Will Wiles - Plume

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‘Wiles is basically Kafka, if Kafka had spent more time in British hotels and pubs’ David BaddielWill Wiles both re-invents and murders the London novel, in a spectacular act of evil, surgical intensity’ Warren Ellis‘It’s outstanding’ Mail on Sunday, Event MagazineThe dark, doomy humour of Care of Wooden Floors mixed with the fantastical, anarchic sense of possibility of The Way Inn, brought together in a fast moving story set in contemporary London.Jack Bick is an interview journalist at a glossy lifestyle magazine. From his office window he can see a black column of smoke in the sky, the result of an industrial accident on the edge of the city. When Bick goes from being a high-functioning alcoholic to being a non-functioning alcoholic, his life goes into freefall, the smoke a harbinger of truth, an omen of personal apocalypse. An unpromising interview with Oliver Pierce, a reclusive cult novelist, unexpectedly yields a huge story, one that could save his job. But the novelist knows something about Bick, and the two men are drawn into a bizarre, violent partnership that is both an act of defiance against the changing city, and a surrender to its spreading darkness.With its rich emotional palette, Plume explores the relationship between truth and memory: personal truth, journalistic truth, novelistic truth. It is a surreal and mysterious exploration of the precariousness of life in modern London.

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Fuck Alan and his relaxed, class-transcending bonhomie. He would ruin the whole morning.

A recorded announcement played.

‘Did you hear that?’ I said. ‘Inspector Sands.’

‘I wasn’t listening,’ Alan said. ‘What did they say?’

‘“Inspector Sands to the operations room”,’ I said. ‘It’s code. It means there’s a fire alarm that needs to be checked out.’

‘And this Sands guy’ll do it?’

‘No. There is no Sands. It’s just a code. When there might be a fire somewhere but they don’t know and they don’t want to cause any panic.’

‘I didn’t hear anything.’

‘That’s the point, it’s a very bland, boring, routine message, people tune it out, don’t know what it means.’

‘You know what it means,’ Alan said. ‘Can’t be that secret.’

‘Seriously, though, can you smell burning?’

I asked because I could smell burning – the acrid smell of an electrical fire, melting copper, blistering insulation. We must be surrounded by equipment handling the Underground’s canalised lighting, all of it out of warranty, overdue for replacement, caked in dust. I had seen it in documentaries. The men who went into the tunnels at night. The Tube acts as a giant vacuum cleaner, sucking human detritus from the light into the darkness. I could see those documentaries again, now, in my mind’s eye: a gloved hand bringing up a smoking grey fistful from the ballast around the tracks, like a robot submersible on the ocean bed. This accreted dust and hair burned very well.

‘I can’t smell anything,’ Alan said.

He was wrong, surely. Though it did not seem to be stronger, I felt that the smell had become inescapable; perhaps because I was more focused on it, it had begun to block out all other sensations, almost as if it were welling up within me, a toxic spasm in the lungs rather than a scorched and poisoned breath from the tunnel.

I looked about to see if anyone else had smelled fire, expecting others on the platform to raise their heads, frown, sniff the air – the herd detecting danger, abandoning their quiet little worlds of phone and newspaper to confront an environment that had become unsafe. But no one raised their eyes, no one even stirred. Couldn’t they sense it too? How could they all be so oblivious?

The breeze from the tunnel grew stronger, and I could see it now, see the smoke, a steadily thickening haze carried on the back of the column of air pushed out by the approaching train. And I could feel it on my skin, in my eyes, hot and stinging. I raised my hand to my face and did not lower it. I was hot to the touch. I coughed, and fell into a fit of coughing, unable to stop. Hair and skin, on fire in the darkness, one of those coal seam fires that burn for decades, inextinguishable, slow death to the communities above. I felt ready to vomit.

‘You OK, mate?’

Alan was scowling at me, but not without kindness. I barely registered his expression, though; behind him, the sealed panels looked about ready to start jetting smoke, opaque and heavy yellow-stained smoke, any second it would begin.

‘We’ve got to get out of here,’ I said, barely able to speak, each word displacing more poison into my lungs.

‘What? Train’ll be here in a second.’

A second was too late. The air was going, it was gone, no way to get at it. Suck it in and the poison would come too, into the blood, into the brain. Then the light. It was almost too late. I needed cold air, cold water on my face, coldness in my throat.

‘I’m sorry,’ I said. And I ran.

THREE Contents Cover Title Page PLUME Will Wiles Copyright Dedication Epigraph Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Acknowledgements About the Author Also by Will Wiles About the Publisher

Self-control came easier back in the cold street air, but I still felt that my inside was coated with grime and soot. Coughing would not shift whatever had been exhaled from the tunnel. My efforts instead brought up a belch that made me rush to the nearest bin, ready to puke. But I did not, disappointing the couple of passers-by who had turned their heads and scowled. I sat on a stone step with a view of the top of the station escalators, waiting for the alarms, the stern announcements, the fire engines.

Wishing for them, in fact. A real emergency, an event that I could live through . I knew the shape of it: an exodus up those escalators and a crowd forming around me. Long minutes of confusion and shared fear and excitement, people thrown together, enjoying the interruption to their routine even as they cursed it. Then the adrenalin would turn to cold and boredom and mere annoyance and we would all call our offices or appointments and tell them we were late.

Or more serious than that, and my imagination was disgustingly eager to spill the details into my reverie: a fire in the tunnel, fumes spreading fast, national news, fatalities, this stretch of line closed for days, an inquiry, a slow trickle of consequences over months and years: fund-raising, one or two of the survivors being held up as inspirational figures for saving others or overcoming horrible injuries, marathons completed, popular books written, mayoral bids considered. A plaque at this station, perhaps only feet from this cold stone step, and if I came by this way with someone, I’d go a little quiet and break my pace, and I’d say, ‘I was here that day, when it happened,’ in a voice that really stressed how I didn’t talk about it often but it had stayed with me, picturing a great dignified weight, the memory of those x souls, my gratitude at having escaped in time, tempered with noble guilt at being a survivor, my respect for the emergency services. Perhaps poor oblivious Alan would be among the x , intimately involving me, bringing the whole sad story closer, making it far more authentic.

Or nothing. The same steady procession out of the station. No sirens, no evacuation, no space-suited firefighters, no strengthening fountain of smoke from the depths. I wanted there to be an emergency not for ghoulish reasons, but because the alternative was an internal emergency. The smoke, the suffocating need to escape – for me that was real, but it never happened to anyone else.

There was real smoke out here, though: the darkness in the east, over the roofs of Bishopsgate, behind the spires of finance, where I was supposed to be. Perhaps that was the source of my fascination with the Barking fire – that, at least, was real, really happening; other people around me could see it too, it was in the papers. For the first time in months, the city was in sync with me.

Eleven a.m. – the time Alan and I were supposed to arrive at Pierce’s house. I was cold and my joints were stiff from sitting on the step. Adjacent to the station entrance was a pub.

I had been caught up in station evacuations before, as I suppose every regular Tube user has – or any regular passenger on any subway network anywhere in the world. A couple of times I had seen fire engines arrive. But I had never smelled smoke, not so much as a match’s worth, let alone the thick clouds that had almost suffocated me on the platform with Alan.

When the bombs went off on 7 July 2005, I was living in a shared house in Fulham, and working my first job. My commute, District Line to South Kensington, took me nowhere near the bombs, and I had only just left the house when it all happened. The station was already closed when I arrived, and the pavement outside was filled with a restive and palpably upset crowd. No one knew what was going on, exactly, although the look on the faces of the staff made it obvious it was no signal failure. At that moment, an early report about a gas explosion was being shown to be tragically wrong. We were told to go home, and I did, to find one of my housemates already there and full of rolling news and internet rumour. We watched together. After about half an hour, when it was completely clear that services would not be resumed, I called the office, and the phone rang unanswered. I tried my boss’s mobile – he was at home as well.

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