James Fenimore Cooper - 3 books to know Native American

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Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books.
These carefully selected works can be fiction, non-fiction, historical documents or even biographies.
We will always select for you three great works to instigate your mind, this time the topic is:Native American.
– The Last of the Mohicans by James Fenimore Cooper.
– Ramona by Helen Hunt Jackson .
– Myths Of The Cherokee By James Mooney.The Last of the Mohicans: A Narrative of 1757 is a historical novel written by James Fenimore Cooper in 1826. The novel is set primarily in the upper New York wilderness, detailing the transport of the two daughters of Colonel Munro, Alice and Cora, to a safe destination at Fort William Henry. Among the caravan guarding the women are the frontiersman Natty Bumppo, Major Duncan Heyward, and the Indians Chingachgook and Uncas, the latter two being the novel's title characters. These characters are sometimes seen as a microcosm of the budding American society, particularly with regard to their racial composition.
Ramona is an 1884 American novel written by Helen Hunt Jackson. Set in Southern California after the MexicanAmerican War, it portrays the life of a mixed-race IrishNative American orphan girl, who suffers racial discrimination and hardship. The novel's influence on the culture and image of Southern California was considerable. Its sentimental portrayal of Mexican colonial life contributed to establishing a unique cultural identity for the region. As its publication coincided with the arrival of railroad lines in the region, countless tourists visited who wanted to see the locations of the novel.
Myths of the Cherokee is a compilation of tales from the oral tradition of the Cherokee people. The work is part of a series of ethnographic studies by James Mooney of the native populations of the USA.
This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics

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Major Heyward was mistaken only in suffering his youthful and generous pride to suppress his active watchfulness. The cavalcade had not long passed, before the branches of the bushes that formed the thicket were cautiously moved asunder, and a human visage, as fiercely wild as savage art and unbridled passions could make it, peered out on the retiring footsteps of the travellers. A gleam of exultation shot across the darkly painted lineaments of the inhabitant of the forest, as he traced the route of his intended victims, who rode unconsciously onward; the light and graceful forms of the females waving among the trees, in the curvatures of their path, followed at each bend by the manly figure of Heyward, until, finally, the shapeless person of the singing-master was concealed behind the numberless trunks of trees, that rose, in dark lines, in the intermediate space.

Chapter 3.

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“Before these fields were shorn and tilled,

Full to the brim our rivers flowed;

The melody of waters filled

The fresh and boundless wood;

And torrents dashed, and rivulets played,

And fountains spouted in the shade.”

Bryant.

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картинка 8

Leaving the unsuspecting Heyward and his confiding companions to penetrate still deeper into a forest that contained such treacherous inmates, we must use an author’s privilege, and shift the scene a few miles to the westward of the place where we have last seen them.

On that day, two men were lingering on the banks of a small but rapid stream, within an hour’s journey of the encampment of Webb, like those who awaited the appearance of an absent person, or the approach of some expected event. The vast canopy of woods spread itself to the margin of the river overhanging the water, and shadowing its dark current with a deeper hue. The rays of the sun were beginning to grow less fierce, and the intense heat of the day was lessened, as the cooler vapors of the springs and fountains rose above their leafy beds, and rested in the atmosphere. Still that breathing silence, which marks the drowsy sultriness of an American landscape in July, pervaded the secluded spot, interrupted only by the low voices of the men, the occasional and lazy tap of a woodpecker, the discordant cry of some gaudy jay, or a swelling on the ear, from the dull roar of a distant waterfall.

These feeble and broken sounds were, however, too familiar to the foresters, to draw their attention from the more interesting matter of their dialogue. While one of these loiterers showed the red skin and wild accoutrements of a native of the woods, the other exhibited, through the mask of his rude and nearly savage equipments, the brighter, though sunburnt and long-faded complexion of one who might claim descent from a European parentage. The former was seated on the end of a mossy log, in a posture that permitted him to heighten the effect of his earnest language, by the calm but expressive gestures of an Indian engaged in debate. His body, which was nearly naked, presented a terrific emblem of death, drawn in intermingled colors of white and black. His closely shaved head, on which no other hair than the well known and chivalrous scalping tuft 5 was preserved, was without ornament of any kind, with the exception of a solitary eagle’s plume, that crossed his crown, and depended over the left shoulder. A tomahawk and scalping-knife, of English manufacture, were in his girdle; while a short military rifle, of that sort with which the policy of the whites armed their savage allies, lay carelessly across his bare and sinewy knee. The expanded chest, full formed limbs, and grave countenance of this warrior, would denote that he had reached the vigor of his days, though no symptoms of decay appeared to have yet weakened his manhood.

5 The North American warrior caused the hair to be plucked from his whole body; a small tuft, only, was left on the crown of his head in order that his enemy might avail himself of it, in wrenching off the scalp in the event of his fall. The scalp was the only admissible trophy of victory. Thus, it was deemed more important to obtain the scalp than to kill the man. Some tribes lay great stress on the honor of striking a dead body. These practices have nearly disappeared among the Indians of the Atlantic States.

The frame of the white man, judging by such parts as were not concealed by his clothes, was like that of one who had known hardships and exertion from his earliest youth. His person, though muscular, was rather attenuated than full; but every nerve and muscle appeared strung and indurated by unremitted exposure and toil. He wore a hunting-shirt of forest green, fringed with faded yellow 6 , and a summer cap of skins which had been shorn of their fur. He also bore a knife in a girdle of wampum, like that which confined the scanty garments of the Indian, but no tomahawk. His moccasins were ornamented after the gay fashion of the natives, while the only part of his under-dress which appeared below the hunting-frock, was a pair of buckskin leggings, that laced at the sides, and which were gartered above the knees with the sinews of a deer. A pouch and horn completed his personal accoutrements, though a rifle of great length 7 , which the theory of the more ingenious whites had taught them was the most dangerous of all fire-arms, leaned against a neighboring sapling. The eye of the hunter, or scout, whichever he might be, was small, quick, keen, and restless, roving while he spoke, on every side of him, as if in quest of game, or distrusting the sudden approach of some lurking enemy. Notwithstanding the symptoms of habitual suspicion, his countenance was not only without guile, but at the moment at which he is introduced, it was charged with an expression of sturdy honesty.

6 The hunting-shirt is a picturesque smock frock, being shorter, and ornamented with fringes and tassels. The colors are intended to imitate the hues of the wood with a view to concealment. Many corps of American riflemen have been thus attired; and the dress is one of the most striking of modern times. The hunting-shirt is frequently white.

7 The rifle of the army is short; that of the hunter is always long.

“Even your traditions make the case in my favor, Chingachgook,” he said, speaking in the tongue which was known to all the natives who formerly inhabited the country between the Hudson and the Potomac, and of which we shall give a free translation for the benefit of the reader; endeavoring, at the same time, to preserve some of the peculiarities, both of the individual and of the language. “Your fathers came from the setting sun, crossed the big river, 8 fought the people of the country, and took the land; and mine came from the red sky of the morning, over the salt lake, and did their work much after the fashion that had been set them by yours; then let God judge the matter between us, and friends spare their words!”

8 The Mississippi. The scout alludes to a tradition which is very popular among the tribes of the Atlantic States. Evidence of their Asiatic origin is deduced from the circumstances, though great uncertainty hangs over the whole history of the Indians.

“My fathers fought with the naked redmen!” returned the Indian sternly, in the same language. “Is there no difference, Hawkeye, between the stone-headed arrow of the warrior, and the leaden bullet with which you kill?”

“There is reason in an Indian, though nature has made him with a red skin!” said the white man, shaking his head like one on whom such an appeal to his justice was not thrown away. For a moment he appeared to be conscious of having the worst of the argument, then, rallying again, he answered the objection of his antagonist in the best manner his limited information would allow: “I am no scholar, and I care not who knows it; but judging from what I have seen, at deer chases and squirrel hunts, of the sparks below, I should think a rifle in the hands of their grandfathers was not so dangerous as a hickory bow and a good flint-head might be, if drawn with Indian judgment, and sent by an Indian eye.”

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