C.L. Taylor - Sleep

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Sleep: краткое содержание, описание и аннотация

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Seven guests. Seven secrets. One killer. Do you dare to SLEEP?‘Beware! Sleep does not do what it says on the tin: I was awake until the small hours under its dark and twisty spell.’ FIONA BARTONAll Anna wants is to be able to sleep. But crushing insomnia, terrifying night terrors and memories of that terrible night are making it impossible. If only she didn’t feel so guilty…To escape her past, Anna takes a job at a hotel on the remote Scottish island of Rum, but when seven guests join her, what started as a retreat from the world turns into a deadly nightmare.Each of the guests have a secret, but one of them is lying – about who they are and why they're on the island. There's a murderer staying in the Bay View hotel. And they've set their sights on Anna.Seven strangers. Seven secrets. One deadly lie.The million-copy bestseller is back in her darkest, twistiest book to date. Read it if you dare! Perfect for fans of Lesley Kara’s The Rumour and Cara Hunter’s DI Fawley Thrillers.What people are saying about SLEEP:‘Wow just wow!… I loved it’ Karen’s World‘WOW!… Sleep!!! You wont get any if you start to read it in the evening! So be warned!!!’ Reader review‘Superb… her books just keep getting better and better – this one was a belter!!’ Donna’s Book Blog‘A cracking story… A heart in your mouth plot’ Books from Dusk ‘til Dawn‘Extremely creepy, atmospheric and twisty.’ CLAIRE DOUGLAS, author of Do Not Disturb‘Sleep will keep you up all night.’ MARK EDWARDS, author of The Retreat‘As always, C L Taylor knocks it out of the park!’ Reader review“Reminiscent of Agatha Christie’s And Then There Were None… a final killer twist that is as satisfying as it is unexpected” Mature Times“Everything we love in a thriller: creepy, tense and pacy enough to get your heart racing” Good Housekeeping‘A perfectly written psychological thriller… filled with plot twist after plot twist… I was on the edge of my seat for every page.’ 2016 and Beyond

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‘Steve,’ the man says, pulling at the thick material of his suit trousers as he takes a seat. He’s thickset – muscle rather than fat, Mohammed thinks bitterly as he instinctively glances at the shape of his own legs beneath the tightly tucked hospital bedding. ‘Steve Laing, Freddy’s dad.’

Mohammed looks back at him, eyes widening in surprise. For a second or two he is lost in confusion. He was told that Freddy had died in the crash. Why would Steve Laing be in the hospital? Unless … he feels a flicker of hope in his heart … unless Freddy isn’t really dead. Could they have made a mistake? Could he have? Maybe he was too out of it to take in what the nurse told him. Maybe …

His hope evaporates, leaving an empty chasm in his chest. There was no mistake. He cried when he heard. He cried for a very long time. Not just for Freddy and Peter but for himself too.

‘I brought you some magazines,’ Steve Laing says, reaching into his bag and plonking a pile of film and music magazines onto Mo’s bedside table along with a bar of Galaxy, a packet of Skittles and some Jelly Babies, ‘and some chocolates and stuff.’

‘Thanks.’

They stare at each other, just long enough for it to become awkward, then Steve looks down at his lap and runs his palms back and forth on his knees.

‘It’s good to see you looking so …’ He shakes his head sharply and looks back up at Mo. ‘Nah, I’m sorry, mate. I could give you that sugar-coated shit about you looking well and all that but that’s not who I am. I tell it like it is and I imagine you’ve had quite enough of people tiptoeing around you and telling you to think positive and all that.’ He pauses, but not long enough for Mo to reply. ‘The truth is that what happened to you, what happened to Peter and my Freddy, was a fucking travesty. A tragedy. It never should have happened, Mo. Never should have fucking …’ He turns his head sharply as tears well in his eyes.

‘I’m sorry,’ Mo says, his throat tightening. ‘About Freddy. He was a really good bloke.’

‘Too right.’ Steve Laing drags the back of his hand over his eyes and looks back at him, lips pursed.

‘I …’ The words dry up on Mohammed’s tongue. He wants to tell Freddy’s dad how he tries not to think about his son because, each time he imagines Freddy’s death and the fact that he’s gone forever he feels completely disconnected from his body, spinning a thousand miles above the earth, untethered, fearful and out of control. He wants to tell him that but he won’t. Because that’s not the sort of thing you say, especially not to someone you only just met.

Instead he says, ‘I can’t even begin to imagine how hard this must be for you.’

Steve nods sharply and the pain in his eyes seems to lessen. They’re back on safe ground, social niceties and surface pleasantries.

‘The thing is, Mo, the reason I’m here is to ask you what happened. Not details,’ he adds quickly, sensing Mo’s mounting discomfort. ‘I don’t want you to talk me through the crash. No, mate, that would be cruel and I’m not a cruel person. You lived through that once, no need to do it again. Unless …’ He tails off.

Mo’s heart thunders in his chest. ‘Unless what?’

‘Unless you were a witness at the court case but, from speaking to your parents, I’m not sure you’ll be out of here in time.’ He pulls a face. ‘Sorry, mate. I’m not trying to be insensitive.’

‘You spoke to my parents?’

‘Yeah, your big boss … Tim something … put me in touch with them. That’s not a problem, is it?’

‘No, of course not.’

Another pause widens between the two men, then Steve clears his throat.

‘I’m trying to get a picture, Mo, of what happened that day. I know the police are doing their own investigation but this is for me, for my own peace of mind.’

‘Of course.’

‘Let’s start with Anna Willis. What’s your take on her?’

Mohammed closes his eyes, just for a split second, then opens them again. ‘What do you want to know about her?’

Steve raises his eyebrows. ‘Whatever you’ve got.’

Chapter 5

Anna

THREE WEEKS AFTER THE ACCIDENT

Wednesday 14th March

In the last half an hour the churchyard has transformed from a quiet, peaceful oasis in the heart of West Sussex to a thoroughfare for grief. I must have watched seventy, maybe a hundred mourners, all dressed in black with bowed heads and downturned eyes and matching mouths, walk the gravel path from the gate to the open door of the church. My stomach rumbles angrily and I press a clenched fist to my abdomen to silence it. I forgot to eat breakfast, again.

I didn’t eat for two days after the nurse told me that two of my team were dead. How could I spoon cereal into my mouth and slurp down tea like nothing had happened? How could I laugh and chat with the nurses when Peter and Freddy were lying in the mortuary? Instead I cried. I cried and I cried and I turned my head away from everyone who came to visit me, screwing up my eyes to block out faces creased with concern that I didn’t deserve. Only when Dr Nowak told me that if I didn’t eat something they’d fit me with a feeding tube did I finally agree to try half a slice of toast.

‘Anna.’ Alex touches my shoulder. ‘I think we should go in now. It’s due to start.’

It took me fifteen minutes to get out of the flat and into the car, and now we’re parked up I don’t want to get out again. Everything about driving terrifies me now: the motion, the proximity of other cars, swerving around roundabouts. I only made it home from the hospital because I kept my eyes tightly shut the whole way while Alex played my favourite album on loop. When we finally drew up outside our flat the tips of my fingers were red and numb from gripping the seat belt so tightly. Now, I press my cheek against the passenger side window. It’s cool beneath my burning cheek but it does nothing to calm my churning, aching guts.

‘I can’t go in there, Alex. What do I … what do I say to his parents?’

‘What people normally say – I’m so sorry for your loss, et cetera, et cetera or nothing at all. You rang them last week, Anna. You don’t have to go through all that again.’

It took me two days to work up the courage to ring Maureen and Arnold Cross. I was Peter’s boss. It was only right that I rang them. But I was also the person who drove the car that rolled off the verge of the M25 and killed him. If I’d have been concentrating properly, if I’d have checked my side mirrors instead of glaring at Freddy in the rear-view mirror, I would have seen the half-ton truck drift towards us from the middle lane. I could have taken corrective action, moved us out of its path. And Peter would still be alive. If I’d let Freddy open the window, if I hadn’t let my irritation about what he’d said the night before distract me, then the lives of three people, and everyone who loved them, wouldn’t be destroyed.

A family friend answered the Cross family’s landline. He repeated my name loudly, as though announcing it to the room. There was a pause, then a woman said softly, ‘I don’t want to talk to her.’ When an elderly man added, ‘I will,’ I felt faint with fear. Peter’s dad. I couldn’t speak for several seconds after he said hello, my throat was so tight. I’m sorry , that’s what I said, over and over. I’m so, so sorry. I can never forgive myself. There was a pause, a silence that seemed to stretch forever and I braced myself for his fury. It was what I deserved. Instead he said simply, ‘We miss him’ and silent tears rolled down my cheeks. ‘We both do,’ he added. ‘Every time the phone rings we think it’s him, checking if Maureen’s sciatica is any better or asking me for gardening advice. Sometimes we …’ his voice quivered and he coughed, then sniffed loudly. ‘They say the lorry driver who ploughed into you fell asleep at the wheel. No alcohol or drugs. A micro-sleep, they reckon, less than thirty seconds long. Tell me Peter didn’t suffer,’ he begged. ‘Just tell me that.’

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