Alex Archer - The Mortality Principle

“Okay, so why am I here? What do you expect me to do?”

“We want you to justify the money the network is investing in you, Miss Creed,” the fourth and final suit said, speaking up for the first time.

He was the youngest of the four, Annja observed, no doubt fresh out of some Ivy League school with a point to prove—that point being to tear down everything that had been created and rebuild it from scratch, reinventing the proverbial wheel.

“We want you to prove to us you’re worth the long-term investment,” he went on, “meaning we want you to go out there and interact, hit the social networks, build up followers on Twitter, post compelling little Vine video hints about what’s coming up to lure people in, use hashtags to get people involved in your investigations, turn the viewers into your army of citizen archaeologists. Make them feel like they are part of the show.”

“How’s that supposed to work?”

“Well, one idea we’ve had is live broadcasts,” the woman said, leaning forward. “So they can tweet you with what they want to see happen when it comes to the hunt. Say you’re going after the Amber Room and there are three possible sites you’ve identified. They can vote which one you check out. Or maybe they can Tweet questions at you during live interviews, that kind of thing.”

“Do you have any idea just how bad an idea that is?” Annja said, shaking her head. She couldn’t quite believe what she was hearing.

“It doesn’t really matter what you think, Miss Creed. You either find a way to make this work, or you don’t. But if you don’t we’ll be forced to look at the alternatives. Tonight’s meeting was merely a courtesy. We wanted you to understand the orders weren’t coming from Mr. Morrell. He’s fought your corner passionately, but some things are bigger than a mere producer. They come down from on high. In this case, all the way from the top. From the owners themselves. As I said, I’m a huge admirer of yours, Miss Creed. For your sake, I can only hope you’ve got a truly gripping segment lined up.”

That had been a week ago. Now she was in Prague, unable to sleep, trying to work out how on earth she was going to make these changes work. Part of her wanted to ignore them and just turn in a segment like the hundred other segments she’d turned in, but she knew something like that would just rebound on Doug. It would have been different if it had only been her job on the line, but she wasn’t about to put his in jeopardy, not after hearing how he’d gone to bat for her against the suits. For all that they argued, she knew he was on her side deep down. It was just that sometimes those subterranean depths were somewhere near the earth’s core. She needed to map out a few prerecorded minutes, little minisegments to set up a bigger mystery that could go out live.

And that thought terrified her: a live feed going out to the world, warts and all, with so many variables she couldn’t possibly hope to control. It wasn’t just about veering off script, either. The suits wanted to set the lunatics loose to run the asylum. Somehow she needed to engineer it so they wound up making the choices she needed them to make, a bit like a magician onstage. It was all about direction and misdirection. Make the masses think you were giving them what they wanted, when really you were giving them what you wanted. Her head ached just thinking about it.

Annja’s laptop stood on the desk that doubled as a dressing table. The cursor flashed on a blank screen, taunting her. She’d read all the research she had brought with her a dozen times in the past week, and she’d spent days just wandering around the city, getting a feel for the place. The amount of information on the internet about the city was overwhelming. Even when she tried to narrow the search parameters, the amount of data she had to wade through was daunting. She kept finding references to the city being Hitler’s favorite, and how he’d preserved a lot of the Old Town because he wanted to keep it for himself. Every time she saw the same statement it was prefaced with the words little known fact despite that putting the words Hitler and Prague in Google returned several thousand identical little-known facts. For Annja, though, it was all about one thing, one story that had endured so much so it was part of the fabric of the city itself: the golem.

She’d sketched out brief notes covering myth behind the creation of the creature made of clay and given life by Rabbi Loew, but most of them were nineteenth century legends that claimed the Maharal—Loew—created the golem to defend Prague from anti-Semitic attacks back in the sixteenth century. Of course, now it was virtually impossible to tell how much truth was hidden within those sensationalized tales. As with most European legends, it didn’t take long to isolate the common elements. There were enough of them for her to be sure that they originated from the same source, no matter how fantastical they eventually became.

Of course, Annja was reasonably sure that what she was chasing this time was nothing more than a feat of deception that had fooled enough people when they needed to be fooled. Illusion was the simplest way to give birth to a legend. It wasn’t so different from the Hans Christian Andersen story of the emperor’s new clothes. You had this miraculous defender of the city only seen by some precious few, but then more and more accounts of sightings started to emerge, not because people had seen the golem but because no one wanted to be the odd one out.

However, given the additional pressure from on high, the piece on the golem was feeling like fluff, just a filler bit for the show, not an entire segment, and most certainly not enough to make it the focus of a live show. And being live, they wouldn’t be able to pad it with lots of shots of the city. Even if they could have, that would have made the episode about the city not the golem—hardly something that would satisfy the ad-revenue-hungry network executives.

Eventually she gave up staring at the screen and crawled into the uncomfortable bed, knowing she needed to grab some sleep if she was going to be good for anything in the morning. Coping with jet lag wasn’t the biggest problem, but even days after the event, being cooped up in a plane always left her feeling restless.

Her running shoes were still in the bottom of her case.

She was tempted to get up, get ready and go out for a run. She never felt more alive than when she was running, and these were new streets to pound. The problem was she wouldn’t be able to sleep after that. But maybe that was better than lying in the bed, restless?

Another noise from the street drew her attention.

It wasn’t the sound of the group of young men this time, nor was it a single drunk trying to find his way back home.

She recognized the sounds of violence for what they were. She heard a body fall and was at the window looking out into the near-darkness, unable to make out any sign of movement below. Annja threw the window open. There was nothing to hear but the distance rumble of traffic. No, she realized, under it she could barely make out the slap of a single pair of heavy footsteps moving away.

Whatever the argument had been, it was over quickly.

The question was how serious was it on a scale of licking wounds to bleeding out in a gutter?

In the week she’d been in Prague, she hadn’t had a reason to think of it as a violent city. Sure, its past was rooted firmly in revolution, but she didn’t think of any European city as being any worse than parts of New York or Chicago. That didn’t mean that violence didn’t exist here, just that tourists were kept away from it. Maybe it was the lack of gunfire, which seemed to provide a huge part of the New York night chorus, or the endless cycle of sirens that painted a sensory image of what a violent city ought to be like.