Brian Aldiss - Walcot

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A story charting the events of the twentieth century through the eyes of the Fielding family, whose fortunes are altered irrevocably…The Brian Aldiss collection includes over 50 books and spans the author’s entire career, from his debut in 1955 to his more recent work.On the glorious sands of the North Norfolk coast, Steve, the youngest member of the Fielding family, plays alone. But are these halcyon days?War is looming, and things will never be the same again. This book, described by Brian as his magnum opus, charts the fortunes of the Fielding family throughout the twentieth century.

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What did you think about, there on the sands all day? Did you feel you were being encompassed by a great soul?

I doubt I was even aware of timeonly of time as local, affecting the comings and goings of the sea at Walcot, and the possible arrival of teatime .

So you were sent to play on the beach?

I believe that was the case. Yes .

The sea and the time bound to destroy the finest castle you might build?

Of course. It was in the nature of things .

You sat and watched as the tide raced in. Well, you would be back again tomorrow, when that new world, ever fresh, would be revealed once more. Tomorrow, the little pools, the arcane rippling and ribbing of the sand, would be there anew; only you would be there to appreciate them. And there was still a whole week before the holiday had to end.

You looked up at the mackerel sky and it was then that there was a disturbance in the thin cloud, and a golden bird came speeding down. When it stood before you you could see that it was in fact vaguely human in form, seeming youthful, despite its long beard. You observed that it had no genitals.

It spoke. ‘Have you been good today?’

You did not know what exactly to answer. It was obvious to you that opportunities for being ‘bad’ were strictly limited when you were alone on the beaches.

‘Are you a Christian?’ it asked.

You were forced to go to Church every Sunday. You had been given a little book into which you could stick a pretty stamp to mark each attendance. You recited the rhyme printed in the blank spaces.

Every stamp cries Duty done!

Every blank cries Shame!

Finish what you have begun

In the Saviour’s Name.

The golden thing seems satisfied with this response. ‘Do you say your prayers?’

You would have preferred it to have asked if you had enjoyed the day, but it had only tedious questions, such as those the local vicar might ask.

‘Yes,’ you said.

‘Do you wish to get to Heaven?’ it asked.

Again it was difficult to know what to answer. The day had been like heaven, with nobody to order you about, or be miserable at you.

‘Not yet,’ you said. ‘Not while we’re enjoying Walcot.’

The golden thing stood there. It finally said, ‘Your time will come.’ And then it zoomed back into the sky. You watched it until it vanished.

You decided to run home. You told your mother, ‘Mummy, I just saw God.’

Your mummy said you must not tell lies.

‘Perhaps it was just an angel. It was all gold.’

Your mummy frowned and asked if you had caught any shrimps.

‘Does God have a weewee, mummy?’ you asked.

Your mummy threw a Norah Lofts at you. ‘Don’t be so rude, you little so-and-so!’

The Norah Lofts missed you. You silently thanked God that Mummy never had a good aim.

2

An Adult Breath

Your mother liked being in Omega. She decorated it according to her own tastes. The living room was fairly dark; it had only one small window which looked towards the cornfields. It had hip-high wooden panelling painted a deep brown, thus adding to the darkness of the room. To offset this, your mother had scattered orange cushions about on the chairs and settee. She also had, stationed at strategic points, a number of gleaming copper jugs which she polished regularly. And there was a fine brass lamp with a frosted white shade and a clear glass chimney which she lit at dusk. The lamp shed its cosy light over part of the room. There was no electricity available within several miles of Omega.

The walls above the wooden panelling were painted white, and here your mother had hung a number of reproductions of paintings of flowers in bowls and vases. The paintings were glazed and bound in passe-partout. They most typically showed pink and white roses in a deep blue bowl, standing on a well-polished table. A petal had fallen and reflected its colour on table and bowl. Always a fallen petal, its hint of imperfection emphasizing the perfection of the picture.

Your mother was more than usually torpid and framed no flower pictures that night. She was a tall woman, heavy of body, heavy of face. She did her pale hair in a bun, bound tightly to the back of her head, like a supplementary brain. She was given to long skirts of woven material. She had within her the seed of a future child who was destined to take your place; but of this impending event you were not told. It was, as yet, your mother’s secret.

She kept news of her early pregnancy, too, from her visitor. She was a secretive woman and did not entirely trust her visitor, whom she considered superficial. This visitor was younger and more vivacious than your mother. You knew her as your Auntie Violet. ‘No shrinking violet, she!’ your mother was apt to exclaim. ‘Comes from Grantham, of all places,’ she said, appalled.

Auntie Violet was sharp and pale of face, with beautiful arched eyebrows and a permanent wave in her hair which, despite its permanence, was frequently renewed. She had a neat upturned little nose, which you mentally labelled pert. She generally wore strings of beads which rattled across a generous bosom. Her flesh was pale and clear. She smelled delicious. Her clothes were bright, worn with belts which drooped over the upper reaches of her behind. Her shoes, at least at this moment, were bright red. You were fascinated by this flitting figure who drove to Omega in her own open-top tourer. Auntie Violet was married to your mother’s younger brother, Bertie Wilberforce.

Auntie Violet smoked cigarettes in a long amber holder. Her lips were red. She had another endearing trait: she liked small boys and, in particular, she liked giving you treats. She had brought you a wooden glider. You ran outside to fly it; it flew well and meant many excursions between the crisp stalks of the cornfield to retrieve it.

While you were flying your glider, your mother and your aunt had a quarrel. Somehow you perceived this as you returned to Omega. Auntie Violet stood smoking on the verandah, looking statuesque. She made a decision and said to you, ‘I do not neglect my children. I love my children. And I love you, Stevie dear.’ She bent and kissed you on the forehead. You were puzzled by this sudden display. You entered the bungalow to see your mother standing with her arms akimbo – always a bad sign.

While you were accustomed to your mother’s moods, there was another worry on your mind. Auntie Violet was staying overnight. Omega contained only two bedrooms and the spare bed was in your room. You would have Auntie Violet sleeping in the bedroom with you. You were unsure how you should behave in this situation. You knelt and said your prayers by your bedside every night, as your mother had taught you; somehow, instinct told you now that Auntie Violet did not kneel by her bedside to say her prayers. It might be advisable to skip prayers this evening. And you hoped that God would be understanding, although he did not seem to have been particularly understanding in the past. He seemed, like your mother, to be a bit moody.

Several years later, when your auntie was thinking of committing suicide, she told you a remarkable story, which was to haunt much of your life. She said that for an hour or two she and your mother were not talking to each other. She looked hard at you and said that she was in your bedroom until the storm blew over, when the phone rang in the main room. Your mother had picked up the phone. Auntie Violet had listened to the conversation, and concluded that it was your father, your cold and distant father, who was on the other end of the line.

According to Violet, your mother said, ‘Yes, high tide was at about a quarter-to-four today … no, no, he came back as usual … we hope for better things tomorrow … it is likely to be windier, so the sea should be choppier … I can’t do anything more, sorry … No, he doesn’t mind being alone there … no, no one … if he was you know, it would of course be a regrettable accident … Don’t worry. As you say, hope for the best. I don’t want to discuss it … Good-bye.’

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