Amy Bird - Hide And Seek (Part 3)

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I suppose you thought you were protecting me. But the hiding is over. I refuse to leave my own past buried. Wouldn’t you?I must work alone. Because who can I trust, now? My wife? My family? No-one. The answers have been hidden for so long. But I refuse to live a lie one moment longer. I finally know who I am…and it’s time you did, too. And you will.Ready or not…here I come.All will be revealed in the electrifying final part of Hide and Seek by Amy Bird: a new novel, perfect for fans of Gillian Flynn, SJ Watson and Liane Moriarty. Is finding the truth worth losing everything?Praise for Amy Bird'Ms. Bird is most certainly a force to be reckoned with and an author who has crossed the threshold of notoriety… An exciting story with real tension and suspense.' – Gordon Reiselt'Hide and Seek is everything I wanted Gone Girl to be, and more… The pacing was spot on, and the setup is absolutely beautiful; engaging characters, liberally sprinkled intrigue, and an exploration of the origins of our identity that will have your mind working overtime.' – Zoe Markham, Markham Reviews'Amy Bird is so good at writing dialogue you just can’t help chuckling. Add to this the fact that her writing style is such that I feel she is talking directly to me and I am absolutely hooked.' – Lucy Literati, A Modern Mum's Musings'A slow and creepy build-up to an exciting crescendo.' – Rosemary Smith, Cayocosta72 Book Reviews'Enjoyable and intriguing.' – Christine Marson, Northern Crime'Lives up to the thrilling aspect of the genre and also manages to have an original feel.' – Cleo Bannister, Cleopatra Loves Books'The tension builts to a crescendo and the author pulls the reader along, speeding up like a train with no need to slow on approach to its destination. A great read from an author I had yet to encounter. I will definitely read more of her work after enjoying this thrilling three-part thriller. Having the book in three parts is also a great idea, as each part is perfect for reading in one sitting!' – Margaret Madden, Bleach House Library

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Chapter Five

-Ellie-

So she calls the ambulance. She relents, and she calls, on Will’s office phone. She puts my mobile in her bag, where I can’t get at it. And finally, they are there, with their gas and air. The paramedics, from the hospital, the hospital I am already in. For a moment, we are almost a normal domestic scene – the daughter-in-law soothed and shushed by a doting grandmother-to-be, surrounded by a caring ambulance crew.

“Don’t worry, love,” they are telling me. “You’re in one of the top units in London.” And “Of all the places this could happen, this is the best. The birth centre is well-used to complications. You’re in safe hands.”

Their assurances as I – 1, 2, 3, breathe in – are welcome. But they assume that what they can see is all that’s going on. They assume that as they wheel me along, down, up, to their consultants, doctors, midwives, that all they are dealing with is the little thing of a premature birth. In Paris, I want to tell them, there is a premature death happening right now. Two deaths, three deaths, four deaths, more, if we count all who will be affected. I want to tell them: give me a phone. Because I’ve still got to tell Will. He needs me. I need him. Leo needs both of us. Maybe they can give me a phone. Gillian still has mine. I would be happy, it pressed into my hands, Will’s voice next to my ear, my voice in his. Then I could manage this.

But all they are interested in is pressing speculums, swabs, steroids into me. Telling me the amniotic sac has broken. I know, I know, I know these things. Is it not my body, my baby? They tell me the contractions should get slower now, but – there – I can feel them. Still fast. And little Leo, his heart rate is as speeding as mine. Beat, beat, beat we go. Will, leave Sophie! Come to us, not in a prison van, but in a bedazzlement of flowers and concern and awe!

They are telling me that if the contractions slow, they can monitor me for infection, for bleeding, keep me here, send me home, whichever I prefer. Gillian is hovering, feigning concern. But she does not understand what I need to do.

“Send her away,” I tell whichever person it is that is standing over me. “Send her away, I don’t want her here.”

“Poor thing’s delirious,” says Gillian. “I’d better stay.” And then she talks to me. “You’ll be quite alone, if I go,” she says. “Do you know what it is to bring a baby into the world alone?”

No, I say in my head. And nor do you! You weren’t here, you weren’t in a hospital with Will. You merely borrowed him, from a friend, for a while. A friend he is trying to kill. Apparently not a very good friend, if she can be sacrificed at the altar of Will-protection.

“I’d rather be alone than with you,” I say.

Gillian leans down and whispers in my ear. “Ellie, love. Think. You want someone that you know, for these hours. Or they’ll be dark, lonely hours. All alone, with strangers. When your child arrives, will you know what to do? How to look after him? Keep him alive?”

I jolt away from her. She is like a wasp, her words buzzing in my ear. I cannot shake them off as easily as I’d like. I’ve heard stories of people being left in wards, alone, and only a persistent relative brings the midwives running. At least Gillian will look out for her adoptive grandson, if not me. Maybe I should keep her here, not send her away? I toss my head from side to side as I try to decide.

“Try to rest,” a doctor/consultant/midwife tells me. “You’ll need all your energy, later.” In those dark, lonely hours. Perhaps Gillian can stay? “Just focus on the contractions. Are they still close together?”

I nod because they – ahh – definitely are.

And then Gillian, she does the unthinkable. She leaves me. She sort of potters off, her bag over her shoulder, leaving me alone. And I feel it then, what she has said. That now I am alone. Alone with people who take only a professional interest in me, not personal. Alone, and about to become a mother two months early. I’ve only had one antenatal class. I am not ready.

“Gillian?” I ask her retreating form.

She turns round to face me. And I see from her face that she wants me to feel this. This fear, this abandonment.

“I’m just going for some water,” she says. “I won’t be long. I know you need me.”

She is gone. And she has my phone. I’m alone and I’m no closer to Will. But there may still be a chance, while Gillian is away.

“Doctor,” I say to a man.

“I’m a midwife,” he says.

“Midwife,” I say. “I need you to phone my husband. I’ll give you his number. I need you to say exactly this: ‘It wasn’t her who did it, it was you. Who ended Max. In a tantrum. But now, I’m giving birth, early. You must come home.’”

“Right, you’re giving birth, he must come home. Except, you know, the doctors haven’t decided if you should give birth yet, we might try to delay – ”

“But the first part of the message, as well, the first part. ‘It wasn’t her who did it, it was you. Who ended Max. In a tantrum.’”

“Let me get a pen, write that down,” says the midwife.

“We’re losing time, don’t you see, we’re losing time!” I say.

“Don’t worry,” hushes the midwife. “You’re the most important person here.”

But how can he say that? Because I have a role, I have a role for my family. As – ahh – nurturer. For Will, and for Leo. Must be a life preserver, a life giver.

“Bring me a phone, then,” I say. “Bring me your mobile.”

He looks me in the eye. I plead into his. He disappears. And I realise, I am alone. The doctors and consultants, they are off somewhere, discussing, looking at swabs, at liquids, at charts. Then he reappears, the midwife, with a phone. I take it from him, and I’m dialling, I’m dialling, I’m dialling Will. Gillian is still nowhere to be seen. I can tell him. Come on, Will, answer. Please.

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