Frankie Boyle - Scotland’s Jesus

HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published by HarperCollins Publishers 2013

FIRST EDITION

© Frankie Boyle 2013

Frankie Boyle asserts the moral right to be identified as the author of this work

This book contains material previously published elsewhere, including in Frankie Boyle’s Sun columns

A catalogue record of this book is available from the British Library

Cover layout design © HarperCollinsPublishers Ltd 2013 cover design by Lynn McGowan cover photographs © Chris McAndrew/Camera Press (portrait); Shutterstock.com(skyline).

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Source ISBN: 9780007426836

Ebook Edition © OCTOBER 2013 ISBN: 9780007426867

Version: 2019-01-02

Cover

Title Page

Copyright

Introduction

1 Royals

2 Politics

3 Transport

4 War on Terror

5 Europe

6 Sport

7 TV

8 Animals

9 Economy

10 Celebs

11 Press

12 Science

13 Crime

14 Education and Kids, Yo!

15 Health

16 Internet

17 Relationships

18 Scotland

19 Religion

Endgame

Also By Frankie Boyle

About the Publisher

There are many reasons why an author chooses to write a book. Perhaps, like me, they’re being paid a lot of money to write it. Or perhaps . . . nope, that’s all I can think of. The good people at HarperCollins did gently hint that I should make this book more commercial, so I had to ask myself about the nature of what’s popular in our culture. What do people really want? What would we hope to be offered by a book if we were being completely honest? Which is why I started writing the book you now hold in your hands. A crime porno.

The appeal for me was simple. How hard can it be to write a thousand words of porn every day? I probably text a thousand words of porn a day . The real problem was not only writing porn and letting the whole thing descend into a kaleidoscope of mouths and limbs and cocks and mouths and cocks. Cocks. And tits.

Hence crime. I’ve never met anyone who doesn’t like a little vicarious contact with crime: from teenagers killing prostitutes in Grand Theft Auto as a bit of light-hearted escapism from their actual sex lives, to the talcum-powder market foaming their knickers at Daily Mail headlines. The appeal is complex but, for whatever reason, it excites us to hear about some cunt getting killed.

My teenage sexual awakening happened long before the internet. I used to hang out at my local library and scour thrillers for sex. I’d skim the sort of doorstoppers you’d find on your uncle’s bookshelf for words like ‘grasped’ and ‘thrust’. Occasionally looking up to stare slack mouthed at real women trying to borrow books, I rejected the opportunity for precocious learning and memorised reams of disjointed encounters between guilt-ridden adulterers, mercenaries and whores, and even the desperate couplings of a Southern slave plantation. Perhaps this has affected my adult life. I’ve spent this speeding disinterestedly through the bits central to the narrative, desperately looking forward to the occasional sexual episodes, which I haven’t fully understood.

So part of me imagines this book hitting the Scottish library system, and some wee Wifi-less schoolboy in Penicuik having his aching balls blown off by this filthy lightning bolt of premeditated degradation. Or some guy getting his teenage daughter it as a present, because he remembers me from Mock of the Week . Merry Christmas, love!

This will be the burning bible of teenage Britain; a suppressed memory; a limping man in a wooden mask announcing with a shriek that he is the only guest of your surprise birthday party; an uncomfortable evening at the launch of a Muslim breakfast cereal; walking into a bar where a pub quiz host’s questions about your private life are met with general laughter and the harsh metallic bleat of a deer; a sore arse; your dog returning home with a swear word shaved into its side. This book will replicate almost exactly the experience of being a guy who gets raped just after getting the all-clear from prostate cancer and, as the rapist says how tight he is, he realises the cancer’s back; it will be a jeering portal into a new dimension of Desperate Iniquity.

Well, I suppose, to be entirely accurate, I sent HarperCollins the outline of a crime porno and they told me to fuck off. Instead, they asked me to produce what you hold in your hands. I was asked to deliver a humorous topical Christmas book, the sort of thing that raises a wry eyebrow at the news. A Jeremy Clarkson-style slab of bouncy opinion that, with the right cover, might sell well in train stations.

However, they did say that the introduction wasn’t too important and I could maybe let loose a little there. Most people skip the introduction, and half the people who get a book in a train station never read the fucking thing. So for the rest of the introduction I want you to imagine that you’re reading a crime novel. A crime novel in which many of the leads the investigator pursues seem to end in almost pointlessly graphic sex scenes.

• • •

The taxi pulls up by a little boxy end of terrace. After this, it’s all just countryside; after the street lamp on the corner, there’s nothing. I pay the cabbie and get out with her. She turns round as if suddenly aware of the impropriety, silhouetted with her deelie-boppers in the dusk, more like a stag at bay than a hen returning from her own hen night. There’s a long, awkward pause .

I find myself thinking that seduction is just being able to think of something to say at a moment like this. Something that isn’t a terrifying indication of how badly you want to fuck. I can’t think of anything .

I grip her firmly by the back of the neck and her mouth opens slowly under mine. She pulls my bottom lip gently between her teeth, then breaks off and walks abruptly up to the door .