Ford Madox Ford - Essential Novelists - Ford Madox Ford

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Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors.
For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Ford Madox Ford wich are Some Do Not… and The Good Soldier.
In his long literary career Ford had fruitful contacts with most of the important writers of the day and is remembered for his generous encouragement of younger writers.
Novels selected for this book:
– Some Do Not…
– The Good Soldier.This is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.

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Then one day, quite suddenly, on her return from a ride at Fort William, Nancy had been sent, with her governess, who had a white face, right down South to that convent school. She had been expecting to go there in two months’ time. Her mother disappeared from her life at that time. A fortnight later Leonora came to the convent and told her that her mother was dead. Perhaps she was. At any rate, I never heard until the very end what became of Mrs Rufford. Leonora never spoke of her.

And then Major Rufford went to India, from which he returned very seldom and only for very short visits; and Nancy lived herself gradually into the life at Branshaw Teleragh. I think that, from that time onwards, she led a very happy life, till the end. There were dogs and horses and old servants and the Forest. And there were Edward and Leonora, who loved her.

I had known her all the time — I mean, that she always came to the Ashburnhams’ at Nauheim for the last fortnight of their stay — and I watched her gradually growing. She was very cheerful with me. She always even kissed me, night and morning, until she was about eighteen. And she would skip about and fetch me things and laugh at my tales of life in Philadelphia. But, beneath her gaiety, I fancy that there lurked some terrors. I remember one day, when she was just eighteen, during one of her father’s rare visits to Europe, we were sitting in the gardens, near the iron-stained fountain. Leonora had one of her headaches and we were waiting for Florence and Edward to come from their baths. You have no idea how beautiful Nancy looked that morning.

We were talking about the desirability of taking tickets in lotteries — of the moral side of it, I mean. She was all in white, and so tall and fragile; and she had only just put her hair up, so that the carriage of her neck had that charming touch of youth and of unfamiliarity. Over her throat there played the reflection from a little pool of water, left by a thunderstorm of the night before, and all the rest of her features were in the diffused and luminous shade of her white parasol. Her dark hair just showed beneath her broad, white hat of pierced, chip straw; her throat was very long and leaned forward, and her eyebrows, arching a little as she laughed at some old-fashionedness in my phraseology, had abandoned their tense line. And there was a little colour in her cheeks and light in her deep blue eyes. And to think that that vivid white thing, that saintly and swanlike being — to think that . . . Why, she was like the sail of a ship, so white and so definite in her movements. And to think that she will never . . . Why, she will never do anything again. I can’t believe it . . .

Anyhow, we were chattering away about the morality of lotteries. And then, suddenly, there came from the arcades behind us the overtones of her father’s unmistakable voice; it was as if a modified foghorn had boomed with a reed inside it. I looked round to catch sight of him. A tall, fair, stiffly upright man of fifty, he was walking away with an Italian baron who had had much to do with the Belgian Congo. They must have been talking about the proper treatment of natives, for I heard him say:

“Oh, hang humanity!”

When I looked again at Nancy her eyes were closed and her face was more pallid than her dress, which had at least some pinkish reflections from the gravel. It was dreadful to see her with her eyes closed like that.

“Oh!” she exclaimed, and her hand that had appeared to be groping, settled for a moment on my arm. “Never speak of it. Promise never to tell my father of it. It brings back those dreadful dreams . . . ” And, when she opened her eyes she looked straight into mine. “The blessed saints,” she said, “you would think they would spare you such things. I don’t believe all the sinning in the world could make one deserve them.”

They say the poor thing was always allowed a light at night, even in her bedroom. . . . And yet, no young girl could more archly and lovingly have played with an adored father. She was always holding him by both coat lapels; cross-questioning him as to how he spent his time; kissing the top of his head. Ah, she was well-bred, if ever anyone was.

The poor, wretched man cringed before her — but she could not have done more to put him at his ease. Perhaps she had had lessons in it at her convent. It was only that peculiar note of his voice, used when he was overbearing or dogmatic, that could unman her — and that was only visible when it came unexpectedly. That was because the bad dreams that the blessed saints allowed her to have for her sins always seemed to her to herald themselves by the booming sound of her father’s voice. It was that sound that had always preceded his entrance for the terrible lunches of her childhood . . . .

I have reported, earlier in this chapter, that Leonora said, during that remainder of their stay at Nauheim, after I had left, it had seemed to her that she was fighting a long duel with unseen weapons against silent adversaries. Nancy, as I have also said, was always trying to go off with Edward alone. That had been her habit for years. And Leonora found it to be her duty to stop that. It was very difficult. Nancy was used to having her own way, and for years she had been used to going off with Edward, ratting, rabbiting, catching salmon down at Fordingbridge, district-visiting of the sort that Edward indulged in, or calling on the tenants. And at Nauheim she and Edward had always gone up to the Casino alone in the evenings — at any rate, whenever Florence did not call for his attendance. It shows the obviously innocent nature of the regard of those two that even Florence had never had any idea of jealousy. Leonora had cultivated the habit of going to bed at ten o’clock.

I don’t know how she managed it, but, for all the time they were at Nauheim, she contrived never to let those two be alone together, except in broad daylight, in very crowded places. If a Protestant had done that it would no doubt have awakened a self-consciousness in the girl. But Catholics, who have always reservations and queer spots of secrecy, can manage these things better. And I dare say that two things made this easier — the death of Florence and the fact that Edward was obviously sickening. He appeared, indeed, to be very ill; his shoulders began to be bowed; there were pockets under his eyes; he had extraordinary moments of inattention.

And Leonora describes herself as watching him as a fierce cat watches an unconscious pigeon in a roadway. In that silent watching, again, I think she was a Catholic — of a people that can think thoughts alien to ours and keep them to themselves. And the thoughts passed through her mind; some of them even got through to Edward with never a word spoken. At first she thought that it might be remorse, or grief, for the death of Florence that was oppressing him. But she watched and watched, and uttered apparently random sentences about Florence before the girl, and she perceived that he had no grief and no remorse. He had not any idea that Florence could have committed suicide without writing at least a tirade to him. The absence of that made him certain that it had been heart disease. For Florence had never undeceived him on that point. She thought it made her seem more romantic.

No, Edward had no remorse. He was able to say to himself that he had treated Florence with gallant attentiveness of the kind that she desired until two hours before her death. Leonora gathered that from the look in his eyes, and from the way he straightened his shoulders over her as she lay in her coffin — from that and a thousand other little things. She would speak suddenly about Florence to the girl and he would not start in the least; he would not even pay attention, but would sit with bloodshot eyes gazing at the tablecloth. He drank a good deal, at that time — a steady soaking of drink every evening till long after they had gone to bed.

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