Katharine Kerr - Dawnspell

Once he was strong enough, Maddyn began exploring the old man’s strange home, a small complex of caves and tunnels. Besides the main living quarters, there was another stone room that the herbman had turned into a stable for his horse, Maddyn’s too, and a fine brown mule. The side of that room crumbled away, leading back to a natural cave, where a small spring welled up, then drained away down the side of the hill. Just outside the stable door was the gully that had given Brin Toraedic its name of ‘broken hill’, a long, straight cleft slicing across the summit. The first time he went outside, he found the air cold in spite of the bright sun, and the chill worked in his wound and tormented him. He hurried back inside and decided to take Nevyn’s word for it that winter was well on its way.

Since the herbman had plenty of coin as well as these elaborate living quarters, Maddyn began to wonder if he were an eccentric nobleman who’d simply fled from the civil wars raging across the kingdom. He was far too grateful to ask such an embarrassing question, but scattered across the kingdom were plenty of the noble-born who weaselled any way they could to get out of their obligations to the various gwerbrets claiming to be King of all Deverry. Nevyn had a markedly courtly way about him, gracious at times, brusque at others, as if he were used to being obeyed without question. What’s more, he could read and write, an accomplishment rare for the simple herbman he claimed to be. Maddyn began to find the old man fascinating.

Once every few days, Nevyn took his horse and mule and rode down to the nearby village, where he would buy fresh food and pack in a mule-load of winter supplies: hay and grain for the stock, or cheeses, sausage, dried fruit and suchlike for the pair of them. While he was gone, Maddyn would do some share of the work around the caves, then sleep off his exertion. On a grey morning with a sharp wind, Nevyn mentioned that he’d be gone longer than usual, because one of the village women needed his healing herbs. After the old man had left, Maddyn swept the stable refuse into the gully, then went back for a rest before he raked it out on to the hillside. He laid a bit more wood on the hearth, then sat down close by to drive the chill from his wound.

For the first time since the battle, he felt too strong to sleep, and his neglected harp called him reproachfully. When he took her out of her leather bag, the lax strings sighed at him. On a harp that size, there were only thirty-six strings, but in his weakened state, tuning her seemed to take him for ever. He struck out the main note from his steel tuning bar, then worked over the strings, adjusting the tiny ivory pegs while he sang out the intervals, until sweat ran down his face. This sign of weakness only drove him on until at last the harp was in reasonable tune, but he had to rest for a few minutes before he could play it. He ran a few trills, struck a few chords, and the music seemed to give him a small bit of his strength back as it echoed through the huge stone-walled room. The very size of the place added an eerie overtone to every note he played.

Suddenly, at his shoulder, he felt the White Lady, his agwen, she who came to every bard who had true song in him. As she gathered, he felt the familiar chill down his back, the stirring of hair at the nape of his neck. For all that he called himself a gerthddyn, her presence and the inspiration she gave him was the sign that the kingdom had lost a true bard when Maddyn had pledged for a rider. Although his voice was weak and stiff that morning, he sang for his agwen, a long ballad, bits of lyric, whatever came to his mind, and the music soothed his wound as well as a healing poultice.

All at once, he knew that he wasn’t alone. When he looked up, expecting to see Nevyn in the doorway, no one was indeed there. When he glanced around, he saw nothing but fire-thrown shadows. Yet every time he struck a chord, he felt an audience listening to him. The hair on the back of his neck pricked like a cat’s when he remembered Nevyn’s talk of spirits. You’re daft, he told himself sharply; there’s naught here. But he had performed too many times to believe himself. He knew the intangible difference between singing to empty air and playing to an attentive hall. When he sang two verses of a ballad, he felt them, whoever they were, leaning forward to catch every word. When he stopped and set the harp down, he sensed their disappointment.

‘Well, here, now. You can’t be such bad sorts, if you like a good song.’

He thought he heard someone giggle behind him, but when he turned, there was nothing there but the wall. He got up and walked slowly and cautiously around the room, looked into every corner and crack – and saw nothing. Just as he sat down again, someone else giggled – this time he heard it plainly – like a tiny child who’s just played a successful prank. Maddyn grabbed his harp only with the somewhat fuddled thought of keeping it safe, but when he felt his invisible audience crowd round him in anticipation, he was too much of a bard to turn down any listeners, even incorporeal ones. When he struck the strings, he was sure he heard them give a little sigh of pleasure. Just because it was the first thing that came to mind, he sang through the fifty chained stanzas that told of King Bran’s sea-voyage to Deverry, and of the magical mist that swept him and his fleet away at the end. By the time the enchanted ships were safe in the long-lost, mysterious harbour in the far north, Maddyn was exhausted.

‘My apologies, but I’ve got to stop now.’

A sigh sounded in regret. Someone touched his hair with a gentle stroke, like a pat on a dog; someone plucked at his sleeve with skinny-feeling fingers. The fire blazed up in the hearth; a draught of preternaturally cold air swirled around him. Maddyn shuddered and stood up, but little hands grabbed his brigga-leg. The harp-strings sounded in a random run down as someone tried them out. The very shadows came alive, eddying and swirling in every corner. Fingers were touching his face, stroking his arm, pinching his clothes, pulling his hair, while the harp-strings rang and strummed in an ugly belling.

‘Stop that, all of you!’ Nevyn yelled from the door. ‘That’s a wretched discourteous way to treat our guest!’

The little fingers disappeared. The fire fell low, as if in embarrassment. Maddyn felt like weeping in relief as the herbman strode in, carrying a pair of saddlebags.

‘Truly, it was a nasty way to behave,’ Nevyn went on, addressing the seemingly empty air. ‘If you do that again, then Maddyn won’t ever play his harp for you.’

The room went empty of presences. Nevyn tossed the saddlebags down on the table and gave Maddyn a grin. With shaking hands, Maddyn set his harp down and wiped the sweat from his face on his sleeve.

‘I should have warned you about that. They love music. My apologies, lad.’

Maddyn tried to speak, failed, and sat down heavily on the bench. Behind him, a harp-string twanged. Nevyn scowled at the air beside it.

‘I said stop it!’

A little puff of wind swept away.

‘Aren’t you going to ask me a few questions, Maddyn lad?’

‘To tell you the truth, I’m afraid to.’

The old man laughed under his breath.

‘Well, I’ll answer anyway, questions or no. Those were what men call the Wildfolk. They’re like ill-trained children or puppies, all curiosity, no sense or manners. Unfortunately, they can hurt us mortal folk without even meaning to do so.’

‘I gathered that, sure enough.’ As he looked at his benefactor, Maddyn realized a truth he’d been avoiding for days now. ‘Sir, you must have dweomer.’

‘I do. How does that strike you?’

‘Like a blow. I never thought there was any such thing outside my own ballads and tales.’