Mel McGrath - The Guilty Party

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‘MASTERFUL’ Guardian ‘IMPOSSIBLE TO PREDICT’ Erin Kelly ‘UTTERLY COMPELLING’Crime Monthly ‘5*’Heat ’WELL-CRAFTED AND CHILLING’ Woman ‘MCGRATH IS A DIAMOND-HARD TALENT’Financial TimesOn a night out, four friends witness a stranger in trouble. They decide to do nothing to help.Later, a body washes up on the banks of the Thames – and the group realises that ignoring the woman has left blood on their hands.But why did each of them refuse to step in? Why did none of them want to be noticed that night? Who is really responsible?And is it possible that the victim was not really a stranger at all?Praise for Mel McGrath:‘This roller-coaster read will have you hooked’ Closer‘This well-crafted, chilling tale of guilt and innocence has a compelling moral anchor’ Woman‘Lots of twists and turns in this toxic thriller.’ Hello!‘A dextrously written thriller and examination of guilt and innocence… a diamond-hard talent’ Financial Times‘McGrath excels in creating believably flawed characters, and her masterful control of suspense and pacing make for a psychological thriller that is both perceptive and disturbing’ Guardian‘Unsettling, disturbing and vital. 5*’ Heat‘Exploring guilt and innocence through several dark distinct perspectives, Cassie becomes a compelling moral anchor in this well-crafted and chilling tale’ Woman’s Own‘Easily the best …psychologically acute and deeply satisfying’ Telegraph‘Perceptive…McGrath is a thoughtful writer’ Daily Mail‘Utterly compelling right from the start…a deeply unsettling look at modern sexual behaviour and bystander culture’ Crime Monthly‘Chilling, fiendishly plotted and surprising, this stayed with me long after reading’ Woman & Home‘Absorbing … McGrath asks: should it be a crime to witness a violent event, and say nothing?’ The Times‘Brimming with trust issues and deceit, this will make you question whether we ever know who our friends really are’ Prima‘A clever, nuanced exploration of toxic friendship and the ties that bind people together’ Red‘Dark, thrilling, impossible to predict’ Erin Kelly, author of He Said She Said‘A scorching, clever thriller’ Tammy Cohen, author of They All Fall Down‘A dark and immersive journey into the heart of a toxic friendship group. I loved it.’ Harriet Tyce, author of Blood Orange

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At that moment the security guard approaches and asks us to leave the festival grounds.

‘Won’t the pubs be closed?’ asks Anna, as we begin to make our way towards the exit. She wants to go home to her lovely husband and her beautiful baby, and to her perfect house and her dazzling life.

But it’s my birthday, and it’s almost warm, and if Anna calls it a day, there’s a good chance Bo and Dex will too and I will be alone.

‘There’s a corner shop just down the road. I’m buying.’

Anna hesitates for a moment, then relenting, says, ‘Maybe one quick beer, then.’

In my mind I’ve played this moment over and over, sensing, as if I were now looking down on the scene as an observer, the note of desperation in my offer, the urgent desire to block out the drab thump of my guilty conscience. These are things I failed to understand back then. There is so much I didn’t see. And now that I do, it’s too late.

Anna accompanies me and we agree to meet the boys by Wapping Old Stairs, where the alleyway gives onto the river walk, so we can drink our beers against the backdrop of the water. At the shop, I’m careful not to show the cashier or Anna the contents of my bag.

Moments later, we’re back out on the street, and I’m carrying a four pack but, when Anna and I reach the appointed spot, Bo and Dex aren’t there. Thinking they must have walked some short distance along the river path we call and, when there’s no answer, head off after them.

On the walkway, the black chop of the river slaps against the brickwork, but there’s no sign of Bo or Dex.

‘Where did the boys go?’ asks Anna, turning her head and peering along the walkway.

‘They’ll turn up,’ I say, watching the supermoon sliding slowly through a yellow cloud.

‘It’s a bit creepy here,’ Anna says.

‘This is where we said we’d meet, so. . .’

We send texts, we call. When there’s no response we sit on the steps beside the water, drink our beers and swap stories of the evening, doing our best to seem unconcerned, neither wanting to be the first to sound the alarm. After all, we’ve been losing each other on and off all night. Patchy signals, batteries run down, battery packs mislaid, meeting points misunderstood. I tell Anna the boys have probably gone for a piss somewhere. Maybe they’ve bumped into someone we know. Bo is always so casual about these things and Dex takes his cues from Bo. All the same, in some dark corner of my mind a tick-tick of disquiet is beginning to build.

It’s growing cold now and the red hairs on Anna’s arms are tiny soldiers standing to attention.

‘Shall we call it a day?’ she says, giving me one of her fragile smiles.

I sling an arm over her shoulder. ‘Do you want to?’

‘Not really, but you know, we’ve lost the boys and . . . husbands, babies.’

And so we stand up and brushing ourselves down, turn back down the alley towards Wapping High Street, and that’s when it happens. A yelp followed by a shout and the sound of racing feet. Anna’s body tenses. A few feet ahead of us a dozen men burst round the corner into Wapping High Street and come hurtling towards us, some facing front, others sliding crabwise, one eye on whatever’s behind them, clutching bottles, sticks, a piece of drainpipe and bristling with hostility. A blade catches the light of a street lamp. We’re surrounded now by a press of drunk and angry men and women. From somewhere close blue lights begin to flash.

‘We need to get out of here,’ hisses Anna, her skinny hand gripping my arm.

They say a person’s destiny is all just a matter of timing. A single second can change the course of a life. It can make your wildest dreams come true or leave you with questions for which there will never be any answers. What if I had not done what I did earlier that night? And what if, instead of using the excuse of another beer to test the loyalty of my friends and reassure myself that, in spite of what had happened earlier that night, I couldn’t be all bad, I had been less selfish and done what the others wanted and gone home? Would this have changed anything?

‘Come on,’ I say, taking Anna’s hand and with that we jostle our way across the human tide, heading for the north side of the high street but we’re hardly half way across the road when we find ourselves separated by a press of people surging towards the tube. Anna reaches out an arm but is swept forwards away from me. I do my best to follow, ducking and pushing through the throng but it’s no good. The momentum of the crowd pushes me outwards towards the far side of the road. The last I see of Anna she is making a phone sign with her hand, then I am alone, hemmed in on one side by a group of staggering drunks and on the other by a blank wall far too high to attempt to scale.

Moments later, the crowd gives a great heave, a space opens up ahead and I dive into it, ducking under arms and sliding between backs and bellies and a few moments later find myself out of the crush and at the gates of St John’s churchyard, light-headed, bruised and with my right hand aching from where I’ve clutched at my bag, but otherwise unhurt. I feel for my phone and, checking to make sure no one’s looking, use the phone torch to check inside the bag. In my head I am making a bargain with God. Let me get out of here and I will try harder to believe in you. Also, I will find a way to make right what I have done. Not now, not right away, but soon. Now I just want to get home.

The light falters and in its place a low battery message glows. God’s not listening and there’s nothing from the others. I tap out a group text, where r u ?, and set myself to the task of getting out.

Taking the path through the churchyard, feeling my way past gravestones long since orphaned from their plots, I head along a thin, uneven stone path snaking between outbuildings at the back of the church. From the street are coming the sounds of disorder. Somewhere out of view a mischief moon is shining, but here the ground is beyond the reach of all but an echo of its borrowed light and it’s as quiet as the grave.

The instant my heart begins to slow there’s a quickening in the air behind me and in that nanosecond rises a sickening sense that I’m not alone. I dare not turn but I cannot run. My belly spasms with an empty heave then I am frozen. Does someone know what I’ve got? Have they come to claim it? What should I do, fight for it or let it go?

A voice cuts through the dark.

‘Cassie, darling, is that you?’

There’s a sudden, intense flare of relief. Spinning on my heels, I wait for Anna to catch me up. ‘Oh I’m so glad.’ She flings an arm around my shoulders and for a moment we hug until the buckle of my bag digs into my belly and I pull away. What a shitty birthday this has turned out to be. If they knew what I’d done some people would say it’s kismet or karma and if this is the extent of it I’ve got off lightly. They’d be right.

‘Have you seen the others?’ I ask Anna.

‘Bo was with me for a bit. He and Dex got caught up in the crowd which was why they didn’t make it to the Old Stairs, then they got separated. No idea where Dex is now. He might have texted me back, but my phone’s croaked.’

‘I got nothing from him either.’

‘You think we can get out that way?’ She points into the murk. ‘Hope so.’

We pick our way down the pathway into the thick black air beside the outbuildings, me in front and Anna following on. As we’re approaching the alleyway between the buildings my eye is drawn to something moving in the shadows. A fox or a cat maybe? No, no, too big for that. Way, way too big.

I’ve stopped walking now and Anna is standing right behind me, breathing down my neck. Has she sensed it too? I turn to see her pointing not to the alley but to the railings on the far side of the outbuildings.

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