Lord Byron - 3 books to know Juvenalian Satire

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:Juvenalian Satire.
– Don Juan by Lord Byron.
– A Modest Proposal by Jonathan Swift.
– Candide by Voltaire.Juvenalian satire is often to attack individuals, governments and organisations to expose hypocrisy and moral transgressions. For this reason, writers should expect to use stronger doses of irony and sarcasm in this concoction.
Don Juan is a satiric poem by Lord Byron, based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womaniser but as someone easily seduced by women. It is a variation on the epic form. Byron completed 16 cantos, leaving an unfinished 17th canto before his death in 1824. Byron claimed that he had no ideas in his mind as to what would happen in subsequent cantos as he wrote his work.
A Modest Proposal, is a Juvenalian satirical essay written and published anonymously by Jonathan Swift in 1729. The essay suggests that the impoverished Irish might ease their economic troubles by selling their children as food for rich gentlemen and ladies. This satirical hyperbole mocked heartless attitudes towards the poor, as well as British policy toward the Irish in general.
Candide is a French satire first published in 1759 by Voltaire. Candide is characterized by its tone as well as by its erratic, fantastical, and fast-moving plot. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism by his mentor, Professor Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow and painful disillusionment as he witnesses and experiences great hardships in the world.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.

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His only shrine of feelings undefiled.

He was a man of a strange temperament,

Of mild demeanour though of savage mood,

Moderate in all his habits, and content

With temperance in pleasure, as in food,

Quick to perceive, and strong to bear, and meant

For something better, if not wholly good;

His country's wrongs and his despair to save her

Had stung him from a slave to an enslaver.

The love of power, and rapid gain of gold,

The hardness by long habitude produced,

The dangerous life in which he had grown old,

The mercy he had granted oft abused,

The sights he was accustom'd to behold,

The wild seas, and wild men with whom he cruised,

Had cost his enemies a long repentance,

And made him a good friend, but bad acquaintance.

But something of the spirit of old Greece

Flash'd o'er his soul a few heroic rays,

Such as lit onward to the Golden Fleece

His predecessors in the Colchian days;

T is true he had no ardent love for peace—

Alas! his country show'd no path to praise:

Hate to the world and war with every nation

He waged, in vengeance of her degradation.

Still o'er his mind the influence of the clime

Shed its Ionian elegance, which show'd

Its power unconsciously full many a time,—

A taste seen in the choice of his abode,

A love of music and of scenes sublime,

A pleasure in the gentle stream that flow'd

Past him in crystal, and a joy in flowers,

Bedew'd his spirit in his calmer hours.

But whatsoe'er he had of love reposed

On that beloved daughter; she had been

The only thing which kept his heart unclosed

Amidst the savage deeds he had done and seen;

A lonely pure affection unopposed:

There wanted but the loss of this to wean

His feelings from all milk of human kindness,

And turn him like the Cyclops mad with blindness.

The cubless tigress in her jungle raging

Is dreadful to the shepherd and the flock;

The ocean when its yeasty war is waging

Is awful to the vessel near the rock;

But violent things will sooner bear assuaging,

Their fury being spent by its own shock,

Than the stern, single, deep, and wordless ire

Of a strong human heart, and in a sire.

It is a hard although a common case

To find our children running restive—they

In whom our brightest days we would retrace,

Our little selves re-form'd in finer clay,

Just as old age is creeping on apace,

And clouds come o'er the sunset of our day,

They kindly leave us, though not quite alone,

But in good company—the gout or stone.

Yet a fine family is a fine thing

(Provided they don't come in after dinner);

'T is beautiful to see a matron bring

Her children up (if nursing them don't thin her);

Like cherubs round an altar-piece they cling

To the fire-side (a sight to touch a sinner).

A lady with her daughters or her nieces

Shines like a guinea and seven-shilling pieces.

Old Lambro pass'd unseen a private gate,

And stood within his hall at eventide;

Meantime the lady and her lover sate

At wassail in their beauty and their pride:

An ivory inlaid table spread with state

Before them, and fair slaves on every side;

Gems, gold, and silver, form'd the service mostly,

Mother of pearl and coral the less costly.

The dinner made about a hundred dishes;

Lamb and pistachio nuts—in short, all meats,

And saffron soups, and sweetbreads; and the fishes

Were of the finest that e'er flounced in nets,

Drest to a Sybarite's most pamper'd wishes;

The beverage was various sherbets

Of raisin, orange, and pomegranate juice,

Squeezed through the rind, which makes it best for use.

These were ranged round, each in its crystal ewer,

And fruits, and date-bread loaves closed the repast,

And Mocha's berry, from Arabia pure,

In small fine China cups, came in at last;

Gold cups of filigree made to secure

The hand from burning underneath them placed,

Cloves, cinnamon, and saffron too were boil'd

Up with the coffee, which (I think) they spoil'd.

The hangings of the room were tapestry, made

Of velvet panels, each of different hue,

And thick with damask flowers of silk inlaid;

And round them ran a yellow border too;

The upper border, richly wrought, display'd,

Embroider'd delicately o'er with blue,

Soft Persian sentences, in lilac letters,

From poets, or the moralists their betters.

These Oriental writings on the wall,

Quite common in those countries, are a kind

Of monitors adapted to recall,

Like skulls at Memphian banquets, to the mind

The words which shook Belshazzar in his hall,

And took his kingdom from him: You will find,

Though sages may pour out their wisdom's treasure,

There is no sterner moralist than Pleasure.

A beauty at the season's close grown hectic,

A genius who has drunk himself to death,

A rake turn'd methodistic, or Eclectic

(For that 's the name they like to pray beneath)—

But most, an alderman struck apoplectic,

Are things that really take away the breath,—

And show that late hours, wine, and love are able

To do not much less damage than the table.

Haidee and Juan carpeted their feet

On crimson satin, border'd with pale blue;

Their sofa occupied three parts complete

Of the apartment—and appear'd quite new;

The velvet cushions (for a throne more meet)

Were scarlet, from whose glowing centre grew

A sun emboss'd in gold, whose rays of tissue,

Meridian-like, were seen all light to issue.

Crystal and marble, plate and porcelain,

Had done their work of splendour; Indian mats

And Persian carpets, which the heart bled to stain,

Over the floors were spread; gazelles and cats,

And dwarfs and blacks, and such like things, that gain

Their bread as ministers and favourites (that 's

To say, by degradation) mingled there

As plentiful as in a court, or fair.

There was no want of lofty mirrors, and

The tables, most of ebony inlaid

With mother of pearl or ivory, stood at hand,

Or were of tortoise-shell or rare woods made,

Fretted with gold or silver:—by command,

The greater part of these were ready spread

With viands and sherbets in ice—and wine—

Kept for all comers at all hours to dine.

Of all the dresses I select Haidee's:

She wore two jelicks—one was of pale yellow;

Of azure, pink, and white was her chemise—

'Neath which her breast heaved like a little billow;

With buttons form'd of pearls as large as peas,

All gold and crimson shone her jelick's fellow,

And the striped white gauze baracan that bound her,

Like fleecy clouds about the moon, flow'd round her.

One large gold bracelet clasp'd each lovely arm,

Lockless—so pliable from the pure gold

That the hand stretch'd and shut it without harm,

The limb which it adorn'd its only mould;

So beautiful—its very shape would charm;

And, clinging as if loath to lose its hold,

The purest ore enclosed the whitest skin

That e'er by precious metal was held in.

Around, as princess of her father's land,

A like gold bar above her instep roll'd

Announced her rank; twelve rings were on her hand;

Her hair was starr'd with gems; her veil's fine fold

Below her breast was fasten'd with a band

Of lavish pearls, whose worth could scarce be told;

Her orange silk full Turkish trousers furl'd

About the prettiest ankle in the world.

Her hair's long auburn waves down to her heel

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