Mandy Robotham - The Secret Messenger

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The Secret Messenger: краткое содержание, описание и аннотация

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The highly awaited new novel from the internationally bestselling author of The German Midwife (also published as A Woman of War).Venice, 1943 The world is at war, and Stella Jilani is leading a double life. By day she works in the lion’s den as a typist for the Reich; by night, she risks her life as a messenger for the Italian resistance. Against all odds, Stella must impart Nazi secrets, smuggle essential supplies and produce an underground newspaper on her beloved typewriter.But when German commander General Breugal becomes suspicious, it seems he will stop at nothing to find the mole, and Stella knows her future could be in jeopardy.London, 2017 Years later, Luisa Belmont finds a mysterious old typewriter in her attic. Determined to find out who it belonged to, Luisa delves into the past and uncovers a story of fierce love, unimaginable sacrifice and, ultimately, the worst kind of betrayal…Set between German-occupied 1940s Venice and modern-day London, this is a fascinating tale of the bravery of everyday women in the darkest corners of WWII, for readers of The Tattooist of Auschwitz by Heather Morris.Praise for The Secret Messenger:‘Intriguing, pacy and fascinating.’ Suzanne Goldring, author of My Name is Eva‘Unique, emotional and life-affirming.’ Melanie Hudson, author of The Last Letter from Juliet‘Another fantastic page-turner.’ LP Fergusson, author of A Dangerous Act of Kindness‘I felt I was walking alongside Stella over bridges and along canals at every heartstopping moment… Wonderful.’ Molly Green, author of An Orphan’s Wish‘One of the stronger novels that pays homage to the women involved in the movements of resistance.’ Reader review‘Refreshingly different. Even if you think you have read enough war books this year I strongly recommend you read this one.’ Reader review‘If you like WWII stories, this is a must read.’ Reader review‘Marvellous and highly recommended story on a little known aspect of World War II.’ Reader review‘The characters are well thought out, the historical background is vivid and well described, and the plot is gripping.’ Reader review

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It wasn’t until my return home that I struck gold; a chance email launched into cyberspace sparked a reply from the wonderfully named Signor Giulio Bobbo, a historian at IVESER, the Venetian Institute for the History of Resistance and Contemporary Society. His own area of expertise? The Resistance in wartime Venice. It was like manna from heaven.

Thanks to Giulio, his grounding in factual research and the nuggets of priceless detail about real life in wartime Venice, the book began to take shape. At last, I could see a Venice under the cloak of war. The more Giulio and I traded emails, the more my search seemed to run parallel to the quest within the story – it seemed only fitting Giulio’s character should make an appearance, along with Melodie the cat who, by the way, is very real and does indeed love a warm photocopier!

I knew also that I wanted to highlight the role of women in the eventual victory over the Nazis; not only the bravery of undercover agents, but the army of female messengers across Italy – Staffettas – who helped the Allies to victory. It’s hard for us in this day of social media and instant messaging to understand the value of transporting a simple slip of information on foot or by boat, but in those times it was crucial. Life-saving, in fact. Without the thousands of mothers and grandmothers across Europe who risked their own lives by carrying contraband in prams and shopping bags, we might never have seen peace at all. I hope Stella is an embodiment of those women – selfless for those around them.

Once Stella and her city became my backdrop, the next element was easy. Where else is better suited for romance to blossom than a place that hovers amid the constant ripple of water and sits under the most stunning of sunsets? And, of course, my Venice is in there too: the Accademia is my favourite bridge, Campo Santo Stefano among my preferred piazzas to people watch, and there is a small café in the corner opposite the church doorway where I have sat many a time with a good coffee and my notebook, imagining myself as a writer. Oh, and to the side is a very good gelato parlour. You can’t escape it – Venice gets under your skin.

I hope I have paid homage to those who braved the conflict in Venice; there is no such thing as a ‘soft’ war when one person loses a life, one mother a son. Venice lost too. But as with the previous centuries of invasion and plague, it recovered. It remains a jewel. Glittering. And I’ll be back there soon.

Prologue: Clowns Contents Cover Title Page THE SECRET MESSENGER Mandy Robotham Copyright Dedication Author’s note Prologue: Clowns Chapter 1: Grief Chapter 2: The Lion’s Den Chapter 3: Bedding In Chapter 4: Discovery Chapter 5: A New Task Chapter 6: Two Sides of the Coin Chapter 7: New Interest Chapter 8: Finding and Frustration Chapter 9: Drinks with the Enemy Chapter 10: A New Role Chapter 11: Casting Out Chapter 12: Opening Up Chapter 13: Story Time Chapter 14: A Voice from the Lagoon Chapter 15: Love and Fury Chapter 16: A Lull Chapter 17: On Hold Chapter 18: Small Talk Chapter 19: A Detour Chapter 20: Arrival Chapter 21: The City Cauldron Chapter 22: The Seeker Chapter 23: A Fiery Reaction Chapter 24: Across the Lagoon Chapter 25: A New Hope Chapter 26: Revenge Chapter 27: The Bloody Summer Chapter 28: Seeking and Waiting Chapter 29: Sorrow Chapter 30: A Low Ebb of the Tide Chapter 31: Playing Detective Chapter 32: A Parting Chapter 33: In Hiding Chapter 34: The Search for Coffee Chapter 35: Red-Handed Chapter 36: Taking Flight Chapter 37: Age and Enlightenment Chapter 38: After Chapter 39: Completion Chapter 40: The Typewriter Acknowledgements Keep Reading … About the Author By the Same Author About the Publisher

Venice, June 1934

A sudden eruption of noise guided us – one burst after another, pushing up into the air like fireworks on a dark night. We zigzagged through the crowds, my grandfather slicing through the swarm with his broad muscular shoulders – still with a boat-builder’s strength despite his sixty-five years. Reaching the edge of the vast piazza he pulled me by the hand, threading his way to the front of the audience, which was fenced off with a line of black-shirted militia, their backs to the expanse of the square and their stern, fixed faces towards the crowd. Inside the square, lines of Italian troops paraded up and down like ants to a continual brass band pomp of military music.

At seventeen, I was of average height and had to crane my neck to see the object of our attention, along with the rest of the crowd. The imposing, rounded girth of Benito Mussolini was easily spotted – a common figure on the front pages of the fascist-run newspapers. Even from behind, he had the appearance of being smug and overbearing, strutting next to the slightly smaller man walking beside him, distinctive only because of his dark suit rather than a gilded uniform dripping with medals. There was nothing physically remarkable about Mussolini’s revered guest from the distance we were at. I knew who he was, what he represented, but to my young eyes his presence didn’t warrant the thousands of fascist militia flooding Venice over recent days, let alone the crowds mustered to welcome him – some of whom we suspected had been strong-armed into their flag-waving support.

‘Popsa, why have we come here?’

I was perplexed. My grandfather was a confirmed anti-fascist and, though he kept his hatred of Mussolini largely within the family, he had nonetheless been a fierce opponent in the twelve years since ‘Il Duce’ had ruled Italy with his brigade of militarised bully boys. Quietly, at home or in the cafés with his most trusted friends, he raged over the way good Italians were being trodden on, their freedom curtailed, both morally and physically.

He bent to whisper into my ear. ‘Because, my darling Stella, I want you to see with your own eyes the enemy we will face.’

‘An enemy? But isn’t Hitler proposing to be a friend to Italy? An ally?’

‘Not to Italians, my love,’ he whispered again. ‘To good, ordinary people – Venetians like us – he is no friend. Look at him, watch his stealth – know your enemy when the time comes.’ His heavy, lined face set into a frown, and then he painted on a false smile as the militia neared, hoisting their guns to elicit a timely cheer from the crowd.

I peered at the object of their fraudulent praise, dwarfed by Mussolini’s pompous stature. I couldn’t see the distinctive face or the sharp lines of his frankly mocked hairstyle, which had dominated the newspapers in recent days. Yet the way Adolf Hitler moved among the Italian troops in the Piazza San Marco seemed almost reticent, guarded. Was this what we were supposed to be afraid of? Next to Mussolini and his army of bullies, he looked smaller in every way. Why did my big, burly and strong grandfather seem almost fearful?

Looking back on that day, Popsa’s whole demeanour was my first experience of the mask we Venetians – Italians, in fact – needed to adopt over the coming years. Behind the beautiful and glittering facade of Italy’s jewelled city, the veneer of Venice would take on Popsa’s frown, hiding its determination to maintain the real fabric of its people against Hitler and fascism.

But, back then, in my late teens, I wasn’t politicised – I was a young woman enjoying my last days at high school, relishing a summer on the beautiful beaches of the Lido, the late, low sun of endless Venetian days and perhaps the prospect of a fleeting summer romance. It was several years before I appreciated the significance of Hitler’s visit on that warm June day more than five years before war broke out, or the impact of Mussolini’s public fawning to a man who would become the devil to a good part of the world. At the dawn of war, when Italy pledged its military might alongside Hitler, I recall telling my grandfather what I later learned about that day in 1934.

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