Lynn Brock - The Deductions of Colonel Gore

‘THE DETECTIVE STORY CLUB is a clearing house for the best detective and mystery stories chosen for you by a select committee of experts. Only the most ingenious crime stories will be published under the THE DETECTIVE STORY CLUB imprint. A special distinguishing stamp appears on the wrapper and title page of every THE DETECTIVE STORY CLUB book—the Man with the Gun. Always look for the Man with the Gun when buying a Crime book.’

Wm. Collins Sons & Co. Ltd., 1929

Now the Man with the Gun is back in this series of COLLINS CRIME CLUB reprints, and with him the chance to experience the classic books that influenced the Golden Age of crime fiction.

COLLINS CRIME CLUB

An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in Great Britain by

W. Collins Sons & Co. Ltd 1924

Published by The Detective Story Club Ltd 1930

‘Too Much Imagination’ published in Flynn’s magazine 1926

Introduction © Rob Reef 2018

Cover design © HarperCollins Publishers Ltd 1930, 2018

Lynn Brock asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008283001

Ebook Edition © November 2018 ISBN: 9780008283018

Version: 2018-08-24

Contents

Cover

Title Page

Copyright

Introduction

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Chapter VII

Chapter VIII

Chapter IX

Chapter X

Chapter XI

Chapter XII

Chapter XIII

Chapter XIV

Chapter XV

Chapter XVI

Chapter XVII

Chapter XVIII

Chapter XIX

Chapter XX

Chapter XXI

Chapter XXII

Chapter XXIII

Chapter XXIV

Chapter XXV

Chapter XXVI

Chapter XXVII

Chapter XXVIII

Too Much Imagination

Chapter I. Into the Net

Chapter II. Too Much to Swallow

Chapter III. The Note in her Hand

Chapter IV. Gore is Frank

Chapter V. Bloodstained Linen

Chapter VI. Arling Makes a Confession

Chapter VII. Tastes of a Secretary

Chapter VIII. Spain Waxes Vehement

Chapter IX. What Really Happened

Also by Lynn Brock

The Detective Story Club

About the Publisher

ALEXANDER PATRICK MCALLISTER’S literary career had had a very promising start. Born in Dublin in 1877 and educated at Clongowes Wood College, he later obtained an Honours Degree at the Royal University and was appointed chief clerk shortly after the inception of the National University of Ireland. His stage plays Irene Wycherly (1906) and At the Barn (1912), both written under the pseudonym Anthony P. Wharton, became great successes both in London and on Broadway.

Following these two hits, McAllister continued to write, but none of his subsequent plays could revive his early fame. He and his wife Cicely moved from London to Guildford, where they were to run a pub called The Jolly Farmer, and at the age of 46 he wrote his first detective novel, The Deductions of Colonel Gore (1924), under the pseudonym Lynn Brock. By this time, his early fame as a playwright had faded and he appears to have turned his hand to crime fiction simply to improve his finances at a time when detective books had begun to outsell all others. Nevertheless, the book was sold to William Collins in the UK and Harper & Brothers in the US, and became so successful that ‘Lynn Brock’ lived on to publish thirteen detective novels, seven of which featured his titular hero-detective Colonel Wickham Gore.

Brock’s complex plots and witty style won the praise of many critics including Dorothy L. Sayers and S. S. Van Dine, and his mysteries were often reprinted and widely translated. Despite their fame, however, the novels slid into obscurity shortly after the end of the Second World War—unjustly, some might suggest. Several recent reviews have criticised his novels as cliché-studded, dull affairs overloaded with Golden Age formulas and stereotypes. These reviews have missed the point: Brock actually played his part in the creation of those classic detective fiction patterns now so familiar and dear to us. He wasn’t a mere imitator of the genre, but rather experimented with existing formulas long before they became formulaic.

Comparison with some of his fellow-writers shows that Brock was an ‘early bird’ in the genre. Colonel Gore took the stage three years before Sherlock Holmes’ last appearance in ‘The Adventure of Shoscombe Old Place’; he preceded the debut of S. S. Van Dine’s Philo Vance in The Benson Murder Case by two years, and Anthony Berkeley’s Roger Sheringham in The Layton Court Mystery , John Rhode’s Dr Priestley in The Paddington Mystery and Anthony Wynne’s Dr Hailey in The Mystery of the Evil Eye by one year. All these authors (and many more not mentioned here) established serial detectives in the fashion of the times, and Brock’s Colonel Gore appears to fit into this category remarkably well.

But was he really originally meant to be just another amateur detective with a military background like Philip MacDonald’s Anthony Gethryn, who made his debut in The Rasp the same year as Colonel Gore? It is reasonable to doubt that. Gore lacks too many of the typical characteristics of the traditional hero-detective. He is not a well-to-do super sleuth like Lord Peter Wimsey or Hercule Poirot. He has no profession that could help him solve crimes like the many doctors and scholars in the trade. He has no sidekick and no ally at Scotland Yard and, to cap it all, absolutely no talent for detecting! Gore makes mistakes. Many mistakes. In fact, he finds so many wrong solutions in The Deductions of Colonel Gore that the real solution ends up being the only one that is left.