Greg Iles - The Devil’s Punchbowl

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The shocking new thriller from the king of southern gothic.When he was a prosecuting attorney Penn Cage sent hardened killers to death row. But it is as mayor of his hometown - Natchez, Mississippi - that Penn will face his most dangerous threat.Urged by old friends to restore the town to its former glory, Penn has ridden into office on a tide of support for change. But in its quest for new jobs and fresh money, Natchez has turned to casino gambling. Five fantastical steamboats float on the river beside the old slave market like props from Gone With the Wind. But one boat isn't like the others. Rumour has it that the Magnolia Queen has found a way to pull the big players from Las Vegas. And with them comes an unquenchable taste for one thing: blood sport, and the dark vices that go with it.When a childhood friend of Penn's who brings him evidence of these crimes is brutally murdered, the full weight of Penn's failure to protect this city hits home. So begins his quest to find the men responsible. But it's a hunt he begins alone, for the local authorities have been corrupted by the money and power of his hidden enemy. With his family's life at stake, Penn realizes his only allies in his one-man war are those bound to him by blood or honour.

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‘Detain anybody who might have seen any part of what happened, whether it seems important to your men or not. And don’t let anyone contaminate that crime scene.’

‘You sound awful sure it’s a murder all of a sudden.’

‘Suicide’s a crime too. Common law, anyway. Is Jewel Washington there?’ Jewel is the county coroner.

‘She just got here.’

‘Good.’ The potential for collateral damage suddenly strikes me. ‘Has anybody told–Have you informed the next of kin?’

‘Not yet. I was kind of thinking you might want to do that.’ When I don’t reply, Logan says, ‘You figured out those initials yet?’

‘I’ve got a bad feeling that I might have. If I’m right, then I agree with you. I’d better do the telling.’

‘Works for me.’

‘Don’t let your men mention his name on the radio.’

‘It may be too late for that. Plus, we got sheriff’s deputies wandering around, and I’ve got no authority over them.’

For the thousandth time I curse the territorial problems caused by overlapping jurisdictions. ‘It’s your crime scene, Don. Don’t let anybody tell you different. And get that tent up over his body. Everybody on that bluff has a cell phone, and somebody’s going to recognize him.’

‘I doubt it. He’s facedown right now, and he’s busted up pretty bad.’

Jesus . ‘I’ll be there in three minutes, and I won’t be driving the speed limit. Let your cruisers know.’

‘Hell, all my guys are down here. Floor it, brother.’

10

The scene atop the bluff where Silver Street joins Broadway looks like Bourbon Street during Mardi Gras. More than two hundred people are milling over the broad expanse of grass and pavement between the fence where Caitlin and I walked a few hours ago and the tavern across Broadway. The buzz of recent tragedy is in the air, and as I shoulder through the crowd, I see that about a third of the people are carrying styrofoam go-cups or beer bottles.

I spent most of the ride from the cemetery trying to decide whether to phone Julia Jessup with news of her husband’s death. No one should get that kind of blow by telephone, but it will be worse if someone else calls her first, someone reveling in the thrill of passing on the ultimate gossip. With so many people near the crime scene, there’s a real danger this could happen before I can get to Julia’s home, but still I wait. I need to see Tim’s body before I talk to his wife. I know what kind of questions survivors ask, and the one at the top of the list is always ‘Did he suffer?’

Silver Street sweeps down at a precipitous arc from Broadway on the bluff to historic Natchez Under-the-Hill and the Mississippi River. I can’t imagine how the horses handled it in the 1840s, when they had to haul freight up from the landing and the slave market. When I was a boy, we used to ride skateboards down this street, taking our lives in our hands every time we descended the half-mile-long hill. Then, as now, there was no stopping place on the narrow road. But tonight, about thirty yards down the hill, the police have placed an aluminum extension ladder against the guardrail to provide restricted access to the concrete drainage ditch that follows the base of the colossal retaining wall built to stabilize the bluffs. This wall runs more than a mile from end to end and is held in place by steel anchors that reach a hundred feet back into the bluff. At some places the wall towers a hundred feet from top to bottom, but here it averages about forty, as Chief Logan estimated on the phone.

Two uniformed cops stand at the head of the ladder. They’re obviously expecting me, because one trots forward and escorts me to the ladder while the other marches up the hill to ward off an inquisitive drunk who has followed me. Mounting the ladder, I climb carefully down into a well of darkness, but at the bottom I see a hazy glow coming from beyond a bend in the wall. The air is thick with the scent of kudzu and backwater, but even with more light I could not see the river. A wall of treetops stands between me and the water, reminding me that I’m walking on an earthen ledge, a shallow step-down only halfway to the bottom of the bluff.

When I round the bend in the wall, two more uniforms confront me, but after shining a SureFire in my face, they wave me through. Thirty yards beyond them, a bubble of artificial light whites out the night. Men in uniforms and street clothes move deliberately through that light, and even from this distance I see the rumpled mess they are orbiting. I feel a rush of vertigo that could have been caused by the ladder climb, but I know better. A man I knew from the age of four is dead, and I am about to look into his empty eyes. I pause to gather myself, then walk forward.

As I get closer, Chief Logan notices me and breaks away from the others. Logan is thin and fit and looks more like an engineer than a cop. Tonight he’s wearing street clothes and carrying a small flashlight, which he aims just in front of his feet. A wise man. I’d hate to know how many venomous snakes are within a hundred feet of me right now.

‘That was quick.’ Logan gives my hand a quick but firm shake. ‘I didn’t want to say any more on the phone, but you’d better steel yourself. It’s bad.’

‘I’ve seen a lot of homicide victims,’ I say with more bravado than I feel. The truth is, I’ve seen a lot more crime-scene photos of victims than victims themselves, though I have seen my share of violent death. But when it’s someone you know, it’s different. Once the insulating barrier of professional detachment is breached, there’s no telling what emotions will come pouring out.

‘Did he have his wallet on him?’ I ask, moving closer to the scene. ‘Is that how you knew who he was?’

‘No sign of his wallet. A patrolmen recognized him. I doubted it at first, the face was so messed up by the fall, but my man seemed sure. Says he played blackjack at Jessup’s table some.’

I’m close enough now to see the dark blood pooled under Tim’s upper body. Turning away from the carnage, I look Logan in the eyes. ‘What made you call me?’

The chief stares straight back at me. ‘Jessup had a cell phone in his back pocket. He landed on his face and hands, so the phone was still working. I took a look at the call log, and the last call he placed before he died was to your cell phone.’

This revelation leaves me speechless. I haven’t spoken to Tim in the past twenty-four hours. But if he called my cell phone, it should have rung. I was standing on one of the highest points in the city.

‘I didn’t get any call from Jessup tonight.’

Logan chews on this for a few seconds. ‘He actually called you four times. Or tried to, anyway. Three times about twelve minutes before he died, and then once in the seconds right before he went over the fence. That’s the best I can figure anyway. Did you have your cell phone on?’

‘Yes.’

Logan doesn’t ask to see my phone. He doesn’t have to. He can easily check my records, and I’m sure he will. To save him the trouble, I call up the log on my Razr. It shows no incoming calls from Jessup. I move to Logan’s side so he can see this information.

‘Were you in a dead spot or something?’ he asks.

‘No.’

‘Huh. I can’t figure it, then. When was the last time you talked to him before today?’

‘I don’t remember,’ I say in an offhand voice. ‘You know how it is. I’ve seen him to say hello in the street, but no real conversation.’

Logan nods, but his eyes are watchful.

‘I’d like to look at his body now, Chief. Do you mind?’ I ask permission because I must. Logan’s allowing this would be purely a courtesy. To help him decide, I add, ‘I want to get to his house and tell his wife as quickly as possible.’

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