Alex Archer - The Dragon's Mark

Annja whirled, expecting her final opponent to be closing the distance between them while her attention was elsewhere.

But that wasn’t the case. The other man hadn’t moved.

He stood watching her, hands held behind his back, like an instructor evaluating her performance.

“Who are you and what do you want?” Annja asked, and was surprised at the depth of anger she heard in her voice.

Her opponent said nothing.

“I’ll give you one last—”

She never finished the sentence.

One second her opponent was standing in front of her with both hands behind his back, and in the next he was leaping forward, a Japanese long sword suddenly appearing in his hands.

Annja just barely managed to deflect the strike as she brought her own sword up.

Where the hell had that sword come from?

It was almost as if he’d conjured the thing out of thin air….

Destiny

Solomon’s Jar

The Spider Stone

The Chosen

Forbidden City

The Lost Scrolls

God of Thunder

Secret of the Slaves

Warrior Spirit

Serpent’s Kiss

Provenance

The Soul Stealer

Gabriel’s Horn

The Golden Elephant

Swordsman’s Legacy

Polar Quest

Eternal Journey

Sacrifice

Seeker’s Curse

Footprints

Paradox

The Spirit Banner

Sacred Ground

The Bone Conjurer

Tribal Ways

The Dragon’s Mark

Rogue Angel ™

www.mirabooks.co.uk

…THE ENGLISH COMMANDER TOOK JOAN’S SWORD AND RAISED IT HIGH.

The broadsword, plain and unadorned, gleamed in the firelight. He put the tip against the ground and his foot at the center of the blade. The broadsword shattered, fragments falling into the mud. The crowd surged forward, peasant and soldier, and snatched the shards from the trampled mud. The commander tossed the hilt deep into the crowd.

Smoke almost obscured Joan, but she continued praying till the end, until finally the flames climbed her body and she sagged against the restraints.

Joan of Arc died that fateful day in France, but her legend and sword are reborn…

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Epilogue

Ise Province, Japan

1603

Sengo Muramasa stormed about the room in a fit of rage. The furnishings around him bore silent witness to the strength of his anger; the black lacquer tea table had been smashed repeatedly against the floor until it shattered into pieces. The tatami mats had been ripped to shreds with his bare hands. The paintings on the walls had been torn down and stomped upon until the images they bore were unrecognizable. When one of his servants unwittingly entered the room, Muramasa had beat him to within an inch of his life and left him lying unconscious in one corner of the room.

The old swordsmith barely noticed the injured boy as his thoughts were on the edict that had arrived earlier that morning and the demands it had contained.

He still couldn’t believe it. That bastard Tokugawa Ieyasu had actually gone through with it!

He’d heard rumors about the shogun’s proposed stance for months, but had never actually believed he would put it into effect.

The words of the edict echoed around and around in his head.

All weapons crafted by the swordsmith Muramasa have been deemed illegal and banned from use by direct order of the shogun. Carrying such a weapon is now considered a crime and is punishable by death. Anyone caught possessing, hoarding, or transporting a weapon fashioned by Muramasa faces the same penalty.

He could not let this happen.

Deny his art? Banish his work? Never!

Already the germ of a plan was beginning to form in the back of his mind and he gave it free reign to grow and expand. He had no doubt the shogun’s men would be coming for him, to take his inventory and destroy his forge, to prevent him from creating any new blades. But with winter swiftly approaching, the mountain passes would soon be blocked and it would take months for them to thaw enough to be passable again.

Months he could put to good use.

He had just enough time to produce one final sword—the culmination of his career. He would create a sword to be feared and held in awe in equal measure, a blade to master all other blades, one that would strike terror in the hearts of those against whom it was drawn.

He would call it Juuchi Yosamu—Ten Thousand Cold Nights.

Ignoring the destruction behind him, Muramasa stalked out of the house and across the courtyard to his workshop. His heart was full of feelings of anger and vengeance and Muramasa intended to use them fully.

Entering the forge, he paused a moment to say a prayer at the small Shinto shrine in the corner. The forge was a sacred place and to deny the gods their due would only ensure that his blade would come out weak and brittle. He took the time to ask for blessings and to make the proper offering. When he was finished, he rose and got to work.

Muramasa had been preparing to produce a blade for a customer and so his smelting furnace had already been built. His apprentices had created a thick layer of ash and charcoal as a base and then had surrounded it with carefully made bricks of local clay, until they had a structure that was roughly three feet high with walls nearly one-foot thick. They were ready to begin the smelting process.

The master swordsmith shouted at his apprentices and they came running, eager to begin. Word of the master’s fall from favor had already passed through the household and they were as keen as he was to stand in defiance of the shogun’s order. After all, their livelihoods were at stake, as well—for who would commission a weapon from their hands when it was revealed that they learned the art at Muramasa’s knee? Their futures were at stake, too, and they took to their tasks with all of the energy and attention at their disposal.

For the next three days they stoked the fire, ensuring that it burned at a steady temperature of fifteen hundred degrees. Shovels of iron sand were fed into the mouth of the furnace every thirty minutes—nourishment for the hungry beast—the iron mixing with the carbon and charcoal already in the smelter to create a unique kind of steel. Muramasa watched over the proceedings with an eagle eye, carefully monitoring the molten slag that was vented through the holes at the bottom of the furnace, waiting for just the right consistency and color to appear.

When at last he was satisfied, he ordered his apprentices to tear down the walls of the furnace, revealing a large mass of molten steel in the center, known as the kera. Roughly six feet long by one foot wide and weighing nearly two tons, the kera was carefully moved by rolling it atop a series of logs to the other side of the workshop where it would be allowed to cool. Once it had, his apprentices would break up the massive block into fist-size fragments that he would personally scrutinize, searching for those that shone with a silvery brightness from the outer edge. The selected pieces would then be hammered flat by his workers, coated with a thin mixture of clay and charcoal to prevent oxidation, and then reheated to thirteen hundred degrees to melt them all together into a single block. After that he would begin the process of forming the blade, hammering the steel and folding it over, again and again and again, making the steel uniform throughout. Eventually he would combine the softer, more flexible core with an outer edge of harder steel, then heat the blade all over again to meld the two layers into one. Later would come the grinding and polishing.