Debbie Harry - Face It

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‘I was saying things in songs that female singers didn’t really say back then. I wasn’t submissive or begging him to come back, I was kicking his ass, kicking him out, kicking my own ass too. My Blondie character was an inflatable doll but with a dark, provocative, aggressive side. I was playing it up, yet I was very serious.’BRAVE, BEAUTIFUL AND BORN TO BE PUNKDEBBIE HARRY is a musician, actor, activist and the iconic face of New York City cool. As the front-woman of Blondie, she and the band forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life – until now.In an arresting mix of visceral, soulful storytelling and stunning visuals that includes never-before-seen photographs, bespoke illustrations and fan art installations, Face It upends the standard music memoir while delivering a truly prismatic portrait. With all the grit, grime, and glory recounted in intimate detail, Face It recreates the downtown scene of 1970s New York City, where Blondie played alongside the Ramones, Television, Talking Heads, Iggy Pop and David Bowie.Following her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie’s break-up as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights, Face It is a cinematic story of a woman who made her own path, and set the standard for a generation of artists who followed in her footsteps – a memoir as dynamic as its subject.

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Cover Title Page Copyright Dedication Introduction 1. Love Child 2. Pretty Baby, You Look So Heavenly 3. Click Click House Lights 4. Singing to a Silhouette 5. Born to Be Punk 6. Close Calls Curtain Up 7. Liftoff, Payoff 8. Mother Cabrini and the Electric Firestorm 9. Back Track 10. Blame It on Vogue Peekaboo 11. Wrestling and Parts Unknown 12. The Perfect Taste 13. Routines Evidence of Love 14. Obsession/Compulsion 15. Opposable Thumbs Photo and Art Credits Acknowledgments About the Author About the Publisher

Title Page Copyright Dedication Introduction 1 Love Child 2 Pretty Baby You - фото 1 Title Page Copyright Dedication Introduction 1 Love Child 2 Pretty Baby You - фото 2

Title Page Copyright Dedication Introduction 1. Love Child 2. Pretty Baby, You Look So Heavenly 3. Click Click House Lights 4. Singing to a Silhouette 5. Born to Be Punk 6. Close Calls Curtain Up 7. Liftoff, Payoff 8. Mother Cabrini and the Electric Firestorm 9. Back Track 10. Blame It on Vogue Peekaboo 11. Wrestling and Parts Unknown 12. The Perfect Taste 13. Routines Evidence of Love 14. Obsession/Compulsion 15. Opposable Thumbs Photo and Art Credits Acknowledgments About the Author About the Publisher

Brian Aris

Jody Morlock

Copyright Copyright Dedication Introduction 1. Love Child 2. Pretty Baby, You Look So Heavenly 3. Click Click House Lights 4. Singing to a Silhouette 5. Born to Be Punk 6. Close Calls Curtain Up 7. Liftoff, Payoff 8. Mother Cabrini and the Electric Firestorm 9. Back Track 10. Blame It on Vogue Peekaboo 11. Wrestling and Parts Unknown 12. The Perfect Taste 13. Routines Evidence of Love 14. Obsession/Compulsion 15. Opposable Thumbs Photo and Art Credits Acknowledgments About the Author About the Publisher

HarperCollins Publishers 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published by HarperCollins Publishers 2019

FIRST EDITION

© Debbie Harry 2019

Cover layout design by Rob Roth

Cover photograph © Chris Stein; illustration by Jody Morlock

Creative Direction by Rob Roth

A catalogue record of this book is available from the British Library

Debbie Harry asserts the moral right to be identified as the author of this work

HarperCollins Publishers has made every effort to credit the copyright owners of all material used in this book. If your work has not been credited, please contact us so that we may correctly credit your work in future editions

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Find out about HarperCollins and the environment at www.harpercollins.co.uk/green

Source ISBN: 9780008229429

Ebook Edition © October 2019 ISBN: 9780008229450

Version: 2019-09-27

Dedication Dedication Introduction 1. Love Child 2. Pretty Baby, You Look So Heavenly 3. Click Click House Lights 4. Singing to a Silhouette 5. Born to Be Punk 6. Close Calls Curtain Up 7. Liftoff, Payoff 8. Mother Cabrini and the Electric Firestorm 9. Back Track 10. Blame It on Vogue Peekaboo 11. Wrestling and Parts Unknown 12. The Perfect Taste 13. Routines Evidence of Love 14. Obsession/Compulsion 15. Opposable Thumbs Photo and Art Credits Acknowledgments About the Author About the Publisher

DEDICATED TO

THE GIRLS OF THE

UNDERWORLD

Bob Gruen Courtesy of Debbie Harrys personal collection Contents Cover Cover - фото 3

Bob Gruen

Courtesy of Debbie Harrys personal collection Contents Cover Cover Title Page - фото 4

Courtesy of Debbie Harry’s personal collection

Contents

Cover Cover Title Page Copyright Dedication Introduction 1. Love Child 2. Pretty Baby, You Look So Heavenly 3. Click Click House Lights 4. Singing to a Silhouette 5. Born to Be Punk 6. Close Calls Curtain Up 7. Liftoff, Payoff 8. Mother Cabrini and the Electric Firestorm 9. Back Track 10. Blame It on Vogue Peekaboo 11. Wrestling and Parts Unknown 12. The Perfect Taste 13. Routines Evidence of Love 14. Obsession/Compulsion 15. Opposable Thumbs Photo and Art Credits Acknowledgments About the Author About the Publisher

Title Page

Copyright

Dedication

Introduction

1.Love Child

2.Pretty Baby, You Look So Heavenly

3.Click Click

House Lights

4.Singing to a Silhouette

5.Born to Be Punk

6.Close Calls

Curtain Up

7.Liftoff, Payoff

8.Mother Cabrini and the Electric Firestorm

9.Back Track

10.Blame It on Vogue

Peekaboo

11.Wrestling and Parts Unknown

12.The Perfect Taste

13.Routines

Evidence of Love

14.Obsession/Compulsion

15.Opposable Thumbs

Photo and Art Credits

Acknowledgments

About the Author

About the Publisher

Introduction

BY CHRIS STEIN

Courtesy of Debbie Harrys personal collection I dont know if I ever related - фото 5

Courtesy of Debbie Harry’s personal collection

I don’t know if I ever related this story to Debbie . . . or anyone for that matter. In 1969 after traveling around, driving twice cross-country, I was staying with my mom at her apartment in Brooklyn. This was a tumultuous year for me. Psychedelics—and my delayed reaction to my father’s death—caused breaks and disassociations in my already fractured psyche.

In the midst of heightened states, I had a dream that stayed with me. The apartment was on Ocean Avenue, a very long urban boulevard. In the dream, in a scene that referenced The Graduate, I was chasing the Ocean Avenue bus as it pulled away from our big old building. I was pursuing the bus—yet inside it simultaneously. Standing in the bus was a blond girl who said, “I’ll see you in the city.” The bus pulled away and I was left alone on the street . . .

By 1977, Debbie and I were traveling extensively with Blondie. Far and away our most exotic stop was Bangkok, Thailand. The city then wasn’t covered with cement and metal but was fairly bucolic, with parks all around and even dirt roads near our upscale hotel. Everything smelled of jasmine and decay.

Debbie developed a touch of “la tourista” and stayed behind one night in the hotel while the guys from the band and I went to the house of some British expatriate whom we’d met in some bar or other. His old Thai maid prepared a banana cake for us into which she had chopped fifty Thai sticks—the seventies equivalent of modern super-strong “kush” or other intense strains of weed. We’d also just come from a long stretch in Australia, where pot was strictly policed and forbidden at the time. We all got well stoned and somehow led each other back to the hotel.

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