Helliconia Summer
by Brian Aldiss
Man is all symmetry,
Full of proportions, one limb to another,
And all to all the world besides;
Each part may call the farthest, brother;
For head with foot hath private amity,
And both with moons and tides.
More servants wait on Man
Than he’ll take notice of: in every path
He treads down that which doth befriend him
When sickness makes him pale and wan.
Ah, mighty love! Man is one world and hath
Another to attend him.
George Herbert,
Man
I
The Seacoast of Borlien
Waves climbed the slope of the beach, fell back, and came again.
A short way out to sea, the procession of incoming surges was broken by a rocky mass crowned with vegetation. It marked a division between the deeps and the shallows. Once the rock had formed part of a mountain far inland, until volcanic convulsions hurled it into the bay.
The rock was now domesticated by a name. It was known as the Linien Rock. The bay and the place were named Gravabagalinien after the rock. Beyond it lay the shimmering blues of the Sea of Eagles. The waves splashing against the shore were clouded with sand picked up before they scattered into flurries of white foam. The foam raced up the slope, only to sink voluptuously into the beach.
After surging round the bastion of Linien Rock, the waves met at different angles on the beach, bursting up with redoubled vigour so as to swirl about the feet of a golden throne which was being lowered to the sand by four phagors. Into the flood were dipped the ten roseate toes of the Queen of Borlien.
The dehorned ancipitals stood motionless. With nothing more than the flick of an ear, they allowed the milky flood to boil about their feet, greatly though they feared water. Although they had carried their royal load half a mile from the Gravabagalinien palace, they showed no fatigue. Although the heat was intense, they showed no sign of discomfort. Nor did they display interest as the queen walked naked from her throne to the sea. Behind the phagors, on dry sand, the majordomo of the palace supervised two human slaves in the erection of a tent, which he filled with bright Madi carpets.
The wavelets fawned about the ankles of Queen MyrdemInggala. ‘The queen of queens’ was what the Borlienese peasantry called her. With her went her daughter by the king, Princess Tatro, and some of the queen’s constant companions.
The princess screamed with excitement and jumped up and down. At the age of two years and three tenners, she regarded the sea as an enormous, mindless friend.
“Oh, look at this wave coming, Moth! The biggest wave yet! And the next one… here it comes… oooh! A monster, high as the sky! Oh, they’re getting ever so big! Ever so bigger, Moth, Moth, look ! Just look at this one now, look, it’s going to burst and—ooh, here comes another, even huger! Look, look, Moth!”
The queen nodded gravely at her daughter’s delight in the placid little waves, and raised her eyes to the distance. Slatey clouds piled up on the southern horizon, heralds of the approaching monsoon season. The deep waters had a resonance for which ‘blue’ was no adequate description. The queen saw azure, aquamarine, turquoise, and viridian there. On her finger she wore a ring sold her by a merchant in Oldorando with a stone—unique and of unknown provenance—which matched the colours of the morning’s sea. She felt her life and the life of her child to be to existence as the stone was to the ocean.
From that reservoir of life came the waves which delighted Tatro. For the child, every wave was a separate event, experienced without relation to what had been and what was to come. Each wave was the only wave. Tatro still lingered in the eternal present of childhood.
For the queen, the waves represented a continuous operation, not merely of the ocean but of the world process. That process included her husband’s rejection of her, and the armies on the march over the horizon, and the increasing heat, and the sail she hoped every day to see on the horizon. From none of these things could she escape. Past or future, they were contained in her dangerous present.
Calling good-bye to Tatro, she ran forward and dived into the water. She separated herself from the little figure hesitant in the shallows, to espouse the ocean. The ring flashed on her finger as her hands sliced the surface and she swam out.
The waters were elegant against her limbs, cooling them luxuriously. She felt the energies of the ocean. A line of white breakers ahead marked the division between the waters of the bay and the sea proper, where the great westbound current flowed, dividing the continents of torrid Campannlat and chilly Hespagorat, and sweeping round the world. MyrdemInggala never swam further than that line unless her familiars were with her.
Her familiars were arriving now, lured by the strong taint of her femininity. They swam near. She dived with them as they talked in their orchestral language to which she was still a stranger. They warned her that something—an unpleasantness—was about to happen. It would emerge from the sea, her domain.
The queen’s exile had brought her to this forsaken spot in the extreme south of Borlien, Gravabagalinien, Ancient Gravabagalinien, haunted by the ghosts of an army which had perished here long ago. It was all her shrunken domain. Yet she had discovered another domain, in the sea. Its discovery was accidental, and dated from the day when she had entered the sea during the period of her menses. Her scent in the water had brought the familiars to her. They had become her everyday companions, solace for all that was lost and all that threatened her.
Fringed by the creatures, MyrdemInggala floated on her back, her tender parts exposed to the heat of Batalix overhead. The water droned in her ears. Her breasts were small and cinnamon tipped, her lips broad, her waist narrow. The sun sparkled on her skin. Her human companions sported nearby. Some swam close to the Linien Rock, others skipped along the beach; all unconsciously used the queen as reference point. Their cries rang in competition with the clash of waves.
Away up the beach, beyond the seawrack, beyond the cliffs, stood the white and gold palace of Gravabagalinien, the home to which the queen was now exiled, awaiting her divorce—or her murder. To the swimmers, it looked like a painted toy.
The phagors stood immobile on the beach. Out to sea, a sail hung immobile. The southern clouds appeared not to move. Everything waited.
But time moved. The dimday wore on—no person of standing would venture into the open in these latitudes when both suns were in the sky. And, as dimday passed, the clouds became more threatening, the sail slanted eastwards, moving towards the port of Ottassol.
In due time the waves brought a human corpse with them. This was the unpleasantness of which the familiars had warned. They squealed in disgust.
The body came swinging about the shoulder of Linien Rock as if it still possessed life and will, to be washed up in a shallow pool. There it lay, carelessly, face down. A sea bird lit on its shoulder.
MyrdemInggala caught the flash of white and swam over to inspect. One of the ladies of her court was there already, gazing down in horror at the sight of the strange fish. Its thick black hair was spikey with brine. An arm was wrapped brokenly round the neck. The sun was already drying its puckered flesh when the queen’s shadow fell over it.
The body was swollen with putrefaction. Tiny shrimps in the pool scudded to feed off one broken knee. The court lady put out her foot and tipped the carcass over. It sprawled on its back, stinking.
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