Harper
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First published in Great Britain by HarperCollins Publishers 2016
Copyright © Charles Cumming 2016
Cover layout design © HarperCollins Publishers 2017
Cover photographs © Mark Owen/Trevillion Images (man, right); Tim Robinson/Arcangel Images (man, left and steps); Roy Bishop/Arcangel Images (London scene); Shutterstock.com(shoes)
Charles Cumming asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780007467549
Ebook Edition © June 2016 ISBN: 9780007467532
Version: 2017-03-22
For Julia Wisdom
‘We are, I know not how, somewhat double in ourselves, so that what we believe we disbelieve, and cannot rid ourselves of what we condemn.’
Michel de Montaigne
‘Truth doesn’t always come from truthful men.’
James Salter
Contents
Cover
Title Page
Copyright
Dedication
Epigraph
London
Chapter 1
Five Weeks Later
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Acknowledgements
Read on for an extract from the first book in the Thomas Kell series …
About the Author
By Charles Cumming
About the Publisher
London
Put it all on red. Put it all on black.
Jim Martinelli stacked five thousand pounds of chips into two six-inch piles. He held each of the piles in the tips of his fingers. One of them was fractionally higher than the other, the other slightly crooked at the base. He stared at them. His whole future, the mountain of his debt, just twenty discs of plastic in a casino. Double the money and he could keep Chapman at bay. Lose it and he was finished.
Arms across the baize, a blur of hands as the players around him reached out to place their bets. The suit from Dubai putting single chips on eighteen through thirty-six, the other Arab putting a grand on red. The Chinese tourist to Martinelli’s left put a carpet of blue chips in the upper third, smothering the table with piles of five and six. Big wins for him tonight, big losses. Then he put twenty grand on ten and walked away from the table. Twenty thousand pounds on a one in thirty-five chance. Even in the worst times, in the craziest urges of the last two years, Martinelli had never been stupid enough to do something like that. Perhaps he wasn’t as messed up as he thought. Maybe he still had things under control.
The wheel was spinning. Martinelli stayed out of the play. It didn’t feel right; he wasn’t getting a clear reading on the numbers. The Chinese tourist was hovering near the bar, now almost twenty feet away from the table. Martinelli tried to imagine what it must be like to have so much money that you could afford to blow twenty grand on a single moment of chance. Twenty grand was four months’ salary at the Passport Office, more than half of his debt to Chapman. Two wins in the next two rounds and he would be holding that kind of dough. Then he could cash out, go home, call Chapman. He could start to pay back what he owed.
The croupier was tidying up. Centring chips, straightening piles. In a low, firm voice he said: ‘No further bets, please, gentlemen,’ and turned towards the wheel.
The house always wins , Martinelli told himself. The house always wins …
The ball was beginning to slow. The Chinese tourist was still hovering near the bar, back turned to the play, his little chimney of twenty grand on ten. The ball dropped and began to jump in the channels, the quiet innocent clatter as it popped from box to box. Martinelli laid a private bet with himself. Red. It’s going to be red . He looked down at his pile of chips and wished that he had staked it all.
‘Twenty-seven, red,’ said the croupier, placing the wooden dolly on a low pile of chips in the centre of the baize. Martinelli felt a sting of irritation. He had missed his chance. Across the room, the tourist was returning from the bar, watching the croupier clear away the losing bets, the cheap plastic rustle of thousands of pounds being dragged across the baize and scooped into the tube. There was no expression on his face as the stack on ten was pulled; nothing to indicate loss or sorrow. Washed-out and inscrutable. The face of a gambler.
Martinelli stood up, nodded at the inspector. He left his chips on the table and walked downstairs to the bathroom. They were playing Abba on the sound system, a song that reminded Martinelli of driving long distances with his father as a child. The door of the gents was ajar, paper towels littering the floor. Martinelli scraped them to one side with his foot and checked his reflection in the mirror.
His skin was pallid and gleaming with sweat. In the bright fluorescent light of the bathroom the tiredness under his eyes looked like bruises from a fight. He had worn the same shirt two nights in a row and could see that a thin brown line of dirt had formed inside the collar. He bared his teeth, wondering if a chunk of olive or peanut had been lodged in his gums all night. But there was nothing. Just the pale yellow stains on his front teeth and a sense that his breath was stale. He took out a piece of gum and popped it into his mouth. He was exhausted.
‘All right, Jim? How’s it going for you tonight?’
Martinelli swung around.
‘Kyle.’
It was Chapman. He was standing in the door, looking at a stack of leaflets in a plastic box beside the sink. Advice for gamblers, advice for addicts. Chapman picked one up.
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