rare 1926 American pulp magazine.

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There had been a silence, and then a calm, unsurprised ‘Gracious. Why, you said you were going to stay in Rhodesia for ever and ever.’

And then:

‘I’m so sorry. But my husband has just come in for lunch. I must fly. Can you ring me up this evening … about seven? I shall be—’

And then, of course, after nine years, the exchange had cut off.

But her invitation to dinner had made up a good deal for that first flat disappointment.

‘Do come early, like a dear,’ she had said. ‘We want to have you to ourselves for a few minutes. Sidney is pining to meet you. You’ll love him. He’s just the darlingest old thing in the world.’

He recalled now exactly the inflection of her voice as she had said that—

With fresh determination he dipped his pen once more in ink and after the word ‘Gentlemen’ wrote the words, ‘I beg to apply—’

It was then five minutes to one.

It was twenty-five minutes past one when he stamped his two letters. He slipped into an overcoat, and let himself out into the chill clamminess of the fog. The pillar-box for which he was bound lay half-way along Selkirk Place, a couple of hundred yards from the back entrance to the Riverside. At the gates he paused for a moment to light a cigarette, and observed that the window above the bar was still illuminated. As his eyes rested on it, the yellow blind was drawn a little aside, and someone feminine—the tawny-haired Miss Betty Rodney, he presumed—was visible for a moment, peeping down at him.

No doubt Miss Rodney’s attention had been attracted by the halting of his footsteps beneath her window at that hour. He went on his way towards the pillar-box, reflecting, perhaps not entirely originally, that in general and in particular women were curious things.

CHAPTER III Contents Cover Title Page Copyright Introduction Chapter I Chapter II Chapter III Chapter IV Chapter V Chapter VI Chapter VII Chapter VIII Chapter IX Chapter X Chapter XI Chapter XII Chapter XIII Chapter XIV Chapter XV Chapter XVI Chapter XVII Chapter XVIII Chapter XIX Chapter XX Chapter XXI Chapter XXII Chapter XXIII Chapter XXIV Chapter XXV Chapter XXVI Chapter XXVII Chapter XXVIII Too Much Imagination Chapter I. Into the Net Chapter II. Too Much to Swallow Chapter III. The Note in her Hand Chapter IV. Gore is Frank Chapter V. Bloodstained Linen Chapter VI. Arling Makes a Confession Chapter VII. Tastes of a Secretary Chapter VIII. Spain Waxes Vehement Chapter IX. What Really Happened Also by Lynn Brock The Detective Story Club About the Publisher

MRS MELHUISH had switched off all the lights in the drawing-room save two beside the fireplace when her husband re-entered the room, and was lingering, he perceived, merely to say good-night. She turned at his entrance, smiling through a little yawn.

‘Well … what do you think of Wick? Quite a dear, isn’t he?’

Melhuish nodded.

‘I like Gore very much indeed,’ he said sincerely. ‘I wish that we could have provided a rather more amusing evening for him.’

‘It was not exactly a giddy party,’ Mrs Melhuish confessed. ‘However, we’ll get something a little brighter for him next time. Are you sitting up, dear? I hope not, after your wretched night last night. I heard you coming in at a quarter-past four … bad boy.’

‘A hæmorrhage case … one of Mrs Ashley’s maids.’

‘Oh.’

There was a little pause. He wondered if tonight again she would contrive to evade the good-night kiss which was for both of them, now, an ordeal dreaded and avoided when avoidance was with even a pretence of decency possible. But he stood between her and the door. Tonight no escape was possible; the ignominious, hateful farce of their day must terminate in that elaborately casual contact of her cheek with his, cold as ice, burning like hell’s fire. He read the pitiable hesitation in her eyes, yet, even in his pity of it, would not spare her or himself. His cold scrutiny rested mercilessly on her face until it was raised to his.

‘Good-night, Sidney.’

‘Good-night.’

‘You are quite pleased with everything? Sir James’s congratulations upon my cook were really quite embarrassing.’

‘Everything was admirable—as it always is.’

She swept him a little mocking curtsey, and was gone.

He stood where she had left him until he heard her bedroom door close remotely, then glanced at his watch and moved to the fire, to stand before it, considering. Five minutes to twelve. How long would he wait tonight?

It had been a little before one when he had heard her go downstairs that night—the Monday night of the preceding week—that seemed to him countless centuries ago. The hour of meeting had been altered for Friday night to a quarter-past one. At least a whole hour lay before him—a whole hour to watch drag by, minute after minute, listening in the darkness, writhing in self-contempt, aware that beyond the wall that separated her room from his, she, too, was waiting and watching and listening in the darkness—hating him because, on his account, she must lie there for that never-ending hour before she could safely creep down the stairs. Yes, he reflected grimly, at moments she must hate him. Hate him because she feared him, because he stood in the way of her pleasure, because he was what he was—her husband. That thought still appeared to him ludicrous, though for a whole week now he had known beyond all doubt the amazing truth of her treachery to him. Even at the end of that week of devastating certainty he was still unable to look at her face without stupefied wonder at its self-control. It seemed impossible that a spirit so courageous as hers, so defiant of obstacles, so intolerant of pretence, could conceal a bitter hatred so smoothly. And yet … what hatred could be imagined more bitter than that of a woman for a man who stood between her and the man of her—

Of her … what?

Desire … Passion …? His soul laughed at the bare thought of the words in connection with her. Caprice? A prettier word—probably a more appropriate one. At heart he guessed and dreaded a stronger and more dangerous driving-force than these behind her betrayal of him—a craving for the things he himself had proved incapable of giving her—the gaiety and grace and thousand dancing, laughing sympathies of youth. From the very beginning she had teased him on the score of a seriousness which, he was himself well aware, was prone to heaviness. From the very beginning he had seen that inevitably his professional work must separate them—seclude him from great tracts of her life, as it must seclude her from the principal business of his. Youth for Sidney Melhuish had been a phase of single-minded purpose and strenuous preparation for its achievement. Youthfulness he had laid aside deliberately at the threshold of a career which for him, over and above the possibilities of material advancement, was a mission—a consecration to the grimmest, most desperate of crusades against the most ruthless and invincible of enemies. Gaiety and grace were for those others, he had told himself, who neither saw nor heard nor heeded … until they had need of him and his kind. He had envied them a little at odd moments—pitied them a little—wondered at them a little—been always much too busy to feel the need of attempting to imitate their decorativeness. The attempt in any case would have been, he knew, a futile one. His lips twisted wryly now as, staring down into the fire, he recalled his wife’s efforts, in the first tentative days of her life with him, to teach him to dance—

She had striven, too, to teach his mind to dance, he knew, in those first days—striven to infuse him with some tinge of the agreeable ephemeral interests which were the life of the set from which he had isolated her temporarily during their brief engagement, but which, he had quickly perceived, would always remain her tribe and her world. But he neither shot nor fished nor hunted. Theatres and novels held for him the faintest of appeals. The allusive tittle-tattle of her friends—light-hearted young people of both sexes possessed of an abundance of money and of leisure, who visibly resented his silent seriousness—bored him. At the end of a year his wife had frankly confessed him, as a social ornament, hopeless.

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