Alistair MacLean - South by Java Head

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The 50th anniversary edition of this classic World War 2 adventure set in south-east Asia.February, 1942: Singapore lies burning and shattered, defenceless before the conquering hordes of the Japanese Army, as the last boat slips out of the harbour into the South China Sea. On board are a desperate group of people, each with a secret to guard, each willing to kill to keep that secret safe.Who or what is the dissolute Englishman, Farnholme? The elegant Dutch planter, Van Effen? The strangely beautiful Eurasian girl, Gudrun? The slave trader, Siran? The smiling and silent Nicholson who is never without his gun? Only one thing is certain: the rotting tramp steamer is a floating death trap, carrying a cargo of human TNT.Dawn sees them far out to sea but with the first murderous dive bombers already aimed at their ship. Thus begins an ordeal few are to survive, a nightmare succession of disasters wrought by the hell-bent Japanese, the unrelenting tropical sun and by the survivors themselves, whose hatred and bitterness divides them one against the other.Written after the acclaimed and phenomenally successful HMS Ulysses and The Guns of Navarone, this was MacLean’s third book, and it contains all the hallmarks of those other two classics. Rich with stunning visual imagery, muscular narrative power, brutality, courage and breathtaking excitement, the celebration of the 50th anniversary of South by Java Head offers readers a long-denied chance to enjoy one of the greatest war novels ever written.

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“Thank you, Mr. Nicolson.” Findhom let his breath escape in a long, almost inaudible sigh. He crossed over towards Nicolson, his cigarette case open. “For this once only, to hell with the rules. Mr. Vannier, you have the Kerry Dancer’s position. A course for the quartermaster, if you please.”

Slowly, steadily, the big tanker swung round, struck off to the north-west back in the direction of Singapore, into the heart of the gathering storm.

A thousand to one were the odds that Nicolson would have offered and the captain would have backed him in that and gone even further—and they would both have been wrong. There was no trap, the Kerry Dancer was still afloat and she hadn’t been abandoned—not entirely.

Still afloat, at 2 o’clock on that sultry, breathless mid-February afternoon in 1942, but not looking as if she would be afloat much longer. She was deep in the water, down by the head and listing over so heavily to starboard that the well-deck guardrail was dipping into the sea, now lost in it, now showing clear as the long, low swell surged up the sloping deck and receded, like waves breaking on a beach.

The forward mast was gone, broken off about six feet above the deck; a dark, gaping hole, still smouldering, showed where the funnel had been, and the bridge was unrecognisable, a scrapyard shambles of buckled steel plates and fractured angle-irons, outlined in crazy, surrealist silhouette against a brazen sky. The fo’c’sle—the crew’s quarters just for’ard of the well-deck—looked as if it had been opened up by a gigantic can-opener, the scuttles on the ship’s side had disappeared completely and there was no trace of anchors, windlass or for’ard derrick winch; all this fo’c’sle damage the result, obviously, of a bomb that had penetrated the thin steel deck plating and failed to explode until it was deep inside the ship. No one there at the time could have known anything about it, for the lethal blast would have been far faster than realisation. Abaft the well-deck, the wood-lined accommodation quarters on the main and upper decks had been completely burnt out, gutted as far as the after well, sky and sea clearly visible through the gaunt and twisted framework.

It was impossible that human beings could have survived the bludgeoning, the consuming, metal-melting white heat that had reduced the Kerry Dancer to the charred, dead wreck drifting imperceptibly south-westwards towards the Abang Straits and faraway Sumatra. And, indeed, there was no life to be seen on what was left of the decks of the Kerry Dancer , no life to be seen anywhere, above or below. A deserted, silent skeleton, a dead hulk adrift on the China Sea. … But there were twenty-three people still alive in the after-castle of the Kerry Dancer .

Twenty-three people, but some of them had not much longer to live. These were the wounded soldiers, the stretcher cases that had been close enough to death already before the ship had pulled out from Singapore, and the conclusive impact of the bombs and the gasping heat of the fires that had stopped short at the break of the after well-deck had destroyed what feeble resources and hold of life were left to most of them, and tipped the scales against recovery. There might have been hope for them, some slender hope, had they been brought out of that panting suffocation while there was yet time and lowered to the rafts and boats. But there had been no time. Within seconds of the first bomb falling, someone outside had sledge-hammered tight the eight clips that secured the only door—the water-tight door—that gave access to the upper deck.

Through this smoke-blackened door a man cried out from time to time, a cry not of pain but of anguished memory lacerating a darkening mind; there were whimpers, too, from other badly wounded men, again not moans of pain; the Eurasian nursing sister had with her all the drugs and sedatives she required, not pain but just the feeble, aimless murmur of dying men. Now and again a woman’s voice could be heard, soothing, consoling, the soft sound of it punctuated from time to time by the deep angry rumble of a man. But mostly it was just the husky undertones of sick men and, very occasionally, the quivering indrawn breaths, the lost and lonely wailing of a little child.

Twilight, the brief tropical twilight, and the sea was milky white from horizon to horizon. Not close at hand—there it was green and white, great steep-sided walls of green, broken-topped and parallel-streaked with the wind-blown spume, waves that collapsed in a boiling, seething cauldron of rushing phosphorescence and foamed whitely across the low, wide decks of the Viroma , burying hatch-covers, pipe-lines and valves, burying, at times, even the catwalks, the gangways that stretched fore-and-aft eight feet above the deck. But further away from the ship, as far as the eye could see in the darkening night, there was nothing but the eerie, glistening whiteness of wind-flattened wave-tops and driving spray.

The Viroma , her big single screw thrusting under maximum power, lurched and staggered northwards through the storm. North-west should have been her course, but the fifty-knot wind that had hit her on the starboard beam, almost without warning and with the typical typhoon impact of a tidal wave moving at express speed, had pushed her far off course to the south and west close in to Sebanga. She was far round into the sea now, corkscrewing violently and pitching steeply, monotonously, as the big, quartering seas bore down on her starboard bow and passed over and below her. She shuddered every time her bows crashed into a trough, then quivered and strained throughout every inch of her 460 foot length when the bows lifted and fought their way clear of the press of cascading white water. The Viroma was taking punishment, severe punishment—but that was what she had been built for.

Up on the starboard wing of the bridge, muffled in oilskins, crouched down behind the negligible shelter of the canvas dodger, and with his eyes screwed almost shut against the lash of the driving rain, Captain Findhorn peered out into the gathering dusk. He didn’t look worried, his chubby face was as composed, as impassive as ever, but he was worried, badly, and not about the storm. The wild staggering of the Viroma , the explosive, shuddering impact of plummeting bows burying themselves to the hawse-pipes in a massive head sea, would have been a terrifying experience for any landsman: Captain Findhorn barely noticed it. A deep-laden tanker has a remarkably low centre of gravity with corresponding stability—which doesn’t make it roll any less but what matters is not the extent of the roll but whether or not a ship will recover from a roll, and a tanker always does: its system of water-tight cross bulkheads gives it enormous strength: and with the tiny access hatches securely battened down, the smooth, unbroken sweep of steel decks makes it the nearest thing afloat to a submarine. Where wind and weather are concerned, a tanker is virtually indestructible. Captain Findhorn knew that only too well, and he had sailed tankers through typhoons far worse than this, and not only across the rim, where he was now, but through the heart. Captain Findhorn was not worried about the Viroma .

Nor was he worried about himself. Captain Findhorn had nothing left to worry about—literally: he had a great deal to look back upon, but nothing to look forward to. The senior captain of the British-Arabian Tanker Company, neither the sea nor his employers had anything more to offer him than two more years of command, retirement, and a sufficient pension. He had nowhere to go when he retired: his home for the past eight years, a modest bungalow off the Bukit Timor road, just outside the town of Singapore, had been destroyed by bombs in mid-January. His twin sons, who had always maintained that anyone who went to sea for a livelihood wanted his head examined, had joined the R.A.F. at the outbreak of war, and died in their Hurricanes, one over Flanders, one over the English Channel. His wife, Ellen, had survived the second son for only a few weeks. Cardiac failure, the doctor had said, which was a neat enough medical equivalent for a broken heart. Captain Findhorn had nothing to worry about, just nothing in the world—as far as he himself was concerned.

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