Amy Bird - Hide And Seek

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Hide And Seek: краткое содержание, описание и аннотация

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Nobody’s life is ever perfect. Families tell lies. People keep secrets. But the life which Will and Ellie Spears have built together is as perfect as it’s possible to be.Until one day something is let slip. A discovery is made. And all of a sudden Ellie and Will’s life falls down, as acceptance gives way to an obsessive search for answers.Families tell lies. People keep secrets. But sometimes the truth is much more dangerous.Hide and Seek is the addictive new psychological suspense novel from Amy Bird, perfect for fans of Gillian Flynn, SJ Watson and Liane Moriarty. Is finding the truth worth losing everything? Praise for Amy Bird'Ms. Bird is most certainly a force to be reckoned with and an author who has crossed the threshold of notoriety… An exciting story with real tension and suspense.' – Gordon Reiselt'Hide and Seek is everything I wanted Gone Girl to be, and more… The pacing was spot on, and the setup is absolutely beautiful; engaging characters, liberally sprinkled intrigue, and an exploration of the origins of our identity that will have your mind working overtime.' – Zoe Markham, Markham Reviews'Amy Bird is so good at writing dialogue you just can’t help chuckling. Add to this the fact that her writing style is such that I feel she is talking directly to me and I am absolutely hooked.' – Lucy Literati, A Modern Mum's Musings'A slow and creepy build-up to an exciting crescendo.' – Rosemary Smith, Cayocosta72 Book Reviews'Enjoyable and intriguing.' – Christine Marson, Northern Crime'Lives up to the thrilling aspect of the genre and also manages to have an original feel.' – Cleo Bannister, Cleopatra Loves Books'The tension builts to a crescendo and the author pulls the reader along, speeding up like a train with no need to slow on approach to its destination. A great read from an author I had yet to encounter. I will definitely read more of her work after enjoying this thrilling three-part thriller. Having the book in three parts is also a great idea, as each part is perfect for reading in one sitting!' – Margaret Madden, Bleach House Library

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“Oh come on, Mrs S, don’t be modest,” says Ellie, with a grin. It’s a wolf’s grin. All teeth, a precursor to ripping people apart. I take her hand under the table. Where is this going? She squeezes my hand and purses her lips at me. ‘I love you’, that means. Our code. I release her hand. All’s well, then. Must be. Ellie continues. “I know you had a role in the surprise. You can’t let Will’s dad ” – she emphasises these words strangely – “take all the credit.”

“I’m not taking any credit,” says Dad.

Ellie smirks. “No,” she says. “I thought that was the case.”

I finally manage to cut neatly through the pastry. There is an inviting layer of mushroom stuffing and well-done beef underneath. We used to have it red. We can’t now, because of the toxins in the blood, might damage the baby.

“I’m sorry to have spoiled the surprise,” Ellie is saying.

“Come on, eat up,” I say, through a mouthful of meat. I see Mum glare. I swallow. My bad, talking with my mouth full. Then I see she is glaring at Ellie.

“I thought, at first, it must have been Will’s old crib. But of course, then I saw the initials.”

“Ellie, darling, I don’t know what you’re talking about,” says Mum. “Eat up, your food’s going cold, and there are two of you to feed.”

“Of course, it’s dark up there. But do you know, I distinctly thought I saw those initials.”

“I’ve never seen any initials on the crib,” says Dad. He is shooting glances at Mum now.

“I have no idea what’s going on,” I say, because I haven’t.

“There aren’t any initials on that crib, unless you’ve drawn them on yourself,” Mum snaps.

“Mum!” I say, shocked at her tone.

Ellie doesn’t seem to care, though. She just smiles more broadly.

“Oh, so you admit that there’s a crib, then?” she asks, making her first incision into the pastry. Neat, no fuss, no mess.

“Of course I admit there’s a crib. It’s Will’s old one.”

Ellie brings the knife out of the meat and makes another incision, forming a triangle.

“What? You have my old crib? Why didn’t you say? That’s awesome. Little Leo can have that. Oh, Christ,” I look at Ellie. “Was I meant to tell them the name yet? Sorry.”

Ellie does the ‘I love you’ oboe-player lip-purse again, before skewering the section of boeuf en croute she has separated from the rest.

“Just Will’s crib?” Ellie asks. “Not a hand-me-down from someone else?”

“Just Will’s,” says Mum.

I don’t know what Ellie’s game is. I’d say, maybe there isn’t one, maybe she is just pleased we have the crib. But I know Ellie. There is always a game. That aside, the key thing is that there is a crib, and my son will apparently sleep in the same crib that held me.

“Oh, I really want to see it!” I say. “Can we get it down, have a look? What’s it like, Ellie? Is it really cool?”

“It’s a real historical item,” Ellie says. “I know you’ll find it really interesting.”

“How come you didn’t tell me before, Mum?” I demand.

“Yes, how come?” asks Ellie.

“Oh, you know, we thought you’d want something more modern. That’s been up in the loft for years.”

“Came with you all the way from Dartington, did it?” asks Ellie.

“Of course,” says Mum. “Seeing as that’s where Will was born.”

“Such a wonder you’ve never noticed the initials, then.”

Mum is mid-mouthful of meat and cannot speak.

“M.C.R.,” says Ellie.

Dad’s knife shrieks across his plate.

I see him flick a glance to Mum. Ellie bites calmly into a mouthful of meat. Mum stares at her plate, then lifts up her chin and continues to eat. Dad watches her for a moment, then does the same.

If this Ellie’s big reveal, I don’t understand it. We don’t know anyone called M.C.R.

Unless?

No.

And I’m certainly not called M.C.R.

“It’s probably the maker’s name,” I say. “Like, ‘My Cribs Rock’.” I laugh at my own joke, then stop, because no one else has even giggled.

The rest of the meal continues in silence. I play the three letters over in my head. M.C.R.? Who is M.C.R.?

After we’ve eaten, and I’ve complimented Mum on the deliciousness of the meal, I announce that I’m going up to get the crib.

“I’ll come with you,” says Dad. “It’s too heavy for you to manage on your own.”

When Dad and I leave the table, Ellie follows. She catches my arm as we go into the hall, and pulls me back, so that we’re standing in the shadows of the staircase. I see she is holding the third photo album, the one I don’t recognise.

Ellie leans in close to me.

“M.C.R. stands for Max Charles Reigate,” she whispers. “The crib belonged to him. And he’s your father.”

Chapter Ten

-Will-

“What?”

I don’t whisper. I almost bellow, so incredulous am I at what she has said.

“Shh! He’ll hear you!” says Ellie. “I don’t know if he knows.” She nods her head in the direction of Dad – because yes, I’m 100% sure he is my dad, thank you.

“Knows what? Jesus, Ellie, have you gone mad? Max Reigate, my father?”

“Come on,” she says, her voice low. “It all makes sense. They were all living in Dartington together at the right time. Your mum and” – she makes an inverted comma sign in the air – “‘dad’ are, like, trying for kids or something, but your mum, she gets the hots for this amazing musician, she shags him, then nine months later you pop out.”

“You’re out of your mind,” I tell her.

“Are you coming, Will?” calls a voice from upstairs.

“Yes, Dad.” I pretty much spit the word ‘Dad’ at Ellie. She’s taken her mad theories too far this time.

She glares at me.

“So Max Reigate, he’s not stupid, he works out the dates, and he wants to be involved in your upbringing. He gives her the cot, one that’s been handed down through the family. Your ‘dad’, maybe he’s in denial, or gets angry, so they move away, up to Kingston, out of harm’s way.”

“Ellie – seriously? You expect me to buy all this just from some initials on the crib?”

“That’s not it, there’s more, in this album, there’s – ”

“Come on Will, I’m waiting,” calls Dad from upstairs.

“Coming!” I shout. Moving past Ellie, I start climbing the stairs, two steps at a time.

“Will!” hisses Ellie.

“We’ll talk about this later. You’re out of your mind.”

And honestly, I think she is. This is why she needs to get a job again. It’s been ages since she was made redundant, since she professed she was ‘done with science’ and ‘done with teaching’. She has too much time for all these mad thoughts to run around in her head. So, I look like a pianist. So, I identify with his music so much that I feel like on some level I’ve been listening to it my whole life. So, my parents used to live in the same part of the country as Max Reigate. So, there’s a crib with some letters that match his initials. So, my parents have been acting weirdly.

So, a little voice inside me says, you can see where she’s coming from.

I shake my head. It’s nonsense. I’ve had the most stable upbringing of anyone I know, with two parents who love me. Ellie just can’t get it into her head that I’m not some spoilt object of guilt – I’m just loved. Maybe she’s still mourning for her own parents, and wants to deny everyone else a cosy family too. But killing other people’s happiness can’t increase her own.

She’s not giving up, though. She’s following me up the stairs. I only notice because the voice saying ‘It’s true’ is too feminine to be coming from inside my head. I should turn round to her, laugh it off, but do you know what? I’m pretty angry right now. Not only is it a slur on my mother, it makes Dad seem like an idiot too. We’ll row it out later, it will all be fine, but for now I’m going to focus on this crib. The crib for my son with his crazy mad mother.

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