COPYRIGHT
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author's imagination. Any resemblance to actual persons, living or dead, events of localities is entirely coincidental.
Harper Voyager
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Copyright © John Pritchard 1998
John Pritchard asserts the moral right to be identified as the author of this work
For permission to reproduce copyright material the author would like to thank the following:
Lyrics from Sell Out (words & music by Simon Friend, Charles Heather, Mark Chadwick, Jonathan Sevink & Jeremy Cunningham) © 1991 Empire Music Ltd, 47 British Grove, London W4 for the World. Used by permission of Music Sales Ltd. All rights reserved. International copyright secured.
Lyrics from The Fear (words & music by Simon Friend, Charles Heather, Mark Chadwick, Jonathan Sevink & Jeremy Cunningham) © 1995 Empire Music Ltd, 47 British Grove, London W4 for the World. Used by permission of Music Sales Ltd. All rights reserved. International copyright secured.
Lyrics from Forgotten Ground (words & music by Simon Friend, Charles Heather, Mark Chadwick, Jonathan Sevink & Jeremy Cunningham) © 1995 Empire Music Ltd, 47 British Grove, London W4 for the World. Used by permission of Music Sales Ltd. All rights reserved. International copyright secured.
Lyrics from Tell Me about the Forest , by Dead Can Dance, © 1993, reproduced by kind permission of Beggars Banquet Music/Momentum Music.
Lyrics from The People who Stumbled in Darkness , by Roger Ruston, reproduced by kind permission of the author.
A catalogue record for this book is available from the British Library
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Source ISBN: 9780006496373
Ebook Edition © OCTOBER 2016 ISBN: 9780008219499
Version: 2019-04-11
DEDICATION
To
Mum and Dad,
who laid the deep foundations.
Michael Wood,
who made the past alive.
and F.M.E.,
who’s still my leading lady.
EPIGRAPH
Behind them, to divide the carrion meat ,
They left the raven, dark and shadow-clad ,
With cruel beak; the dun-cloaked eagle too ,
With his white tail – exulting in the feast ,
A hungry battle-hawk; and the grey beast ,
The wolf of the deep woods …
THE ANGLO-SAXON CHRONICLE, 937
Watchman, what is left of the night?
Watchman, what is left?
The watchman replies:
Dawn is coming, and also the dark.
ISAIAH 21:11 – 12
CONTENTS
Cover
Title Page
Copyright
Dedication
Epigraph
PROLOGUE (1989)
Rising Signs
PART ONE WATCHERS (1993)
I Spire Dreams
II Grey Ravens
III Cross of Iron
IV Testament
V Heaven and Hell
VI No Man’s Land
VII Running Blind
VIII The Waste Down
PART TWO SLEEPERS
I Fiends and Ashes
II Out of the Deep
III Predicator
IV Mind and Memory
V Dreams and Decay
VI Grief Riders
PART THREE SHADOWS
I Green Blades Rising
II On Earth as It Is in Hell
III Wessexena Sky
IV Moonblade
V Harrow Path
VI Home from the Hill
VII Our Summer
PART FOUR HUNTERS
I The Watchman’s Mark
II Odysseus
III Stranger
IV Wolf Hook
V Witch Hunt
VI Tare Dog
VII Circle of Sorrow
VIII The Anger of God
IX Lightning East to West
X No Graves on Badon Hill
PART FIVE RAIDERS
I Land-Waster
II Bone Fire
III Celebrant
IV The Lych-Road
V Fields of Blood
VI The Fell Tale of the West
VII Dark Moon Rising
VIII The Sermon of the Wolf
PART SIX MARTYRS
I Massacre Is My Forgiveness
II A Thousand Silver Pieces on the Black
III True Cross
IV Dead Men Ride
V In Search of Holy England
VI Night in Gehenna
VII Requiem
VIII Dominion
PART SEVEN PILGRIMS
I Liberation
II Inferno
III The Rage of Killing
IV Mystic and Severe
V Hell’s Ditch
VI Winter Runes
PART EIGHT WARRIORS
I Forgotten Ground
II On the White Hill
III Saint and Sorceress
IV Reprisal Weapons
V The Saying of the Swords
VI Wilderness
VII Black Cavalry
VIII Hard Standing
IX Legion
X Snake
PART NINE RAVENS
I Book of Shadows
II The Betrayed
III The Field of Blades
IV The Cat, the Wolf and the Dog
V Scorpion Gate
VI The Fire of the Dove
VII The End of the River
VIII A Roof for a Skyful of Stars
EPILOGUE
So Close that There Is Nothing in Between
Keep Reading
Author’s Note
About the Author
Other Books By
About the Publisher
Prologue
RISING SIGNS
(1989)
As touching the terrors of the night, they are as many as our sins. The night is the Devil’s black book, wherein he recordeth all our transgressions.
Thomas Nashe
She had no truck with horoscopes. No way could someone’s future be predicted by the stars. And yet, as Frances glanced at them with casual disinterest, her own was written there for her to see.
The sky tonight was orange and polluted, but frosty sparks were showing here and there. The only shapes she recognized were two her mum had shown her – out in the back, one bedtime, long ago. From the flyover embankment, she could see them well enough. The Great Bear, rising upward from the dark fields to the north; and setting in the west, the Northern Cross.
Cars passed fitfully, racing westward through the night; the junction left behind before they knew it. In the lengthy gaps between them, the dark and silent countryside drew closer. Fran turned on the spot, then pulled back her glove to check her watch. Just past midnight. They’d got here first this time.
Wrapping her long coat closer, she went back to the car. It was parked up a service road, just short of the underpass. The others had sat tight; she didn’t blame them. Paul leaned across to open the passenger door, and she climbed in, drawing a shivery breath between her teeth.
‘Anything?’
Fran shook her head. ‘Dead quiet.’
The CB crackled briefly, then lapsed into an empty, spooky hiss. She gave it a glance. The set was clamped below the dashboard, its digits glowing green.
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