Beth Morrey - Saving Missy

Published by HarperCollins Publishers Ltd

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London, SE1 9GF

www.harpercollins.co.uk

First published in the UK by HarperCollins Publishers 2020

Copyright © Beth Morrey

Jacket design by Claire Ward. Illustration © Stefania Infante/Richard Solomon Artists

Beth Morrey asserts the moral right to be identified as the author of this work.

A catalogue copy of this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008334024

Ebook Edition © February 2020 ISBN: 9780008334048

Version: 2019-10-15

To Mum, Dad and Ben – my first oikos

Every heart sings a song, incomplete, until another heart whispers back.

Attributed to Plato

Contents

Cover

Title Page

Copyright

Dedication

Epigraph

PART 1

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

PART 2

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

PART 3

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

PART 4

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Acknowledgements

About the Author

About the Publisher

‘Let your hook always be cast; in the pool where you least expect it …’

Ovid

It was bitterly cold, the day of the fish-stunning. So bitter that I nearly didn’t go to watch. Lying in bed that morning, gazing at the wall since the early hours, I’d never felt more ancient, nor more apathetic. So why, in the end, did I roll over and ease those shrivelled feet of mine into my new sheepskin slippers? A vague curiosity, maybe – one had to clutch on to that last vestige of an enquiring mind, stop it slipping away.

Still in my dressing gown, I shuffled about the kitchen making tea and looking at my emails to see if there were any from Alistair. Well, my son was busy, no doubt, with his fieldwork. Those slippers he bought me for Christmas were cosy in the morning chill. There was a message from my daughter Melanie but it was only to tell me about a documentary she thought I might like. She often mistook her father’s tastes for mine. I ate dry toast and brooded over my last conversation with her and for a second bristles of shame itched at the back of my neck. It felt easier to ignore it, so instead I read the newspapers online and saw that David Bowie had died.

At my age, reading obituaries is a generational hazard, contemporaries dropping off, one by one; each announcement an empty chamber in my own little revolver. For a while I tried to turn a blind eye, as if ignoring death could somehow fob it off. But people kept dying and other people kept writing about it, and some perverse imp obliged me to keep up to date. Bowie’s death upset me more than most, although I never really listened to his music. I did remember him introducing the little animation of The Snowman , but when we watched it with my grandson at Christmas they’d replaced the introduction with something else. So my one recollection of Bowie was him holding a scarf and looking sombre, and for some reason the image was a disturbing one. The unmade bed beckoned, but then Leo’s voice in my head as it so often was, ‘Buck up, Mrs Carmichael! Onwards and upwards!’