Luan Goldie - Nightingale Point

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Nightingale Point: краткое содержание, описание и аннотация

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THE DEBUT NOVEL FROM THE COSTA SHORT STORY AWARD WINNERA BBC RADIO 2 BOOK CLUB PICK‘A sharp, funny, wonderful writer’ Diana Evans, bestselling author of Ordinary People‘Compelling…finely crafted, compassionate’ Guardian‘A warm, confident writer with the lightest of touches’ Observer‘Pacey and powerful’ Mail on Sunday‘The type of story that will stay with you long after you’ve read the last page’ Closer‘Brilliant…touches on race, mental health and community in a fresh way’ Good Housekeeping‘Costa prize-winning author Goldie compassionately explores the ways her characters’ lives are changed, and how they live with the aftermath.’ The Daily Mail ‘A story of hope, a cheer to the strength and importance of community and resilience. Beautiful, assured and sincere’ Platinum magazine* * * * *On an ordinary Saturday morning in 1996, the residents of Nightingale Point wake up to their normal lives and worries.Mary has a secret life that no one knows about, not even Malachi and Tristan, the brothers she vowed to look after. Malachi had to grow up too quickly. Between looking after Tristan and nursing a broken heart, he feels older than his twenty-one years. Tristan wishes Malachi would stop pining for Pamela. No wonder he's falling in with the wrong crowd, without Malachi to keep him straight. Elvis is trying hard to remember to the instructions his care worker gave him, but sometimes he gets confused and forgets things. Pamela wants to run back to Malachi but her overprotective father has locked her in and there's no way out.It's a day like any other, until something extraordinary happens. When the sun sets, Nightingale Point is irrevocably changed and somehow, through the darkness, the residents must find a way back to lightness, and back to each other.* * * * * What early readers are saying about Nightingale Point:‘ABSOLUTELY FANTASTIC BOOK!!!! I have been gripped’‘A beautiful and heartbreaking story about working-class people and their lives both before and after tragedy’‘I couldn’t put it down…a beautiful story of staying strong when it matters most’‘A triumphant debut…This book pops, fizzes and sparkles to life’

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The caretaker cups his ear at her. ‘What’s that, dear?’

‘The lifts,’ she says.

He fills his travel kettle and shrugs. ‘I’ve logged a call but it’s bank holiday, innit.’

Lina pushes on the heavy door to the stairwell and sighs as she looks at the first of ten flights of stairs. ‘By the way,’ she calls back at the caretaker, ‘I think there’s kids on the roof again.’

Pamela loves being on the roof, for the solitude, for the freedom, and for the small possibility that she might spot, walking across the field below, Malachi. She has to see him today and they have to talk. Today’s the day; it has to be.

At the foot of the block the caretaker tips a kettle of water over a dark splodge on the floor and gets his mop out. Just another mess to clean up at Nightingale Point.

CHAPTER ONE

Chapter One , Elvis

Elvis hates to leave his flat, as it is so full of perfect things. Like the sparkly grey lino in the bathroom, the television, and the laminated pictures tacked up everywhere reminding him how to lock the door securely and use the grill.

‘Elvis?’ Lina calls. ‘You want curried chicken or steak and kidney?’

Elvis does not answer; he is too busy hiding behind the sliding door that separates the kitchen and living room, watching Lina unpack the Weetabix, bread and strawberry jam. She unscrews the jar and puts one of her fingers inside, which is a bad thing to do because of germs, but Elvis understands because strawberry jam can be so tasty.

This is the nineteenth day of Lina being Elvis’s nurse. He knows this as he marked her first day on the calendar with a big smiley face. There are fourteen smiley faces on the calendar and five sad faces because this is when Lina was late.

She puts the jar of jam in the cupboard and returns to the shopping bags, taking out a net of oranges. Elvis hates oranges; they are sticky and smelly. He had asked for tomatoes but Lina said that tomatoes are an ingredient not a snack and that oranges are full of the kind of vitamins Elvis needed to make his brain work better and stop him from being a pest.

Lina’s face disappears behind a cupboard door and Elvis watches as her pink coloured nails rap on the outside. He likes Lina’s shiny pink nails, especially when her hair is pink too.

‘Elllviiiis?’ she sings.

He puts a big hand over his mouth to muffle the laughter, but then sees Lina has removed the red tin from the shopping bag – the curried chicken pie. He gasps as he realises he wants steak and kidney.

‘Bloody hell!’ She jumps and raises the tinned pie above her head, as if ready to throw it. ‘What the hell you doing? You spying on me?’

‘No, no, no.’

‘Elvis, why are you wearing a sweatshirt? It’s too hot for that.’ She slams the tin down on the counter.

‘Steak and kidney pie,’ he tells her. ‘I want steak and kidney pie. It’s the blue tin.’

‘Yeah, all right, all right.’

‘Can I have two?’ he tries, knowing his food has been limited. He is unsure why.

‘No, Elvis, that’s greedy. Now go. Get changed. You’re sweating.’

‘Get changed into what?’ he asks.

‘A T-shirt, Elvis. It’s bloody baking out; go put on a T-shirt.’

Elvis goes through to his bedroom and removes his sweatshirt. He stands for a moment and looks over his round belly in the mirror, moisture glistening among the curly ginger hairs that cover his whole front. When he takes off his glasses his reflection looks watery, like one of his dreams. He then pulls on his favourite new T-shirt, which is bright blue and has a picture of the King on it. It also has the words The King in gold swirly writing. He smiles at himself before going to the living room to sit on his new squashy sofa.

Elvis listens carefully to the steps Lina takes to make the pie: the flick of the ignition, the slam of a pot on the gas ring. Then, the sound he likes best, the click of her pearly plastic nails on the worktops. He loves all the flavours the tinned pies come in and he likes the curried chicken pie most days, but today he really does want steak and kidney.

‘Right, master, your pie is on the boil,’ Lina says as she walks into the living room. ‘Nice,’ she says, acknowledging his T-shirt.

‘Are we going to the bank holiday fair?’ He had seen posters for it Sellotaped up on bus shelters and in the windows of off-licences: Wilson and Sons Fairground on the Heath, 3–6 May. Helter Skelter, Dodgems, Ghost Train! He really wants to go.

‘Yeah, maybe when it cools down a bit.’ Lina flops on the sofa next to him and picks up the phone. ‘Go.’ She waves him away. ‘Why you sitting so close to me? I am entitled to a break.’

But Elvis is comfy on the sofa and he has already sorted the stickers from his Merlin’s Premier League sticker book and watered his tomato plants on the windowsills. He has already carefully used his razor to remove the wispy orange hairs from his face as George, his care worker, had taught him, and rubbed the coconut suntan lotion into his skin as he knows to do on hot days. This morning Elvis has already done everything he was meant to and now he wants to eat his steak and kidney pie and go to the fair.

Lina has his new special phone in her hand. Elvis loves his phone; it is his favourite thing in his new living room, after the television. The phone is so special that you can only make a call when you put money inside and you can only get the money out with a special key that George looks after. Beside the phone sits a laminated sheet with all the numbers Elvis will ever need: a little drawing of a policeman – 999; a photograph of Elvis’s mum wearing the purple hat she reserves for church and having her photograph taken – 018 566 1641; and a photograph of George behind his desk – 018 522 7573. Elvis is trying to learn all the numbers by heart but sometimes when he tries, he gets distracted by the fantastic noise the laminated sheet makes if you wave it in the air fast. Next to the phone is a ceramic dish shaped like a boat that says Margate on it. The dish is kept filled with change for when Elvis needs to make a call.

He watches carefully as Lina feeds the phone with his change and starts to dial, her lovely pink nails hitting the dial pad: 018 557.

‘Go and sit somewhere else,’ she snaps.

But there is nowhere else to sit apart from the perfect squashy sofa, so Elvis goes into the kitchen where he can watch and listen to Lina from behind the door. In secret.

‘Hi … I’m at work. Elvis is driving me nuts today,’ she says into the phone. ‘He keeps bloody staring at me … Yeah I know … Tell me about it … Ha ha. Yeah, true true …’ She slides off her plimsolls and pulls the coffee table closer, putting her little feet up on it. ‘But you know what my mum’s like, always busting my arse over something: look after your baby, wash the dishes, get more shifts. I thought the whole point of having a baby was that you didn’t have to go work no more … Exactly … Especially on a day like this. Bloody roasting out.’

Even from behind the door Elvis can see that the nails on Lina’s toes are the same colour as those on her fingers, but shorter. The colour looks like the insides of the seashells Elvis collected at Margate last summer. He likes Lina’s toes; this is the first time he has ever seen Lina’s toes. He likes them but knows he is not allowed to touch them.

‘Can I have a biscuit?’ Elvis asks as he comes out from behind the door, now peckish and unable to wait for the pie to boil.

‘Hang on. What?’ Lina rests the phone under her chin like one of the office girls at the Waterside Centre, the place where Elvis used to live before he was clever enough to live by himself in Nightingale Point.

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