Bridget Collins - The Binding

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The Binding: краткое содержание, описание и аннотация

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The most captivating novel of 2019‘Utterly brilliant’ Joanna Cannon ‘Truly spellbinding’ Guardian ‘Pure magic’ Erin Kelly ‘A real treat’ The Times ‘Gorgeous' Stella Duffy ‘Astounding’ Anna MazzolaImagine you could erase your grief. Imagine you could forget your pain. Imagine you could hide a secret. Forever.Emmett Farmer is working in the fields when a letter arrives summoning him to begin an apprenticeship. He will work for a Bookbinder, a vocation that arouses fear, superstition and prejudice – but one neither he nor his parents can afford to refuse.He will learn to hand-craft beautiful volumes, and within each he will capture something unique and extraordinary: a memory. If there’s something you want to forget, he can help. If there’s something you need to erase, he can assist. Your past will be stored safely in a book and you will never remember your secret, however terrible.In a vault under his mentor’s workshop, row upon row of books – and memories – are meticulously stored and recorded.Then one day Emmett makes an astonishing discovery: one of them has his name on it.THE BINDING is an unforgettable, magical novel: a boundary-defying love story and a unique literary event.

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I clutched the shabby sack in my lap and looked away. On the other side of us, under the setting sun, the marshes lay flat and endless: green speckled with bronze and brown, glinting with water. I could smell sodden grass and the day’s warmth evaporating. There was a rank mouldering note under the scent of moisture, and the vast dying sky above us was paler than it should have been. My eyes ached, and my body was a map of stinging scratches from yesterday’s work in the fields. I should have been there now, helping with the harvest, but instead Pa and I were bouncing along this rough, sticky road, in silence. We hadn’t spoken since we set off before dawn, and there was still nothing to say. Words rose in my throat but they burst like marsh-bubbles, leaving nothing on my tongue but a faint taste of rot.

As we jolted along the final stretch of track to where it petered out in the long grass in front of the house I sneaked a look at Pa’s face. The stubble on his chin was salted with white, and his eyes were sunken deeper than they’d been last spring. Everyone had grown older while I was ill; as if I’d woken up and found I’d slept for years.

We drew to a halt. ‘We’re here.’

A shudder went through me: I was either going to vomit or plead with Pa to take me home. I snatched the sack from my lap and jumped down, my knees nearly buckling when my feet hit the ground. There was a well-trodden path through the tufts of the grass to the front door of the house. I’d never been here before, but the off-key jangle of the bell was as familiar as a dream. I waited, so determined not to look back at Pa that the door shimmered and swayed.

‘Emmett.’ It was open, suddenly. For a moment all I took in was a pair of pale brown eyes, so pale the pupils were startlingly black. ‘Welcome.’

I swallowed. She was old – painfully, skeletally old – and white-haired, her face as creased as paper and her lips almost the same colour as her cheeks; but she was as tall as me, and her eyes were as clear as Alta’s. She wore a leather apron, and a shirt and trousers, like a man. The hand that beckoned me inside was thin but muscular, the veins looped across the tendons in blue strings.

‘Seredith,’ she said. ‘Come in.’

I hesitated. It took me two heartbeats to understand that she’d told me her name.

‘Come in.’ She added, looking past me, ‘Thank you, Robert.’

I hadn’t heard Pa get down, but when I turned he was there at my shoulder. He coughed and muttered, ‘We’ll see you soon, Emmett, all right?’

‘Pa—’

He didn’t even glance in my direction. He gave the binder a long helpless look; then he touched his forelock as if he didn’t know what else to do, and strode back to the cart. I started to call out but a gust of wind snatched the words away, and he didn’t turn. I watched him clamber up to his seat and click to the mare.

‘Emmett.’ Her voice dragged me back to her. ‘Come in.’ I could see that she wasn’t used to saying anything three times.

‘Yes.’ I was holding my sack of belongings so tightly my fingers ached. She’d called Pa Robert as if she knew him. I took one step and then another. Now I was over the threshold and in a dark-panelled hall, with a staircase rising in front of me. A tall clock ticked. On the left, there was a half-open door and a glimpse of the kitchen beyond; on the right, another door led to—

My knees went weak, like my hamstrings had been cut. The nausea widened and expanded, chewing on my insides. I was feverish and freezing, struggling to keep my balance as the world spun. I’d been here before – only I hadn’t—

‘Oh, damn it,’ the binder said, and reached out to take hold of me. ‘All right, boy, breathe.’

‘I’m fine,’ I said, and was proud of how distinctly I’d shaped the consonants. Then it all went black.

When I woke, there was sunlight dancing on the ceiling in a billowing net, water-wrinkles that overlapped the narrow rectangle of brightness that spilt between the curtains. The whitewashed walls looked faintly green, like the flesh of an apple, marred here and there with the solid froth of damp. Outside a bird whistled over and over again as if it was calling a name.

The binder’s house. I sat up, my heart suddenly thumping. But there was nothing to be afraid of, not yet; nothing here but myself and the room and the reflected sunshine. I found myself listening for the sounds of animals, the constant restlessness of a farmyard, but all I heard was the bird and the soft rattle of wind in the thatch. The faded curtains billowed and a wider band of light flared across the ceiling. The pillows smelt of lavender.

Last night …

I let my eyes rest on the opposite wall, following the bump and curve of a crack in the plaster. After I’d fainted, all I could remember was shadows and fear. Nightmares. In this clean daylight they seemed a long time ago; but they’d been bad, dragging me over and under the surface of sleep. I’d almost fought clear of them, once or twice, but then the weight of my own limbs had pulled me under again, into a choking black blindness like tar. A faint taste like burnt oil still lingered in the back of my mouth. They hadn’t been as bad as that for days. The draught raised goose-pimples on my skin. Fainting like that, into Seredith’s arms … It must have been the fatigue of the journey, the headache, the sun in my eyes, and the sight of Pa driving away without a backwards glance.

My trousers and shirt were hanging on the back of a single chair. I got up and dragged them on with clumsy fingers, trying not to imagine Seredith undressing me. At least I was still wearing drawers. Apart from the chair and the bed, the room was mostly bare: a chest at the foot of the bed, a table next to the window, and the pale, flapping curtains. There were no pictures, and no looking-glass. I didn’t mind that. At home I’d looked away when I walked past my reflection in the hall. Here I was invisible; here I could be part of the emptiness.

The whole house was quiet. When I walked out on to the landing I could hear the birds calling across the marsh, and the tick of the clock in the hall below, and a dull banging from somewhere else; but underneath it all was a silence so deep the sounds skittered over it like pebbles on ice. The breeze stroked the back of my neck and I caught myself glancing over my shoulder, as if there was someone there. The bare room dipped into gloom for a second as a cloud crossed the sun; then it shone brighter than ever, and the corner of one curtain snapped in the breeze like a flag.

I almost turned and climbed back into bed, like a child. But this house was where I lived, now. I couldn’t stay in my room for the rest of my life.

The stairs creaked under my feet. The banister was polished by years of use, but the dust spun thickly in the sunlight and the whitewashed plaster was bubbling off the wall. Older than our farmhouse, older than our village. How many binders had lived here? And when this binder – Seredith – died … One day, would this house be mine? I walked down the stairs slowly, as if I was afraid they’d give way.

The banging stopped, and I heard footsteps. Seredith opened one of the doors into the hall. ‘Ah, Emmett.’ She didn’t ask me if I’d slept well. ‘Come into the workshop.’

I followed her. Something about the way she’d said my name made me clench my jaw, but she was my master now – no, my mistress, no , my master – and I had to obey her.

At the door of the workshop she paused. For an instant I thought she’d step back to let me go first; but then she strode across the room and bundled something swiftly into a cloth before I could see what it was. ‘Come in, boy.’

I stepped over the doorsill. It was a long, low room, full of morning light from the row of tall windows. Workbenches ran along both sides of the room and between them were other things that I didn’t have names for yet. I took in the battered shine of old wood, the sharp glint of a blade, metal handles dark with grease … but there was too much to look at, and my eyes couldn’t stay on one thing for long. There was a stove at the far end of the room, surrounded by tiles in russet and ochre and green. Above my head papers hung over a wire, rich plain colours interspersed with pages patterned like stone or feathers or leaves. I caught myself reaching up to touch the nearest one: there was something about those vivid kingfisher-blue wings hanging above my head …

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