Richard Kadrey - Kill City Blues

Candy and I emerge from the shadow of a lamppost so pristine it could’ve been put there this morning. We’re on North Beverly Glen Boulevard, across the street from the address Brigitte gave me.

The place is called Clear, an old upscale faux-Gothic hotel rebranded by one snotty nouveau chic chain or the other. The residents of these hotels are always the same. Oblivious executives in town for a day to make another billion because the billions they have aren’t enough. Handsome young lovers so bursting with happiness and privilege that you want to punch the DNA that created them. And old long-term residents baffled by the bright lights and excited plastic-surgeried crowds rushing in and out of the place 24/7. Clear reminds me of palaces I saw in Hell, but in worse taste.

Brigitte is in the lobby. She’s a knockout in a short green sequin dress and pearls and a little silver clutch purse just big enough for her CO 2pistol. She looks like a flapper ninja. Candy is in her usual too-big leather jacket and Chuck Taylors. I’m in a frockcoat with guns. Which two of us don’t look like we belong in the Clear?

Brigitte kisses Candy and me on both cheeks. Candy says something to her that I miss and they both start laughing. They’re giddy at the idea they’re going to see some action. I’m hoping we don’t. And if something happens, fingers crossed that we don’t start it, and by “we,” I mean them.

We ride the elevator to the twelfth floor, go left, and walk almost to the end of the corridor.

“Herr Rose has two rooms, 1210 and 1212. But we’ve been instructed to knock only on 1210,” says Brigitte.

“Easy to remember,” I say. “Twelve-ten. When they signed the Magna Carta.”

Both women look at me.

“Don’t look at me like that. There was nothing to do in Hell but hide and read books. Is that a crime?”

Candy says, “Marcus Aurelius and now the Magna Carta? I’m starting to think that bullet unleashed your inner geek.”

“I had an inner geek once. But a doctor lanced it and it went away.”

“Call an ambulance. It’s growing back.”

Brigitte smiles.

“You two are charming together.”

“I was plenty charming all on my own,” says Candy. “I’m just carrying the geek so he doesn’t cut himself on a bullet and bleed to death.”

“Are you two done? I knew I should never let you near each other.”

Brigitte says, “I think he just called us … What’s the word?”

“Brats,” says Candy.

“Yes. Brats.”

“That’s because you are brats.”

“And who’s more foolish? The brats or the man who invites the brats to a gunfight?” says Brigitte.

“No gunfights. I didn’t invite anyone to a gunfight. This is a normal everyday ambush, not the O.K. Corral.”

“If you’re going to be boring about it, at least be entertaining. Disappear into one of your shadows while we distract Rose with our wiles.”

“Yeah,” says Candy. “The wiles girls are in business.”

She loops her arm in Brigitte’s.

I walk into a shadow by a picture window down the hall, surer than ever that I should have worn body armor.

I STILL HATE walking into unknown rooms, but I’ve never heard of a dangerous Tick-Tock Man, so I’m more likely to walk in on a game of Dungeons & Dragons than bearbaiting.

I come out in a room that reminds me of Garrett’s. A generically elegant place, but a little more old school than his was. The wood looks like wood instead of veneer and the paintings look real instead of like overpriced prints.

Rose has two adjoining apartments. One for living and one for a workspace. The guy is either loaded or his rental agreement is so old it’s written on parchment and he pays for it with shells and brightly colored beads.

He must be one of those genius types, like Tesla. Guys who would rather live in a hotel than have their own home. Live somewhere they know the sheets and towels will always be clean and where they can get a grilled-cheese sandwich from room service at four A.M. Because we’re in Bel Air, I want to hate his setup, but the truth is, I understand the addiction. I love squatting in the Chateau Marmont. Plus, I never told anyone, but part of me is happy that so many of my clothes end up burned, slashed, shot up, or generally too bloody to deal with. It’s a great excuse never to do laundry. I can deal with fighting in the arena in Hell, but laundry and dishes put the fear of God in me.

I can hear Rose in his workroom, so I stay out of sight in his living quarters.

At three on the dot there’s a knock. Rose goes to open the door and I get my first look at him.

He’s an older guy but not over the hill. In his early sixties maybe. Long, salt-and-pepper hair combed back from his forehead and over his ears. I see lab coats on the wall, but he knows company is coming, so he’s wearing a pressed, old-fashioned, forties-style high-waisted blue suit and tie with a diamond pattern down the center. He could have stepped right off the set of Out of the Past .

He opens the door and there are Candy and Brigitte, carpet-bombing him with their wiles. Old Rose can’t help but smile.

“Knock knock,” says Brigitte.

“You must Mr. Blackburn’s friends.”

“You bet,” says Candy. “Can we come in? We don’t bite.”

“Of course. Please come in.”

Rose stands aside and Candy and Brigitte walk in like they already own the place. Old Atticus looks like he’s about to hand it over to them.

“Would either of you ladies care for some coffee? If you’d like something stronger, I keep whiskey in the apartment. If you’d like wine I can have some sent up.”

He speaks in a deliberate flat drawl. Not southern. Maybe Okie. I had some cousins from Oklahoma. All I remember about them was that they pronounced theater with a long a .

“No thank you. You have a lovely workshop,” says Brigitte.

That’s an understatement. It’s a little slice of Heaven compared to Manimal Mike’s jerry-rigged setup. The space is clean and stocked with every tool in this world and probably a couple of others. There’s enough room for several people to work at once. Rose must have assistants because there are at least a dozen animal familiars around the room, some fully built and others just steel and gear frames.

“Thank you,” he says. “May I give you ladies a tour?”

Just like I thought. Atticus, a professional recluse, can’t help but want to show off his toys. He brings them over to a table where a half-constructed tabby cat lies curled up near unsewn swatches of fur.

Watching them like this isn’t fun. It brings bad old feelings. This is how my hits in Hell used to go. I’d come through a shadow into someone’s home and wait, sometimes hours, for them to get relaxed or distracted, and then quickly, quietly, I’d cut their throats with the black blade. Things only got messy if they had a bodyguard or a hapless, soon-to-be-dead friend strolled into the slaughter scene. No one ever got away. I was a slave and a killer and I was good at it. I don’t want to be any of those things today, so I stay put and take deep breaths, letting the memories fade away.

Speaking of people who need to crank things down a notch, Rose’s heart is doing its own tap dance. Brigitte got good information. This boy likes wide-open spaces. Even with two not-very-large women in the room, he’s uncomfortable.

“Thank you for seeing us so quickly,” Brigitte says to Rose.

“Of course. Any friends of Saragossa are welcome.”

“What’s this?” says Candy. She’s across the workroom on her own, lost in Rose’s mechanical zoo. Nearby is what looks like a wild dog with broad stripes down its back.

“That’s a Tasmanian tiger, young lady. They’re extinct. If you want one I’m the only Tick-Tock Man in the world who can give you an exact copy of an original, capturing both its spirit and its wild soul.”