Katharine Kerr - A Time of Justice

A Time of Justice

Voyager

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London SE1 9GF

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First published in Great Britain by HarperCollins Publishers 1995

Copyright © Katharine Kerr 1995

Cover design and illustration by Micaela Alcaino © HarperCollins Publishers Ltd 2019

Katharine Kerr asserts the moral right to be identified as the author of this work

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or here in after invented, without the express written permission of HarperCollins e-books.

HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9780006478591

Ebook Edition © JULY 2014 ISBN: 9780007395552

Version: 2019-10-08

Cover

Title Page KATHARINE KERR A Time of Justice

Copyright Copyright Copyright A Note on the Pronunciation of Deverry Words Maps I Prologue – Albus II Past – Conjunctio III Present, Rising – Fortuna Minor IV Present, Falling – Tristitia V Future – Cauda Draconis VI Epilogue – Populus Keep Reading Glossary Acknowledgments About the Author Also by the Author About the Publisher Voyager An Imprint of HarperCollins Publishers 1 London Bridge Street, London SE1 9GF www.harpercollins.co.uk First published in Great Britain by HarperCollins Publishers 1995 Copyright © Katharine Kerr 1995 Cover design and illustration by Micaela Alcaino © HarperCollins Publishers Ltd 2019 Katharine Kerr asserts the moral right to be identified as the author of this work All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or here in after invented, without the express written permission of HarperCollins e-books. HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication. Source ISBN: 9780006478591 Ebook Edition © JULY 2014 ISBN: 9780007395552 Version: 2019-10-08

A Note on the Pronunciation of Deverry Words

Maps

I Prologue – Albus

II Past – Conjunctio

III Present, Rising – Fortuna Minor

IV Present, Falling – Tristitia

V Future – Cauda Draconis

VI Epilogue – Populus

Keep Reading

Glossary

Acknowledgments

About the Author

Also by the Author

About the Publisher

The language spoken in Deverry, which we might well call Neo-Gaulish, is a member of the P-Celtic family. Although closely related to Welsh, Cornish, and Breton, it is by no means identical to any of these actual languages and should never be taken as such.

Vowels are divided by Deverry scribes into two classes: noble and common. Nobles have two pronunciations; commons, one.

A as in father when long; a shorter version of the same sound, as in far , when short.

O as in bone when long; as in pot when short.

W as the oo in spook when long; as in roof when short.

Y as the i in machine when long; as the e in butter when short.

E as in pen.

I as in pin.

U as in pun.

Vowels are generally long in stressed syllables; short in unstressed. Y is the primary exception to this rule. When it appears as the last letter of a word, it is always long whether that syllable is stressed or not.

Diphthongs generally have one consistent pronunciation.

AE as the a in mane.

AI as in aisle.

AU as the ow in how.

EO as a combination of eh and oh.

EW as in Welsh, a combination of eh and oo.

IE as in pier.

OE as the oy in boy.

UI as the North Welsh wy , a combination of oo and ee.

Note that OI is never a diphthong, but is two distinct sounds, as in carnoic (KAR-noh-ik).

Consonants are mostly the same as in English, with these exceptions:

C is always hard as in cat.

G is always hard as in get.

DD is the voiced th as in thin or breathe , but the voicing is more pronounced than in English. It is opposed to TH , the unvoiced sound as in th or breath. (This is the sound that the Greeks called the Celtic tau.)

R is heavily rolled.

RH is a voiceless R, approximately pronounced as if it were spelled hr in Deverry proper. In Eldidd, the sound is fast becoming indistinguishable from R.

DW, GW, and TW are single sounds, as in Gwendolen or twit.

Y is never a consonant.

I before a vowel at the beginning of a word is consonantal, as it is in the plural ending -ion , pronounced yawn.

Doubled consonants are both sounded clearly, unlike in English. Note, however, that DD is a single letter , not a doubled consonant.

Accent is generally on the penultimate syllable, but compound words and place names are often an exception to this rule.

I have used this system of transcription for the Bardekian, Dwarvish, and Elvish alphabets as well as the Deverrian, which is, of course, based upon the Greek rather than the Roman model. As faithful readers of this series know, my decision to use this simple approach rather than the full scholarly apparatus developed at the University of Aberwyn has been roundly attacked of late in the academic press. Such readers will be glad to hear that the lawsuit against those attackers, in particular a certain Elvish professor of Elvish, filed on my behalf by my publishers, is proceeding nicely through the courts in Aberwyn, where in due time it will reach the gwerbret’s malover and be resolved, once and for all, and in our favour, or so I may hope.