Radclyffe Hall - The Well of Loneliness

Radclyffe Hall

e-artnow, 2021

Contact: info@e-artnow.org

EAN: 4064066499389

Commentary COMMENTARY Table of Contents I have read The Well of Loneliness with great interest because—apart from its fine qualities as a novel by a writer of accomplished art—it possesses a notable psychological and sociological significance. So far as I know, it is the first English novel which presents, in a completely faithful and uncompromising form, one particular aspect of sexual life as it exists among us to-day. The relation of certain people—who while different from their fellow human beings, are sometimes of the highest character and the finest aptitudes—to the often hostile society in which they move, presents difficult and still unsolved problems. The poignant situations which thus arise are here set forth so vividly, and yet with such complete absence of offence, that we must place Radclyffe Hall’s book on a high level of distinction. Havelock Ellis

Author’s Note AUTHOR’S NOTE Table of Contents All the characters in this book are purely imaginary, and if the author in any instance has used names that may suggest a reference to living persons, she has done so inadvertently. A motor ambulance unit of British women drivers did very fine service upon the Allied front in France during the later months of the war, but although the unit mentioned in this book, of which Stephen Gordon becomes a member, operates in much the same area, it has never had any existence save in the author’s imagination.

Book One BOOK ONE Table of Contents

Chapter 1 CHAPTER 1 Table of Contents

Chapter 2 CHAPTER 2 Table of Contents

Chapter 3 CHAPTER 3 Table of Contents

Chapter 4 CHAPTER 4 Table of Contents

Chapter 5 CHAPTER 5 Table of Contents

Chapter 6 CHAPTER 6 Table of Contents

Chapter 7 CHAPTER 7 Table of Contents

Chapter 8 CHAPTER 8 Table of Contents

Chapter 9 CHAPTER 9 Table of Contents

Chapter 10 CHAPTER 10 Table of Contents

Chapter 11 CHAPTER 11 Table of Contents

Chapter 12

Chapter 13

Chapter 14

Book Two

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Book Three

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Book Four

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Book Five

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Dedicated to

OUR THREE SELVES

Table of Contents

I have read The Well of Loneliness with great interest because—apart from its fine qualities as a novel by a writer of accomplished art—it possesses a notable psychological and sociological significance. So far as I know, it is the first English novel which presents, in a completely faithful and uncompromising form, one particular aspect of sexual life as it exists among us to-day. The relation of certain people—who while different from their fellow human beings, are sometimes of the highest character and the finest aptitudes—to the often hostile society in which they move, presents difficult and still unsolved problems. The poignant situations which thus arise are here set forth so vividly, and yet with such complete absence of offence, that we must place Radclyffe Hall’s book on a high level of distinction.

Havelock Ellis

Table of Contents

All the characters in this book are purely imaginary, and if the author in any instance has used names that may suggest a reference to living persons, she has done so inadvertently.

A motor ambulance unit of British women drivers did very fine service upon the Allied front in France during the later months of the war, but although the unit mentioned in this book, of which Stephen Gordon becomes a member, operates in much the same area, it has never had any existence save in the author’s imagination.

Table of Contents

Table of Contents

Not very far from Upton-on-Severn—between it, in fact, and the Malvern Hills—stands the country seat of the Gordons of Bramley; well-timbered, well-cottaged, well-fenced and well-watered, having, in this latter respect, a stream that forks in exactly the right position to feed two large lakes in the grounds.

The house itself is of Georgian red brick, with charming circular windows near the roof. It has dignity and pride without ostentation, self-assurance without arrogance, repose without inertia; and a gentle aloofness that, to those who know its spirit, but adds to its value as a home. It is indeed like certain lovely women who, now old, belong to a bygone generation—women who in youth were passionate but seemly; difficult to win but when won, all-fulfilling. They are passing away, but their homesteads remain, and such an homestead is Morton.

To Morton Hall came the Lady Anna Gordon as a bride of just over twenty. She was lovely as only an Irish woman can be, having that in her bearing that betokened quiet pride, having that in her eyes that betokened great longing, having that in her body that betokened happy promise—the archetype of the very perfect woman, whom creating God has found good. Sir Philip had met her away in County Clare—Anna Molloy, the slim virgin thing, all chastity, and his weariness had flown to her bosom as a spent bird will fly to its nest—as indeed such a bird had once flown to her, she told him, taking refuge from the perils of a storm.

Sir Philip was a tall man and exceedingly well-favoured, but his charm lay less in feature than in a certain wide expression, a tolerant expression that might almost be called noble, and in something sad yet gallant in his deep-set hazel eyes. His chin, which was firm, was very slightly cleft, his forehead intellectual, his hair tinged with auburn. His wide-nostrilled nose was indicative of temper, but his lips were well-modelled and sensitive and ardent—they revealed him as a dreamer and a lover.

Twenty-nine when they had married, he had sown no few wild oats, yet Anna’s true instinct made her trust him completely. Her guardian had disliked him, opposing the engagement, but in the end she had had her own way. And as things turned out her choice had been happy, for seldom had two people loved more than they did; they loved with an ardour undiminished by time; as they ripened, so their love ripened with them.

Sir Philip never knew how much he longed for a son until, some ten years after marriage, his wife conceived a child; then he knew that this thing meant complete fulfilment, the fulfilment for which they had both been waiting. When she told him, he could not find words for expression, and must just turn and weep on her shoulder. It never seemed to cross his mind for a moment that Anna might very well give him a daughter; he saw her only as a mother of sons, nor could her warnings disturb him. He christened the unborn infant Stephen, because he admired the pluck of that Saint. He was not a religious man by instinct, being perhaps too much of a student, but he read the Bible for its fine literature, and Stephen had gripped his imagination. Thus he often discussed the future of their child: ‘I think I shall put Stephen down for Harrow,’ or: ‘I’d rather like Stephen to finish off abroad, it widens one’s outlook on life.’