Mel McGrath - The Guilty Party

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The Guilty Party: краткое содержание, описание и аннотация

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‘MASTERFUL’ Guardian ‘IMPOSSIBLE TO PREDICT’ Erin Kelly ‘UTTERLY COMPELLING’Crime Monthly ‘5*’Heat ’WELL-CRAFTED AND CHILLING’ Woman ‘MCGRATH IS A DIAMOND-HARD TALENT’Financial TimesOn a night out, four friends witness a stranger in trouble. They decide to do nothing to help.Later, a body washes up on the banks of the Thames – and the group realises that ignoring the woman has left blood on their hands.But why did each of them refuse to step in? Why did none of them want to be noticed that night? Who is really responsible?And is it possible that the victim was not really a stranger at all?Praise for Mel McGrath:‘This roller-coaster read will have you hooked’ Closer‘This well-crafted, chilling tale of guilt and innocence has a compelling moral anchor’ Woman‘Lots of twists and turns in this toxic thriller.’ Hello!‘A dextrously written thriller and examination of guilt and innocence… a diamond-hard talent’ Financial Times‘McGrath excels in creating believably flawed characters, and her masterful control of suspense and pacing make for a psychological thriller that is both perceptive and disturbing’ Guardian‘Unsettling, disturbing and vital. 5*’ Heat‘Exploring guilt and innocence through several dark distinct perspectives, Cassie becomes a compelling moral anchor in this well-crafted and chilling tale’ Woman’s Own‘Easily the best …psychologically acute and deeply satisfying’ Telegraph‘Perceptive…McGrath is a thoughtful writer’ Daily Mail‘Utterly compelling right from the start…a deeply unsettling look at modern sexual behaviour and bystander culture’ Crime Monthly‘Chilling, fiendishly plotted and surprising, this stayed with me long after reading’ Woman & Home‘Absorbing … McGrath asks: should it be a crime to witness a violent event, and say nothing?’ The Times‘Brimming with trust issues and deceit, this will make you question whether we ever know who our friends really are’ Prima‘A clever, nuanced exploration of toxic friendship and the ties that bind people together’ Red‘Dark, thrilling, impossible to predict’ Erin Kelly, author of He Said She Said‘A scorching, clever thriller’ Tammy Cohen, author of They All Fall Down‘A dark and immersive journey into the heart of a toxic friendship group. I loved it.’ Harriet Tyce, author of Blood Orange

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‘She’ll be along in a bit. She says don’t leave A&E without her.’

They’ve just walked through the swing doors into a heave of mostly blokes with what look like minor injuries; casualties of the fighting, Bo supposes. He wonders if there’s a private A&E he can go to, avoid the queues, but if there is, the likelihood of its being here in the East End is pretty low. He thinks about packing it in and just going home, then thinks it might be useful to have himself on camera in the A&E.

They join the line at the triage desk.

‘Fancy a coffee?’ says Dex. In one corner of the waiting room is a bank of vending machines. Bo looks over and spots a camera on the ceiling above the machines. Could be useful. Certainly won’t hurt.

‘You stay in line,’ he says. ‘I’ll go.’

6

Cassie

Evening, Thursday 29 September, Isle of Portland

Bo is uncorking an expensive-looking bottle of wine.

‘A Chevalier-Montrachet. Before you say anything, I already know you think I’m a tosser and this weekend I mean to make you all beneficiaries of my tosserdom.’ This is how Group evenings usually start, and end for that matter. With wine and Bo and Bo’s money. Anna, who is popping potatoes in the oven, slaps her hands together, and comes over to receive her glass.

‘Here’s to tossers,’ Dex says. The wine is creamy and complicated and gone in an instant.

‘God, that’s dee-lish,’ Anna says, accepting Bo’s top-up. ‘I can’t tell you how nice it is to be here. You know how much I adore Ralphie . . .’

Making a show of not listening, Bo sticks his fingers in his ears and begins loudly singing, la la la . ‘No babies, diseases or unfortunate events.’

Anna, who has already polished off her second glass, fakes a smile.

‘Let’s eat,’ says Bo.

At the table is Anna’s home-made pâté which is, of course, delicious, because, though Anna herself rarely eats, she makes it her business to be an amazing cook. Even when we were students and all we cooked was beans on toast, Anna would always come up with some delectable little variation on the theme, a grating of cheese, a splash of Lea and Perrins, a sprinkle of mustard powder, a spoonful of treacle and a splash of lemon and then sit and watch us eat it.

‘So, mate, what’s the plan?’ Dex asks, tucking into his third slice of pâté. ‘There’s a farmer’s market at the weekend, apparently.’

‘Fossils. Wine. Walks. A small addition to the Big Black Book. Otherwise, there is no plan,’ Bo says.

Anna spreads a cracker and lays it delicately on her plate. ‘You’re going on a date?’

‘Already arranged,’ Bo says, knocking back his second glass. He’s swiped right on a woman living in one of the villages in the south of the island. ‘Because why not? Let’s just say I’m field testing my app’s performance in rural areas.’

Anna leans in, her eyes bright, and momentarily rests her head on Dex’s shoulder. ‘What about you, darling?’

‘I haven’t really thought about it,’ says Dex.

Bo has helped himself to seconds, and with his mouth full says, ‘Between getting trashed and bouts of casual sex, I’m intending to go on some lovely walks with my friends. Only if you want, though. It’s all really chill. Tomorrow morning we could go over to the Weares. There are feral goats everywhere and the fossiling is good if you get the right day. There’s a climbing outfit down that way too, if anyone fancies it. You climb up this rock face and onto the top by the prison. It’s kind of cool.’

‘Oh God, all that lycra,’ says Dex, camply.

The pâté finished, Anna brings over the chicken. Neither Bo nor I have much talent in the kitchen, Bo because he always eats out and me because there’s always someone else’s washing up in the sink at the flat in Tottenham and because, until a month ago, I was always broke. The supposedly legendary entrepreneurial millennial spirit somehow passed me by. Ambition too. Hence temporary teaching assistant. Great work when there is any but, like any line of work these days that doesn’t involve tech, finance or roasting artisan coffee, terrible pay.

Bo has now opened a third bottle.

‘By the way, Casspot, you’re looking very hot. Is that a new outfit or have you done something to your hair?’

‘Both.’

‘Oh?’ Anna’s eyebrows rise.

Dex leans over from the other side of the table and plants a kiss on my hair. ‘You got that promotion! Why didn’t you say?’ ‘Let’s drink to promotions,’ Bo says, raising his glass.

The glasses clink prettily and for a moment silence falls and is then broken by the strangled screech of some nocturnal creature.

Anna puts down her glass. ‘What the hell was that?’

‘The cry of the Mer-Chicken,’ jokes Bo.

‘We’re about to eat its mate and it’s very, very angry,’ says Dex.

‘Whoever heard of a Mer-Chicken anyway?’ Anna says.

‘Everyone on Portland?’ says Bo.

‘It sounded like a vixen to me,’ I say.

‘Mate, if you’re talking about that thing in the porch it’s a crap stone mermaid with eighties hair someone bought on sale in the local garden centre,’ says Dex. ‘Wooo, I’m scared.’

‘Obviously that’s not the real one,’ Bo says.

‘Oh, and could that be because there is no real one?’ Dex eye-rolls.

‘Portlanders say it’s a harbinger of death,’ Bo goes on.

‘Don’t be creepy, darling,’ says Anna, addressing herself to Bo and, wielding the carving knife and fork, in her practical way, adds, ‘The only chicken in this house is the one sitting on the table getting cold. Now, leg or breast?’

Later, after another few glasses of wine, we are sitting over plates of Normandy apple tart Dex bought from the French bakery in Butler’s Wharf when I hear myself say, ‘Maybe we’re rather creepy?’

There is a stillness around the table. If you really want to know the truth, the Big Black Book has given me a queasy feeling for years. After what happened at the festival, I don’t know any more. Somewhere along the line did we lose our moral compass?

‘Oh dear, Cassie’s in one of her dark moods.’ Dex wipes a paper napkin across his lips.

‘Where did that come from all of a sudden?’ says Bo.

‘I don’t know . . . just all the in-jokes, never bringing new people into the Group, the Big Black Book.’

Let me tell you a little about the Big Black Book. It feels as though we summoned it into being a lifetime ago. All these years later it still seems like the product of a spell. But it came out of one ordinary evening, when we were celebrating Anna’s birthday in Pizza Express. I was the girl who ordered the Veneziana back then, not because I particularly liked it (raisins on a pizza, God no), but because they donated 50p to charity if you did. I see that now for what it was – a particularly self-defeating form of virtue signalling, a product of the feeling of inadequacy which shadowed me then. I still had only the skimpiest notion of why Anna, Bo and even Dex seemed to want to hang out with me. Now I know that they saw me as living in a parallel moral universe, one that was no better or worse than theirs, only different and, in their view, as charmingly quaint as a piece of the expensively retro furniture with which they decorated their newly purchased bank-of-mum-and-dad luxury apartments. Anna, who viewed anything edible as reason to engage in moral combat, ordered a salad niçoise with no dressing or dough balls. Naturally, the boys always ordered whatever they wanted, never imagining that anyone would be stupid enough to do otherwise.

Bo had stumped up for a bottle of cava – this was when he was still a struggling IT entrepreneur – and we were raising a glass when Anna said, ‘For my birthday, I’d like everyone to tell us all a secret. Don’t you think it would be fun for us to know something about each other that nobody else does?’

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