Elizabeth Day - Paradise City

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An audacious, compassionate state-of-the-nation novel about four strangers whose lives collide with far-reaching consequences.Beatrice Kizza, a woman in flight from a homeland that condemned her for daring to love, flees to London. There, she shields her sorrow from the indifference of her adopted city, and navigates a night-time world of shift-work and bedsits.Howard Pink is a self-made millionaire who has risen from Petticoat Lane to the mansions of Kensington on a tide of determination and bluster. Yet self-doubt still snaps at his heels and his life is shadowed by the terrible loss that has shaken him to his foundations.Carol Hetherington, recently widowed, is living the quiet life in Wandsworth with her cat and The Jeremy Kyle Show for company. As she tries to come to terms with the absence her husband has left on the other side of the bed, she frets over her daughter's prospects and wonders if she'll ever be happy again.Esme Reade is a young journalist learning to muck-rake and doorstep in pursuit of the elusive scoop, even as she longs to find some greater meaning and leave her imprint on the world.Four strangers, each inhabitants of the same city, where the gulf between those who have too much and those who will never have enough is impossibly vast. But when the glass that separates Howard's and Beatrice's worlds is shattered by an inexcusable act, they discover that the capital has connected them in ways they could never have imagined.

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These friends do not notice Beatrice sitting there, like a small, unimportant shadow of someone who used to be. Nor do they acknowledge the sullen, tattooed girl in the corner, tip-tapping on the keyboard with gel-tip nails to update her Facebook page. They do not notice the woman in a hijab, silently typing up her CV. They do not register any woman who has not expressly packaged herself to attract male attention. Instead, these friends walk straight up to Manny who stands there, like a king awaiting his courtiers, his face emerging from behind the refrigerated drinks shelves that are always optimistically stocked with faded cartons of exotic fruit juice: lychee, mango, papaya.

Yes, Beatrice has heard Manny talk about women: she has heard his dirty laughs and his whispered jokes and the slap of the palm of his hand in a congratulatory high-five. She knows men like Manny, who need sex and power like most people need bread and water. Even his name is a distillation of masculinity. She wonders, occasionally, whether Manny is a nickname, given to him by an admiring coterie of young men in acknowledgement of his sexual prowess. Or perhaps it genuinely was the name his parents gave him and the way he turned out was a fateful coincidence. ‘Nominative determinism’, they called it. She’d heard a discussion about it on the breakfast radio after a man called Mr Diamond had been forced to step down from his position as head of a failing bank, only to be replaced by a colleague called Mr Rich. She smiles at the thought of this.

‘Now that’s what I like to see!’ Manny reaches into the refrigerated shelves and hands Beatrice a carton of lychee juice. ‘A lovely smile on a beautiful woman.’

He winks. She rolls her eyes, accepts the juice and takes her seat at the computer.

‘Hey, Beatrice, one day you’ll realise we’re meant to be together.’

‘Yes, Manny. And one day pigs will take to the sky with wings.’

He guffaws then disappears into a back room to turn up the radio. A thumping reggae beat rings out just as Manny re-emerges and starts to dance, swaying his hips suggestively, eyes half-closed as he clasps an imaginary partner to him. An unlit joint is tucked behind his ear. She can’t help but laugh. Yet she tilts the screen ever so slightly away from the counter so Manny can’t see what she’s doing. There are elements of her life that Beatrice knows it would be wiser to keep private. Howard Pink, for instance. That was something she wanted to do on her own.

She logs on to the computer, double-clicking on the internet icon. She types ‘Sir Howard Pink’ into the Google search bar. Rapidly and methodically, she clicks through the relevant documents, assimilating information. It feels good to be using her brain again. She finds out that Sir Howard had started in business at the age of fifteen, selling clothes from a market stall. At twenty-one, he’d bought his first shop. By thirty, he was a millionaire. By thirty-five, after an aggressive corporate takeover, he had bought out the Paradiso Group of clothing shops. He was routinely in the top fifty of the Sunday Times Rich List, with an estimated fortune of £3.3 billion. He has a reputation for throwing lavish theme parties, which turns up a number of unexpected images: Sir Howard in an Hawaiian shirt and grass skirt on his fiftieth birthday, celebrated on a private Greek island with six hundred of his closest friends (and a performance by Stevie Wonder); Sir Howard laughing riotously while dressed up as a medieval pope; Sir Howard sporting a giant sombrero accompanied by an unsmiling blonde woman in a nurse’s outfit. Then there was all the stuff about his daughter, Ada, who had gone missing at the age of nineteen in mysterious circumstances. Beatrice skims over these stories. They aren’t what she needs to focus on. Everyone has sadness in their lives. It does not elicit her sympathy.

After twenty minutes or so, she has all the information she needs, including an email address for the chief executive’s office at Paradiso. She opens up a new Microsoft Word file. The screen fills with a blank white page, like a fresh sheet pulled tight on a hotel bed.

‘Dear Sir Howard,’ she writes in Arial 12-point. The animated paperclip pops up in the corner of the screen. ‘You look like you’re writing a letter,’ a speech bubble says. ‘Would you like some help?’ Beatrice scowls. No, she thinks, I don’t need anyone’s help. Not any more. This, I’m doing for me. She takes a deep breath, then types: ‘You won’t remember me but we met in Room 423 of the Hotel Rotunda in Mayfair.’

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