Beatriz Williams - The Golden Hour

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From the New York Times bestselling author: a dazzling WWII epic spanning London, New York and the Bahamas and the most infamous couple of the age, the Duke and Duchess of WindsorThe Bahamas, 1941. Newly-widowed Lulu Randolph arrives in Nassau to investigate the Governor and his wife for a New York society magazine whose readers have an insatiable appetite for news of the Duke and Duchess of Windsor, that glamorous couple whose love affair nearly brought the British monarchy to its knees five years earlier.But beneath the glitter of Wallis and Edward’s marriage lies an ugly – and even treasonous – reality. In the middle of it all stands Benedict Thorpe: a handsome scientist of tremendous charm and murky national loyalties. When Nassau’s wealthiest man is murdered in one of the most notorious cases of the century, Lulu embarks on a journey to discover the truth behind the crime.The stories of two unforgettable women thread together in this extraordinary epic of sacrifice, human love and human courage, set against a shocking true crime… and the rise and fall of a legendary royal couple.

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Having spent the last two years of my life in what you might call a prison, in a series of cheap boardinghouses in cheap American towns, I couldn’t quite accustom myself to this landscape of heat and color and clarity, this excess of blue that was the Bahamas. When I’d stepped outside the metal skin of the airplane to the earth of Oakes Field, three weeks ago, I thought I’d traveled into another universe. I thought I’d stepped into another Earth entirely, a paradise lit by an eternal sun, a release from everything old, everything dreary. Then I touched land and discovered that freedom was not so straightforward, that you could move to a different universe but you couldn’t escape the prison of your own skin.

Still, I hadn’t entirely lost that sense of unreality, especially when I found the line of that horizon and searched in vain for any cloud. The British Colonial Hotel sprawled ahead on West Bay Street, white and crisp like a castle made of wedding cake. A breeze came off the ocean, smelling of brine. The sand, oh. How I’d miss the fluid, delicate sand, slithering between my toes. I dragged on my cigarette and stared again at Hog Island, now gilded by the rising moon. The lighthouse twinkled from the western tip. Some Swedish fellow owned the island, an inventor, built the vacuum cleaner and the electric icebox, God bless him. Came here to the Bahamas because of the taxes—the absence of taxes, I should say, and why not? A fellow who invents the vacuum cleaner, he’s done his share for humanity. Let him wallow in profits and buy a goddamn island in paradise and call it Shangri-La. Let him buy the largest private yacht in the world and swan around the seven seas. Wenner-Gren, that was his name. Axel Wenner-Gren. There was a Mrs. Wenner-Gren too. No doubt Mrs. Wenner-Gren was invited to all the duchess’s parties. And she hadn’t even had to invent a solid-state electric icebox! Just to marry the man who had. I tossed my cigarette into the sand and turned to walk back to the Prince George Hotel.

As I reached the base of George Street, I hesitated. Instead of continuing to the hotel, I turned left, walked up the street, past the Red Cross headquarters to stand at the bottom of the steps that led to Government House. Darkness had drained away the pinkness of it, the confectionary quality. A constellation of lights shone through the various windows. I could just make out the guards at the main entrance, standing at brutal attention, and the perfume of the night blossoms, wafting from the gardens behind their wall.

BACK IN MY ROOM AT the Prince George, I changed into my pajamas, brushed my teeth, drank a glass of water, and took some aspirin. Fetched my suitcase from the wardrobe and opened it. There was a knock on the door, not entirely unexpected. I had asked for a final bill from the front desk, as I intended to check out tomorrow morning.

But it was not the bill at all. It was an envelope, addressed in an elegant, calligraphic hand to Mrs. Leonora Randolph. Inside lay an invitation from the Duke and Duchess of Windsor to a cocktail party this Saturday at seven P.M. in the gardens of Government House, to benefit the Central Bahamas Chapter of the International Red Cross Society.

ELFRIEDE

AUGUST 1900

(Switzerland)

TWO WEEKS AFTER the encounter in the infirmary garden, Herr Doktor Hermann offers Elfriede an unusual question in the middle of their afternoon discussion.

“Would you say, Elfriede,” he intones, making a bridge with his hands, “would you say that you love your husband?”

ELFRIEDE’S HUSBAND. DOES SHE LOVE him? They were married four years ago. She’d celebrated her eighteenth birthday only a month before the wedding, in a small party attended by her parents and siblings and prospective sisters-in-law (her husband is an orphan) and Gerhard himself—of course—aged thirty-three, the giant Baron von Kleist who was doing her such a preposterous honor as to marry her. Of course, her beauty was to blame for that. Why else should a baron of such ancient lineage, of considerable fortune and figure, stoop to marry the daughter of a mere burgher? They had met skating on the village pond, a democratic location. Elfriede was an especially graceful skater, and Gerhard was not, and whether by accident or intent he had crashed into her, just gently enough that she wasn’t hurt, but so decisively that he had no choice but to apologize profusely for the accident and buy her a cider. “Why, he’s in love with you,” her mother whispered eagerly the next day, after the baron paid an afternoon call to assure himself of Elfriede’s recovery, and Elfriede—well, Elfriede was too overwhelmed, too flattered, too mesmerized to understand whether she returned that love or not. Gerhard von Kleist was not exactly handsome, but he was tall and magnificently built, he was well-dressed and well-read, he had a disarmingly earnest way about him, and above all he was Gerhard von Kleist! He was a nobleman, the hereditary master of Schloss Kleist; he was a great man, he was an officer in the army, he hunted often with the Kaiser himself. By April they were engaged; by June the banns were called, and on the first of July they were married in the beautiful church in the village, disapproving sisters-in-law to one side and ecstatic parents to the other, amid much good-natured congregational whispering about the baron’s haste to make the flaxen-haired Elfriede his lawful bride.

Before they left for the church, in the carriage bedecked with flowers, Elfriede’s mother pressed a lace handkerchief into her hand, as tradition required. Elfriede was to mop up her bridal tears with this linen square, and afterward to fold it and tuck it away in her drawer on her wedding night. There it’s supposed to lie, until one day, when Elfriede dies, the Cloth of Tears will shroud her cold, dead features. Tradition. As it turned out, Elfriede didn’t cry at all during the ceremony that united her to Gerhard, nor in the carriage to Schloss Kleist while Gerhard held her hand snugly beneath her massive wedding dress, nor during the wedding banquet in the schloss’s baroque great hall, two hundred years old, bearing an exquisite resemblance to the wedding cake itself. (Her mother exclaimed over the dryness of the Cloth of Tears, when she extracted it unused from Elfriede’s bodice as she prepared her daughter for bed.) And she did not cry when Gerhard himself entered the nuptial chamber, smelling pungently of soap, dressed in pajamas and a silk dressing gown. Elfriede had drunk several glasses of champagne, and her new husband appeared to her in a haze as he approached the monumental bed on which his bride sat. He knelt—such a big, powerful man, thirty-three years old, kneeling before her!—and covered her hands with kisses. Elfriede stared down at his wheaten head, worshiping her, and felt a sincere, loving warmth move her heart. A sincere connection to Gerhard, who had shared this day with her, who had stood by her side, the two of them united against all those curious guests and well-wishers. “I will be gentle, my dearest girl,” he promised, removing her nightgown with trembling fingers, kissing her mouth and her breasts and everything else, and Elfriede, dazed and tender, lay back on the embroidered bedspread while he climbed on top of her, and still she didn’t cry. He untied the belt of his dressing gown and shrugged it off, but he didn’t remove his pajamas. Perhaps he didn’t want to frighten her. In any case, he reached inside his pajama trousers and drew out his organ, primed for business, and Elfriede, being somewhat drunk for the first time in her life, couldn’t help glancing at this thing that had consumed her curiosity since adolescence, this object designed by nature to plant seeds inside her womb. At the reality of her husband’s erection, however, the tears sprang at last to her eyes. “Oh no!” she said, but it was too late. Gerhard’s face had already clouded over with rapture, he was already fitting this startling, stiff machine—nothing like the harmless anatomy of the classical statues, God have mercy, of the Renaissance paintings—between her legs. As he shoved his way in, saying her name and invoking his love for her while he split her apart, she gripped the pillows and wept, but the Cloth of Tears was already tucked away in her bureau, unreachable and useless.

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