CHARLES CUMMING
A Foreign Country
Harper
An imprint of HarperCollins Publishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First Published by HarperCollins Publishers 2012
Copyright © Charles Cumming 2012
Cover layout design © HarperCollins Publishers Ltd 2015
Cover photographs © Josephine Pugh/Arcangel Images (cityscape); Henry Steadman (foreground and figure, right); SuperStock (bench, seated man); Shutterstock.com(all other images)
A Colder War extract © Charles Cumming 2013
Charles Cumming asserts the moral right to be identified as the author of this work
Extract from The Spirit Level copyright © Seamus Heaney
Published in Great Britain by Faber and Faber 2001
Reproduced by permission of Faber and Faber
Extract from The Go-Between by L.P. Hartley © 1953 Hamish Hamilton reproduced by permission of Penguin Books Ltd
Extract from Ashenden by W. Somerset Maugham © 1928 William Heinemann reproduced by kind permission of A P Watt on behalf of the Royal Literary Fund
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Ebook Edition © March 2012 ISBN: 9780007346448
Version: 2016-05-03
For Carolyn Hanbury
‘There’s just one thing I think you ought to know before you take on this job … If you do well you’ll get no thanks and if you get into trouble you’ll get no help. Does that suit you?’
‘Perfectly.’
‘Then I’ll wish you good afternoon.’
W. Somerset Maugham, Ashenden
‘The past is a foreign country: they do things differently there.’
L.P. Hartley, The Go-Between
Contents
Cover
Title Page CHARLES CUMMING A Foreign Country
Copyright Copyright Harper An imprint of HarperCollins Publishers 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First Published by HarperCollins Publishers 2012 Copyright © Charles Cumming 2012 Cover layout design © HarperCollins Publishers Ltd 2015 Cover photographs © Josephine Pugh/Arcangel Images (cityscape); Henry Steadman (foreground and figure, right); SuperStock (bench, seated man); Shutterstock.com (all other images) A Colder War extract © Charles Cumming 2013 Charles Cumming asserts the moral right to be identified as the author of this work Extract from The Spirit Level copyright © Seamus Heaney Published in Great Britain by Faber and Faber 2001 Reproduced by permission of Faber and Faber Extract from The Go-Between by L.P. Hartley © 1953 Hamish Hamilton reproduced by permission of Penguin Books Ltd Extract from Ashenden by W. Somerset Maugham © 1928 William Heinemann reproduced by kind permission of A P Watt on behalf of the Royal Literary Fund A catalogue record for this book is available from the British Library This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books. Ebook Edition © March 2012 ISBN: 9780007346448 Version: 2016-05-03
Dedication Dedication For Carolyn Hanbury
Epigraph Epigraph ‘There’s just one thing I think you ought to know before you take on this job … If you do well you’ll get no thanks and if you get into trouble you’ll get no help. Does that suit you?’ ‘Perfectly.’ ‘Then I’ll wish you good afternoon.’ W. Somerset Maugham, Ashenden ‘The past is a foreign country: they do things differently there.’ L.P. Hartley, The Go-Between
Tunisia, 1978 Tunisia, 1978
Chapter 1
The Present Day
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Beaune, Three Weeks Later
Chapter 80
The Background to A Foreign Country
Acknowledgements
Keep Reading …
About the Author
By Charles Cumming
About the Publisher
Tunisia, 1978
Jean-Marc Daumal awoke to the din of the call to prayer and to the sound of his children weeping. It was just after seven o’clock on an airless Tunisian morning. For an instant, as he adjusted his eyes to the sunlight, Daumal was oblivious to the wretchedness of his situation; then the memory of it took him like a shortness of breath. He almost cried out in despair, staring up at the cracked, whitewashed ceiling, a married man of forty-one at the mercy of a broken heart.
Amelia Weldon had been gone for six days. Gone without warning, gone without reason, gone without leaving a note. One moment she had been caring for his children at the villa – preparing their supper, reading them a bedtime story – the next she had disappeared. At dawn on Saturday, Jean-Marc’s wife, Celine, had found the au pair’s bedroom stripped of its belongings, Amelia’s suitcases taken from the cupboard, her photographs and posters removed from the walls.
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