Luan Goldie - Nightingale Point

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Nightingale Point: краткое содержание, описание и аннотация

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THE DEBUT NOVEL FROM THE COSTA SHORT STORY AWARD WINNERA BBC RADIO 2 BOOK CLUB PICK‘A sharp, funny, wonderful writer’ Diana Evans, bestselling author of Ordinary People‘Compelling…finely crafted, compassionate’ Guardian‘A warm, confident writer with the lightest of touches’ Observer‘Pacey and powerful’ Mail on Sunday‘The type of story that will stay with you long after you’ve read the last page’ Closer‘Brilliant…touches on race, mental health and community in a fresh way’ Good Housekeeping‘Costa prize-winning author Goldie compassionately explores the ways her characters’ lives are changed, and how they live with the aftermath.’ The Daily Mail ‘A story of hope, a cheer to the strength and importance of community and resilience. Beautiful, assured and sincere’ Platinum magazine* * * * *On an ordinary Saturday morning in 1996, the residents of Nightingale Point wake up to their normal lives and worries.Mary has a secret life that no one knows about, not even Malachi and Tristan, the brothers she vowed to look after. Malachi had to grow up too quickly. Between looking after Tristan and nursing a broken heart, he feels older than his twenty-one years. Tristan wishes Malachi would stop pining for Pamela. No wonder he's falling in with the wrong crowd, without Malachi to keep him straight. Elvis is trying hard to remember to the instructions his care worker gave him, but sometimes he gets confused and forgets things. Pamela wants to run back to Malachi but her overprotective father has locked her in and there's no way out.It's a day like any other, until something extraordinary happens. When the sun sets, Nightingale Point is irrevocably changed and somehow, through the darkness, the residents must find a way back to lightness, and back to each other.* * * * * What early readers are saying about Nightingale Point:‘ABSOLUTELY FANTASTIC BOOK!!!! I have been gripped’‘A beautiful and heartbreaking story about working-class people and their lives both before and after tragedy’‘I couldn’t put it down…a beautiful story of staying strong when it matters most’‘A triumphant debut…This book pops, fizzes and sparkles to life’

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‘Can I have a biscuit?’ he asks again.

‘I’m on the phone, leave me in peace.’ She tuts then returns to her call. ‘But look, yeah, I’m coming to the fair later. Soon as I’m done with the dumb giant here I’ll be down … I’ll get it; pay me later.’ Lina slides the rest of the money from the ceramic boat into her pocket.

Elvis pictures the laminated sheet of Golden Rules that hangs in his bedroom. Rule Number One: Do not let strangers into your flat. Rule Number Two: Do not let anybody touch your private swimming costume parts. Rule Number Three: Do not let anyone take your things. Lina is breaking one of the Golden Rules. Elvis must call George and report her immediately.

Lina picks up the laminated sheet of phone numbers and uses it to fan herself. It makes her pink fringe flap up and down, and Elvis wants to watch it but he also knows that he must report her rule break. George once told him that if he could not get to the house phone and it was an emergency, he could go outside to the phone box to make a call. The phone box, on the other side of the little field in front of the estate, is the second emergency phone. Elvis must now go there. He leaves the living room and slips on his sandals at the door. Jesus sandals , Lina calls them, but Elvis does not think Jesus would have worn such stylish footwear in the olden days. He opens the front door gently, quietly enough that Lina will not hear. Then, and only because he knows he is allowed to leave the flat to use the second phone for when he cannot use the first phone, Elvis steps out of flat thirty-seven and heads into the hallway of the tenth floor.

CHAPTER TWO

Chapter Two , Mary

Ever since Mary woke up she has been feeling uneasy. And as the mother of two, grandmother of four, nurse of thirty-three years and wife to a fame-chasing husband, Mary knows what uneasy feels like. Her elbow has been twitching and she can’t shake the feeling that something is wrong. Something is coming.

She opens the pink plastic banana clip and allows her long greying hair to fall about her shoulders. Everything is cooked and cooling but she now needs something else to occupy her mind, to stop herself from worrying.

She covers the last plate – vegetable spring rolls – and stands within the tiny space of bulging cupboards and greasy appliances as she looks for a place to lay them. The worktops are already loaded with plates of food; each one gives off a different fried smell from under sweating pieces of kitchen roll.

‘Ah, too small, too small,’ she mutters. But no one could accuse Mary of failing to make the best use of her space. In each corner of the lino two-litre bottles of Coke are stacked like bowling pins; on tops of cupboards tins upon tins are stashed, heading slowly towards their expiry date; and on a small shelf above the fridge sits no less than seven boxes of brightly branded breakfast cereals. She buys them for her grandbabies. Though after a long shift on the ward she loves nothing more than to peel off her tights and eat two bowls of Frosties while lying on the sofa listening to The Hour of Inspiration on Filipino radio. Mary shuffles around some things, swears to finally get rid of the dusty sandwich maker and to stop buying five-kilo bags of long grain rice.

Her elbow. Twitch twitch twitch.

‘Stupid old woman,’ she mumbles. She knows she is being ridiculous, worrying too much about everything and nothing. She makes a mental list of her worries and tries to remember what the doctor on The Oprah Winfrey Show said to do with them.

‘You think of a worry, you cross the street,’ she says as she pictures the studio audience of determined, applauding, crying American women.

Mary thinks of each worry: talk that teenagers are gathering in the swing park at night to watch dogs fight; the cockroaches that continuously plague her kitchen; the smell of gas that sometimes lingers on the ninth floor; the woman from the top floor who was robbed of her shopping money last week as she got in the lift. It’s a long list.

‘Cross the street, cross the street.’ Mary waves her arms as she imagines each worry float off behind her. But then larger worries, those that are more likely to happen, these are things she can’t dismiss as easily, namely the imminent arrival of her estranged husband, David. Fifteen months he had been gone and then a call from Manila Aquino Airport two days ago: ‘My love, I am coming home, but I am on standby. You know what these airlines are like: locals back of the queue.’ She has heard this from him before, claims of him booking a ticket, being at the airport, getting on the next flight. Even once a call to say he had been diverted to Birmingham and would arrive the next day. She had wrung her fingers with anxiety for almost a week until he finally landed on her doorstep – their doorstep – with an excuse she now struggles to remember. For David, there is always some excuse, some distraction, some offer of money he can’t turn down. Whenever he is due to return home the world is full of people desperate for a poor Johnny Cash tribute act. Or maybe he is with one of his many floozies. Mary has never gotten over her own brother’s accusation that David had ‘a floozy waiting at the side of each stage’.

‘Cross the street,’ she says more weakly as she pictures David’s travel-weary face, greasy rise of hair and fake Louis Vuitton suitcase. ‘Cross the street.’ She cringes as she imagines David pulling her in for an obligatory married couple kiss. ‘Cross the street.’

‘Talking to yourself again, Mary?’ Malachi waves a hand as he enters the kitchen.

She felt bad for pulling him away from his studies, but also pleased for an excuse to check in on him and his younger brother Tristan. When had she turned into such a meddling old woman?

‘I’ve fixed the TV,’ Malachi says.

Mary takes the two small steps needed to cross the kitchen and throws her arms around his middle.

‘It wasn’t even broken.’ He shakes free from her arms and wipes the small beads of sweat on his dark brown skin. ‘Your aerial was unplugged. Tell the kids to stop playing behind the TV.’

Mary nods, knowing she will never tell her grandbabies any such thing – those perfect little girls would have to throw the TV out of the window before she dare aim a cross word at them. Each time they come to stay they leave her exhausted, and the small flat trashed, yet she can’t wait till they come again.

‘Why don’t you open a window in here? It’s twenty-four degrees already.’ Malachi leans over the sink and pushes on the condensation-streaked glass. It screeches loudly as it gives way, allowing the heat from outside to do battle with the steam from Mary’s cooking.

‘I have the vent on, see.’ She indicates the tiny, spinning, dust-covered fan. ‘You look tired,’ she says gently, keen not to nag the boy. ‘Too much study, study, study.’

He looks up at the window and undoes the top button on his shirt. Mary does not like the way he has taken to wearing collarless shirts; she watches MTV sometimes, and knows this is not a fashion among young people. She notices too, as he goes under the sink, that his trousers – muted green cotton with a sharp crease down the middle – are for a much older man.

‘What you looking for?’ she asks as he rummages around her collection of multi-buy discount cleaning products, fifty pack of sponges and long abandoned, but not yet disposed of, cutlery holders and soap dishes.

‘You need to oil your window.’ He twists the nozzle on a rusty can of WD-40.

‘Don’t worry about my window.’

He stops and looks down at her. His almond-shaped eyes search for something.

‘What?’ She touches her face, wondering if a stray Rice Krispie is stuck on her cheek.

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