Kate Racculia - Tuesday Mooney Wore Black

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You are cordially invited to play a game…Tuesday Mooney loves a puzzle. So when an eccentric billionaire drops dead, leaving behind a fiendish treasure hunt – open to anyone – to his fortune, Tuesday can’t resist.Although she works best alone, she soon finds herself partnering up with best friend Dex (money manager by day, karaoke-terrorist by night) and the mysterious Nathanial Arches, eldest son of a wealthy family who held a long-running feud with the dead man.As the clues are solved, excitement across the city reaches fever pitch – but nothing is as it seems, and the puzzle-within-a-puzzle holds something much darker than a vast fortune at its heart…

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Nathaniel Arches was standing in front of her.

He looked down at her bare feet, gripping the crimson carpet.

“That the secret to surviving this thing?” he asked. “Making fists with your toes?”

“Better than a shower and a hot cup of coffee,” she replied, and balled up her feet.

A wave of noise crashed from the other side of the ballroom. Two bidders were going head-to-head for the New Kids tickets. The auctioneer pattered, Do I hear seventy-five hundred, seventy-five hundred – do I hear EIGHT, eight thousand, eight thousand for the meet-and-greet of a lifetime, the New Kids in their home city, in the great city of Boston – do I hear – I hear EIGHT—

“You should try it,” she said.

“Take off my shoes? But then I won’t be able to make a quick getaway.”

“You’re telling me the Batmobile doesn’t have an extra pair of shoes in the trunk?”

“It doesn’t have a trunk,” he said. “Or cup holders.” He looked down at the tumbler in his hand, half full, brown and neat. “I’ve been meaning to do something about the cup holder situation.”

“But not the trunk.”

“It’s not like I take it to Costco.”

Tuesday laughed. She’d been trying not to, and it came out like a snort.

—do I hear eighty-five – EIGHTY-FIVE, do I hear nine? Nine thousand? To hang tough with the Kids?—

“You’re fun,” he said.

“And you’re very pretty,” she said back, and that made him laugh.

“Fun and a fundraiser.” He leaned against the wall beside her. “How’s that working out for you?”

“I’m not a fundraiser,” she said. “I’m a researcher.”

“What do you research?”

“Prospects. I’m a prospect researcher.”

“Ah, so you research people like me.” He tapped his HELLO MY NAME IS sticker.

“I’ve researched you ,” she said. “Actually, you.”

He brightened. “And what can you tell me?” he said. “About myself, I mean.”

—TEN! I have ten from this gentleman here in the red tie. Yes – oh I can tell, I can tell you’re a fan! But I have to ask, it’s my job: do I hear ten thousand five hundred?—

“That you don’t already know?” Tuesday said.

“Impress me.”

She opened her mental file on Nathaniel Arches. Looked over his tweets. His investments. His vague pronouncements. The rumors. This was her favorite part of the job, a holdover from being the kid whose hand always shot up first with the answer. She loved to prove how much she knew.

She was about to say You don’t know you’re rich – because he clearly didn’t; if her research had a common theme, it was incurious hunger, a dumb desire for more, as though he had no idea he’d already been born with more than most humans will see in six lifetimes—

But Nathaniel Arches turned and opened his eyes at her, wide. She had never seen his eyes before. In all those press photos, his eyes were slitted, protected, too cool. Now they were open, dark, steady. He was looking at her like he was capable of curiosity. Like he was searching for something.

Or someone.

She slid this information, full value yet to be determined, up her sleeve like an ace.

“You don’t know you’re rich,” she said.

“You think I’m rich?”

“You’re a few notches above rich,” she said, turning to stare straight ahead.

“What’s a higher notch than rich?”

“Stupid rich,” she said. “Then filthy rich. It gets fuzzy once you’re over a billion.”

—do I hear eleven! ELEVEN! – Hey – hey, man, you’ve got some competition for biggest New Kid fan over here. You’ve got some competition!—

“What does a billion even mean?” Nathaniel said.

He grinned at her with all his teeth and raised his hand high.

“Fifty thousand!” he shouted.

Every face swung around and pushed them against the wall.

The auctioneer was a cheerfully sweaty guy named Tim. He had gray hair and a red nose and Tuesday had seen him call auctions before, but she had never seen him look like he did now: surprised.

The room held its breath.

“Well!” Tim shouted into his microphone, and the room let go – it exhaled, it hooted, it whistled and shouted. “Sir! Sir! Out of the back corner and into our hearts! You don’t mess around! Do I hear fifty thousand five hundred?” Tim laughed. He turned back to the first competing bidders. “Guys? What do you think?”

Tuesday smiled – cheerfully, professionally – at the room. She saw Dex up front, kneeling on his chair and cackling, open-mouthed.

“You’re nuts,” she said to Nathaniel around her teeth.

“Takes one to know.” Nathaniel smiled back.

“Fifty thousand going once!” said Tim.

“Do you even like the New Kids?” she asked.

“Not really. Do you?”

“Fifty thousand going twice!”

“Not – particularly—”

It happened then: the beginning of everything that would come after.

A dark figure on the edge of Tuesday’s vision stood up at the front of the room not far from where Dex was sitting – in fact, exactly where Dex was sitting, at Dex’s table.

“Sir!” Tim the auctioneer cried. He turned away from Archie and flung his arm toward the figure like he was hurling a Frisbee. The room roared. “I hear fifty thousand five hundred!”

The figure was a tall man with silver hair, wearing a cape – a cape? – a cape! Tuesday peered across the ballroom. The man turned.

“Do I hear fifty-one thousand?”

The man wobbled.

Crowds feel things before they know things. This crowd of investors and developers and venture capitalists, of vice presidents and senior vice presidents, of fundraisers and gift processors and admins and researchers, mostly white, mostly men, mostly straight, rich and not rich and not much in between, but humans, all of them humans, felt it. Felt something . It stilled on nothing more than premonition. It waited for the man in the cape to turn around and face it. It held its tongue.

The man in the cape wobbled again. He blinked. He didn’t act as though he knew where he was. His arms were raised, tense and defensive. A woman in a striking teal gown began to rise beside him, to pull him back to her, to help him. But it was too late.

He screamed. He threw his head back like hell was raining down from the ceiling and covered his head with his arms and screamed and screamed in the otherwise silent ballroom of the Four Seasons Hotel.

His final scream died in an echo. The old man in the cape straightened. He held his hands out, fingers splayed like a magician.

“Gotcha,” he said.

Still nobody moved. Nobody knew what was happening.

The old man’s eyes opened as large as his lids would allow and glittered in shock, as if he’d recognized a friend long lost across the chasm of time.

Then he took two steps and fell down dead.

2

THE OBITUARY

Two days later, Tuesday’s desk phone rang.

The only reason anyone called instead of emailing was because they wanted something they knew they had no business asking for.

She looked at the gray caller-ID square. KURTZ, TRICIA blinked back at her in blocky blue digit-letters. Trish worked on the events team. If Tuesday was remembering correctly, the Auction for Hope – or the Auction to Abandon All Hope, as Dex was calling it – was her baby. She was the organizer, the decider. She was the person who’d had to explain to June, head VP of the development office, that yes, a donor to the hospital, a billionaire and all-around beloved kooky Bostonian, had died, gone tits-up smack in the middle of a BGH fundraising event. And no, there was nothing anyone could have done.

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