Radclyffe Hall - 3 Books To Know Lesbian Literature

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:Lesbian Literature.
– Orlando by Virginia Woolf.
– The Well of Loneliness by Radclyffe Hall.
– Carmilla by Sheridan Le Fanu.Orlando: A Biography is a novel by Virginia Woolf, first published on 11 October 1928. A high-spirited romp inspired by the tumultuous family history of Woolf's lover and close friend the aristocratic poet and novelist Vita Sackville-West, it is arguably one of Woolf's most popular novels: a history of English literature in satiric form. The book describes the adventures of a poet who changes sex from man to woman and lives for centuries, meeting the key figures of English literary history. Considered a feminist classic, the book has been written about extensively by scholars of women's writing and gender and transgender studies.
The Well of Loneliness is a lesbian novel by British author Radclyffe Hall that was first published in 1928 by Jonathan Cape. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose «sexual inversion» (homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as typically suffered by «inverts», with predictably debilitating effects. The novel portrays «inversion» as a natural, God-given state and makes an explicit plea: «Give us also the right to our existence».
Carmilla is an 1872 Gothic novella by Irish author Joseph Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years. First published as a serial in The Dark Blue, the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). The character is a prototypical example of the lesbian vampire, expressing romantic desires toward the protagonist, and is depicted as a trait of antagonism in line with the contemporary views of homosexuality. The story is often anthologized and has been adapted many times in film and other media.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

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'It's about all a fellow can do nowadays,' he said sheepishly, and helped himself to great spoonfuls of strawberry jam. The vision which she had thereupon of this boy (for he was little more) sucking peppermints, for which he had a passion, while the masts snapped and the stars reeled and he roared brief orders to cut this adrift, to heave that overboard, brought the tears to her eyes, tears, she noted, of a finer flavour than any she had cried before: 'I am a woman,' she thought, 'a real woman, at last.' She thanked Bonthrop from the bottom of her heart for having given her this rare and unexpected delight. Had she not been lame in the left foot, she would have sat upon his knee.

'Shel, my darling,' she began again, 'tell me...' and so they talked two hours or more, perhaps about Cape Horn, perhaps not, and really it would profit little to write down what they said, for they knew each other so well that they could say anything, which is tantamount to saying nothing, or saying such stupid, prosy things as how to cook an omelette, or where to buy the best boots in London, things which have no lustre taken from their setting, yet are positively of amazing beauty within it. For it has come about, by the wise economy of nature, that our modern spirit can almost dispense with language; the commonest expressions do, since no expressions do; hence the most ordinary conversation is often the most poetic, and the most poetic is precisely that which cannot be written down. For which reasons we leave a great blank here, which must be taken to indicate that the space is filled to repletion.

After some days more of this kind of talk,

'Orlando, my dearest,' Shel was beginning, when there was a scuffling outside, and Basket the butler entered with the information that there was a couple of Peelers downstairs with a warrant from the Queen.

'Show 'em up,' said Shelmerdine briefly, as if on his own quarter-deck, taking up, by instinct, a stand with his hands behind him in front of the fireplace. Two officers in bottlegreen uniforms with truncheons at their hips then entered the room and stood at attention. Formalities being over, they gave into Orlando's own hands, as their commission was, a legal document of some very impressive sort; judging by the blobs of sealing wax, the ribbons, the oaths, and the signatures, which were all of the highest importance.

Orlando ran her eyes through it and then, using the first finger of her right hand as pointer, read out the following facts as being most germane to the matter.

'The lawsuits are settled,' she read out...'some in my favour, as for example...others not. Turkish marriage annulled (I was ambassador in Constantinople, Shel,' she explained) 'Children pronounced illegitimate, (they said I had three sons by Pepita, a Spanish dancer). So they don't inherit, which is all to the good...Sex? Ah! what about sex? My sex', she read out with some solemnity, 'is pronounced indisputably, and beyond the shadow of a doubt (what I was telling you a moment ago, Shel?), female. The estates which are now desequestrated in perpetuity descend and are tailed and entailed upon the heirs male of my body, or in default of marriage'—but here she grew impatient with this legal verbiage, and said, 'but there won't be any default of marriage, nor of heirs either, so the rest can be taken as read.' Whereupon she appended her own signature beneath Lord Palmerston's and entered from that moment into the undisturbed possession of her titles, her house, and her estate—which was now so much shrunk, for the cost of the lawsuits had been prodigious, that, though she was infinitely noble again, she was also excessively poor.

When the result of the lawsuit was made known (and rumour flew much quicker than the telegraph which has supplanted it), the whole town was filled with rejoicings.

[Horses were put into carriages for the sole purpose of being taken out. Empty barouches and landaus were trundled up and down the High Street incessantly. Addresses were read from the Bull. Replies were made from the Stag. The town was illuminated. Gold caskets were securely sealed in glass cases. Coins were well and duly laid under stones. Hospitals were founded. Rat and Sparrow clubs were inaugurated. Turkish women by the dozen were burnt in effigy in the market-place, together with scores of peasant boys with the label 'I am a base Pretender', lolling from their mouths. The Queen's cream-coloured ponies were soon seen trotting up the avenue with a command to Orlando to dine and sleep at the Castle, that very same night. Her table, as on a previous occasion, was snowed under with invitations from the Countess if R., Lady Q., Lady Palmerston, the Marchioness of P., Mrs W.E. Gladstone and others, beseeching the pleasure of her company, reminding her of ancient alliances between their family and her own, etc.]—all of which is properly enclosed in square brackets, as above, for the good reason that a parenthesis it was without any importance in Orlando's life. She skipped it, to get on with the text. For when the bonfires were blazing in the marketplace, she was in the dark woods with Shelmerdine alone. So fine was the weather that the trees stretched their branches motionless above them, and if a leaf fell, it fell, spotted red and gold, so slowly that one could watch it for half an hour fluttering and falling till it came to rest at last, on Orlando's foot.

'Tell me, Mar,' she would say (and here it must be explained, that when she called him by the first syllable of his first name, she was in a dreamy, amorous, acquiescent mood, domestic, languid a little, as if spiced logs were burning, and it was evening, yet not time to dress, and a thought wet perhaps outside, enough to make the leaves glisten, but a nightingale might be singing even so among the azaleas, two or three dogs barking at distant farms, a cock crowing—all of which the reader should imagine in her voice)—'Tell me, Mar,' she would say, 'about Cape Horn.' Then Shelmerdine would make a little model on the ground of the Cape with twigs and dead leaves and an empty snail shell or two.

'Here's the north,' he would say. 'There's the south. The wind's coming from hereabouts. Now the brig is sailing due west; we've just lowered the top-boom mizzen: and so you see—here, where this bit of grass is, she enters the current which you'll find marked—where's my map and compasses, Bo'sun? Ah! thanks, that'll do, where the snail shell is. The current catches her on the starboard side, so we must rig the jib-boom or we shall be carried to the larboard, which is where that beech leaf is,—for you must understand my dear—' and so he would go on, and she would listen to every word; interpreting them rightly, so as to see, that is to say, without his having to tell her, the phosphorescence on the waves; the icicles clanking in the shrouds; how he went to the top of the mast in a gale; there reflected on the destiny of man; came down again; had a whisky and soda; went on shore; was trapped by a black woman; repented; reasoned it out; read Pascal; determined to write philosophy; bought a monkey; debated the true end of life; decided in favour of Cape Horn, and so on. All this and a thousand other things she understood him to say, and so when she replied, Yes, negresses are seductive, aren't they? he having told her that the supply of biscuits now gave out, he was surprised and delighted to find how well she had taken his meaning.

'Are you positive you aren't a man?' he would ask anxiously, and she would echo,

'Can it be possible you're not a woman?' and then they must put it to the proof without more ado. For each was so surprised at the quickness of the other's sympathy, and it was to each such a revelation that a woman could be as tolerant and free-spoken as a man, and a man as strange and subtle as a woman, that they had to put the matter to the proof at once.

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